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Camera Obscura (April 2018)

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"The Ineffaceable Curse of Cain": Racial Marking and Embodiment in Pinky

Elspeth Kydd
Camera Obscura -- 43 (Volume 15, Number 1), 2000
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Dolls in Fragments: Daisies as Feminist Allegory

Bliss Cua Lim
Camera Obscura -- 47 (Volume 16, Number 2), 2001
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Pathos and Pathology: The Cinema of Todd Haynes

Mary Ann Doane
Camera Obscura -- 57 (Volume 19, Number 3), 2004
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Envisioning the (W)hole World "Behind Things": Denying Otherness in American Beauty

Vincent Hausmann
Camera Obscura -- 55 (Volume 19, Number 1), 2004
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Quality versus Relevance: Feminism, Race, and the Politics of the Sign in 1970s Television

Kirsten Marthe Lentz
Camera Obscura -- 43 (Volume 15, Number 1), 2000
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The Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk

Sharon Willis
Camera Obscura -- 54 (Volume 18, Number 3), 2003
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Marina Abramovic's Performance: Stresses on the Body and Psyche in Installation Art

Maureen Cheryn Turim
Camera Obscura -- 54 (Volume 18, Number 3), 2003
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In the Archives of Lesbian Feelings: Documentary and Popular Culture

Ann Cvetkovich
Camera Obscura -- 49 (Volume 17, Number 1), 2002
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