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Romance Notes (October 2018)

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Disordered Topographies in Zola's La Curée

Masha Belenky
Romance Notes -- Volume 53, Number 1, 2013
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Mother-Daughter Relationship in Laura Esquivel's Como agua para chocolate

Jeanine Lino Perez
Romance Notes -- Volume 49, Number 2, 2009
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El amor vivificante de Antígona González, de Sara Uribe

Luz Elena Zamudio Rodríguez
Romance Notes -- Volume 54, Special Issue, 2014
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Illness, Authenticity and Tolerance in Pedro Almodóvar’s Todo sobre mi madre

Victoria Rivera-Cordero
Romance Notes -- Volume 52, Number 3, 2012
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Ma(r)king Popol Vuh

John M. Woodruff
Romance Notes -- Volume 51, Number 1, 2011
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Las soldaderas de Elena Poniatowska: Estampas femeninas de la Revolución

Alicia Rita Rueda-Acedo
Romance Notes -- Volume 51, Number 3, 2011
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Fashion, Gender and Cultural Anxiety in Italian Baroque Literature

Eugenia Paulicelli
Romance Notes -- Volume 50, Number 1, 2010
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Images of the femme fatale in Two Short Stories by Emilia Pardo Bazán

Susan Walter
Romance Notes -- Volume 55, Number 2, 2015
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Wounded Nation, Voided State: Sara Uribe’s Antígona González

Tamara R. Williams
Romance Notes -- Volume 57, Number 1, 2017
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