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Arizona Quarterly: A Journal of American Literature, Culture, and Theory (September 2018)

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“No Future”: Time, Punk Rock and Jennifer Egan’s A Visit from the Goon Squad

Martin Moling
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 72, Number 1, Spring 2016
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Capote's In Cold Blood: The Search for Meaningful Design

John Hollowell
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 53, Number 3, Autumn 1997
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White and "Black" versus Yellow: Metaphor and Blade Runner's Racial Politics

Brian Locke
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 65, Number 4, Winter 2009
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“Phonies” and Phone Calls: Social Isolation, the Problem of Language, and J.D. Salinger’s The Catcher in the Rye

Ian Kinane
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 73, Number 4, Winter 2017
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The Great Gatsby's Aesthetics of Non-Identity

John Hilgart
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 59, Number 1, Spring 2003
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The Great Gatsby: Grief, Jazz and the Eye-Witness

Mitchell Breitwieser
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 47, Number 3, Autumn 1991
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Scratching the Surface: Tender Buttons and the Textures of Modernism

Chad Bennett
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 73, Number 1, Spring 2017
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Flannery O’Connor’s Productive Violence

Doreen Fowler
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 67, Number 2, Summer 2011
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Who is Jane?: The Intricate Feminism of Charlotte Perkins Gilman

William Veeder
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 44, Number 3, Autumn 1988
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"I Don't Know How It Works": The Wizard of Oz and the Technology of Alienation

Joshua David Bellin
Arizona Quarterly: A Journal of American Literature, Culture, and Theory -- Volume 60, Number 4, Winter 2004
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