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a/b: Auto/Biography Studies (April 2018)

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Writing the Lives of Painters: Biography and Artistic Identity in Britain 1760–1810 by Karen Junod (review)

Daniel Vuillermin
a/b: Auto/Biography Studies -- Volume 28, Number 2, Winter 2013
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“Serv[ing] under two masters”: Virginia Woolf’s Afterlives in Contemporary Biofictions

Monica Latham
a/b: Auto/Biography Studies -- Volume 27, Number 2, Winter 2012
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Nationalizing Abject American Artists: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat

Julie Codell
a/b: Auto/Biography Studies -- Volume 26, Number 1, Summer 2011
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“Like a Thief Returning to the Shelf”: The Givens of Autobiography in Lyn Hejinian’s My Life

Rachael McLennan
a/b: Auto/Biography Studies -- Volume 26, Number 2, Winter 2011
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Filming the Ineffable: Biopics of the British Royal Family

Giselle Bastin
a/b: Auto/Biography Studies -- Volume 24, Number 1, Summer 2009
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Maya Angelou’s Memoirs in the “Gastronomic Contact Zone”: Seriality and Citizenship

Nicole M. Stamant
a/b: Auto/Biography Studies -- Volume 27, Number 1, Summer 2012
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The Fat Memoir as Autopathography: Self-Representations of Embodied Fatness

Kathryn E. Linder
a/b: Auto/Biography Studies -- Volume 26, Number 2, Winter 2011
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A Thousand Darknesses: Lies and Truth in Holocaust Fiction by Ruth Franklin (review)

Heidi E. Bollinger
a/b: Auto/Biography Studies -- Volume 28, Number 1, Summer 2013
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Matthew Henson and the Antinomies of Racial Uplift

Anthony S. Foy
a/b: Auto/Biography Studies -- Volume 27, Number 1, Summer 2012
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