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University of Toronto Quarterly (December 2018)

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'Just a Backlash': Margaret Atwood, Feminism, and The Handmaid's Tale

S. C. Neuman
University of Toronto Quarterly -- Volume 75, Number 3, Summer 2006
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Rethinking Sexuality and Class in Twelfth Night

Nancy Lindheim
University of Toronto Quarterly -- Volume 76, Number 2, Spring 2007
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Hyde the Hero: Changing the Role of the Modern-Day Monster

Erica Mccrystal
University of Toronto Quarterly -- Volume 87, Number 1, Winter 2018
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Refugee Hotels: The Discourse of Hospitality and the Rise of Immigration Detention in Canada

Carrie Dawson
University of Toronto Quarterly -- Volume 83, Number 4, Fall 2014
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The Difference between Heroes and Monsters: Marvel Monsters and Their Transition into the Superhero Genre

Christopher Mcgunnigle
University of Toronto Quarterly -- Volume 87, Number 1, Winter 2018
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This is my Becoming: Transformation, Hybridity, and the Monstrous in NBC's Hannibal

Jaquelin Elliott
University of Toronto Quarterly -- Volume 87, Number 1, Winter 2018
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Who Killed Canadian History? by J.L. Granatstein (review)

Linda Kealey
University of Toronto Quarterly -- Volume 69, Number 1, Winter 1999/2000
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The Function of Criticism at the Present Time

Northrop Frye
University of Toronto Quarterly -- Volume 19, Number 1, October 1949
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Margaret Atwood's The Handmaid's Tale: Scheherazade in Dystopia

Karen F. Stein
University of Toronto Quarterly -- Volume 61, Number 2, Winter 1991/92
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Disclosure as ‘Cover-up’: The Discourse of Madness in Lady Audley's Secret

Jill L. Matus
University of Toronto Quarterly -- Volume 62, Number 3, Spring 1993
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