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Jewish Film & New Media: An International Journal (October 2018)

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Arnon Goldfinger’s The Flat: Holocaust Memory, Film Noir, and the Pain of Others

Yael Munk
Jewish Film & New Media: An International Journal -- Volume 4, Number 1, Spring 2016
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Holocaust Humor, Satire, and Parody on Israeli Television

Liat Steir-Livny
Jewish Film & New Media: An International Journal -- Volume 3, Number 2, Fall 2015
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Serial Trauma: Seriality and Post-Trauma in the Israeli Television Drama Parashat Ha-Shavu’a

Itay Harlap
Jewish Film & New Media: An International Journal -- Volume 1, Number 2, Fall 2013
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Got Jewish Milk?: Screening Epstein and Van Sant for Intersectional Film History

Helene Meyers
Jewish Film & New Media: An International Journal -- Volume 5, Number 1, Spring 2017
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Bastardized History: How Inglourious Basterds Breaks through American Screen Memory

Stella Setka
Jewish Film & New Media: An International Journal -- Volume 3, Number 2, Fall 2015
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Adapting Masculinities: Israeli and American Genres Redefining Mizrahi Masculinity in the TV Series Haborer

Ronen Gil
Jewish Film & New Media: An International Journal -- Volume 4, Number 1, Spring 2016
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The Importance of Jewish Ritual in the Secular, Postmodern World of Transparent

Roberta Rosenberg
Jewish Film & New Media: An International Journal -- Volume 5, Number 1, Spring 2017
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On Acevedo-Muñoz’s West Side Story as Cinema: The Making and Impact of an American Masterpiece

Stephen J. Whitfield
Jewish Film & New Media: An International Journal -- Volume 2, Number 2, Fall 2014
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On Casty’s Robert Rossen: The Films and Politics of a Blacklisted Idealist

Vincent Brook
Jewish Film & New Media: An International Journal -- Volume 2, Number 2, Fall 2014
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Introduction

Nathan Abrams
Jewish Film & New Media: An International Journal -- Volume 1, Number 1, Spring 2013
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