1. Annus Mirabilis: The Film in 1927
  2. Kevin Brownlow
  3. pp. 168-178
  4. DOI: 10.1353/fih.2005.0017
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  1. Fox 1927: A Year in Pictures
  2. Schawn Belston, Rob Easterla
  3. pp. 179-186
  4. DOI: 10.1353/fih.2005.0014
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  1. Murnau, Movietone and Mussolini
  2. Janet Bergstrom
  3. pp. 187-204
  4. DOI: 10.1353/fih.2005.0016
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  1. What Was Adolph Zukor Doing in 1927?
  2. Douglas Gomery
  3. pp. 205-216
  4. DOI: 10.1353/fih.2005.0019
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  1. Station R-O-X-Y: Roxy and the Radio
  2. Ross Melnick
  3. pp. 217-233
  4. DOI: 10.1353/fih.2005.0026
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  1. 'It's No Use to Have an Unhappy Man': Paul Fejos at Universal
  2. Richard Koszarski
  3. pp. 234-240
  4. DOI: 10.1353/fih.2005.0025
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  1. Sauerkraut & Sausages with a Little Goulash: Germans in Hollywood, 1927
  2. Jan-Christopher Horak
  3. pp. 241-260
  4. DOI: 10.1353/fih.2005.0022
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  1. The Little Theatre Movement: The Institutionalization of the European Art Film in America
  2. Tony Guzman
  3. pp. 261-284
  4. DOI: 10.1353/fih.2005.0020
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  1. Sorrell and Son : Difficult Viewing
  2. James Hahn
  3. pp. 285-288
  4. DOI: 10.1353/fih.2005.0021
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  1. 1927, Year One of the French Film Heritage?
  2. Christophe Gauthier, Laure Brost
  3. pp. 289-306
  4. DOI: 10.1353/fih.2005.0018
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  1. Men Without Women: The Avatars of What Price Glory
  2. Lea Jacobs
  3. pp. 307-333
  4. DOI: 10.1353/fih.2005.0023
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  1. 1927: The Apotheosis of the French Historical Film?
  2. Laurent Veray, Bill Krohn
  3. pp. 334-351
  4. DOI: 10.1353/fih.2005.0027
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  1. Memory Work: French Historical Epics, 1926-1927
  2. Richard Abel
  3. pp. 352-362
  4. DOI: 10.1353/fih.2005.0013
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  1. The Foundation of Modernism: Japanese Cinema in the Year 1927
  2. Hiroshi Komatsu
  3. pp. 363-375
  4. DOI: 10.1353/fih.2005.0024
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  1. Introduction: The Year 1927
  2. Janet Bergstrom
  3. pp. 163-167
  4. DOI: 10.1353/fih.2005.0015
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