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Scottish Literary Review (October 2017)

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The Chandeliers of the Metropole: A Vivid Glow Upon the Just and the Unjust in Muriel Spark's The Driver's Seat

Robert Ellis Hosmer Jr.
Scottish Literary Review -- Volume 9, Number 1, Spring/Summer 2017
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Angels, Dancers, Mermaids: The Hidden History of Peckham in Muriel Spark’s The Ballad of Peckham Rye

Jan Gorak
Scottish Literary Review -- Volume 6, Number 1, Spring/Summer 2014
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The Love Songs and Love Lyrics of Robert Burns and John Clare

Adam White
Scottish Literary Review -- Volume 5, Number 2, Autumn/Winter 2013
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‘[You can’t kill me]’: Scottish Identity and the Anglo-Scottish Union in David Greig’s Dunsinane

Sila Şenlen Güvenç
Scottish Literary Review -- Volume 6, Number 2, Autumn/Winter 2014
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The Exportation of Lewis Grassic Gibbon

William K. Malcolm
Scottish Literary Review -- Volume 8, Number 1, Spring/Summer 2016
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‘Daughter of an Outcast Queen’ – Defying State Expectations in Jenni Fagan’s The Panopticon

Fiona McCulloch
Scottish Literary Review -- Volume 7, Number 1, Spring/Summer 2015
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John Burnside's Living Nowhere as Industrial Fiction

H. Gustav Klaus
Scottish Literary Review -- Volume 5, Number 1, Spring/Summer 2013
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Review Essay: Writers on Scottish Independence

Alex Thomson
Scottish Literary Review -- Volume 5, Number 1, Spring/Summer 2013
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The Space of Fiction: Voices from Scotland in a Post-Devolution Age by Marie-Odile Pittin-Hedon (review)

Matt McGuire
Scottish Literary Review -- Volume 7, Number 2, Autumn/Winter 2015
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