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Camera Obscura (January 2018)

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"The Ineffaceable Curse of Cain": Racial Marking and Embodiment in Pinky

Elspeth Kydd
Camera Obscura -- 43 (Volume 15, Number 1), 2000
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Quality versus Relevance: Feminism, Race, and the Politics of the Sign in 1970s Television

Kirsten Marthe Lentz
Camera Obscura -- 43 (Volume 15, Number 1), 2000
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Can "We All" Get Along?: Social Difference, the Future, and Strange Days

Mark Berrettini
Camera Obscura -- 50 (Volume 17, Number 2), 2002
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Hoodoo Economics: White Men's Work and Black Men's Magic in Contemporary American Film

Heather J. Hicks
Camera Obscura -- 53 (Volume 18, Number 2), 2003
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Strange Days and the Subject of Mobility

Brian Carr
Camera Obscura -- 50 (Volume 17, Number 2), 2002
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Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film

Despina Kakoudaki
Camera Obscura -- 50 (Volume 17, Number 2), 2002
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In the Archives of Lesbian Feelings: Documentary and Popular Culture

Ann Cvetkovich
Camera Obscura -- 49 (Volume 17, Number 1), 2002
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"Cinema at Its Source": Synchronizing Race and Sound in the Early Talkies

Alice Maurice
Camera Obscura -- 49 (Volume 17, Number 1), 2002
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