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TDR: The Drama Review (July 2018)

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Reality and Fiction in Contemporary Television: The Case of Skam

Connor Pearce
TDR: The Drama Review -- Volume 61, Number 4, Winter 2017 (T236)
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The Performative Novel

Barbara Browning
TDR: The Drama Review -- Volume 62, Number 2, Summer 2018 (T238)
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Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention

Claire Bishop
TDR: The Drama Review -- Volume 62, Number 2, Summer 2018 (T238)
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Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency

Amelia Jones
TDR: The Drama Review -- Volume 59, Number 4, Winter 2015 (T228)
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Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand

Nicola Hyland
TDR: The Drama Review -- Volume 59, Number 1, Spring 2015 (T225)
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Fandom and Punchdrunk’s Sleep No More: Audience Ethnography of Immersive Dance

Julia M. Ritter
TDR: The Drama Review -- Volume 61, Number 4, Winter 2017 (T236)
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Performance Studies: Interventions and Radical Research

Lorne Dwight Conquergood
TDR: The Drama Review -- Volume 46, Number 2 (T 174), Summer 2002
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Seizing the Stage: Social Performances from Mao Zedong to Martin Luther King Jr., and Black Lives Matter Today

Jeffrey C. Alexander
TDR: The Drama Review -- Volume 61, Number 1, Spring 2017 (T233)
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Black Cinematic Gesture and the Aesthetics of Contagion

Rizvana Bradley
TDR: The Drama Review -- Volume 62, Number 1, Spring 2018 (T237)
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