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The Opera Quarterly (March 2018)

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Globalizing Operetta before the First World War

Tobias Becker
The Opera Quarterly -- Volume 33, Number 1, Winter 2017
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The Mise-en-scène of Mediation: Wagner's Götterdämmerung (Stuttgart Opera, Peter Konwitschny, 2000-2005)

David J. Levin
The Opera Quarterly -- Volume 27, Number 2-3, Spring-Summer 2011
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Cultural Revolution Model Opera Films and the Realist Tradition in Chinese Cinema

Jason McGrath
The Opera Quarterly -- Volume 26, Number 2-3, Spring-Summer 2010
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In Your Head: Notes on Maryanne Amacher's Intelligent Life

Amy Cimini
The Opera Quarterly -- Volume 33, Numbers 3-4, Summer-Autumn 2017
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The Politics of Remediation: Mise-en-scène and the Subjunctive Body in Chinese Opera Film

Weihong Bao
The Opera Quarterly -- Volume 26, Number 2-3, Spring-Summer 2010
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Moulin Rouge! and the Boundaries of Opera

Elizabeth Hudson
The Opera Quarterly -- Volume 27, Number 2-3, Spring-Summer 2011
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Wagner and the Origin of Evil

Berthold Hoeckner
The Opera Quarterly -- Volume 23, Number 2-3, Spring-Summer 2007
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Monostatos and His "Sister": Racial Stereotype in Die Zauberflote and Its Sequel

Malcolm S. Cole
The Opera Quarterly -- Volume 21, Number 1, Winter 2005
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Marrying Figaro: A Review of Three Productions on DVD

Peter Brooks
The Opera Quarterly -- Volume 22, Number 3-4, Summer-Autumn 2006
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Denaturing the Castrato

Martha Feldman
The Opera Quarterly -- Volume 24, Number 3-4, Summer-Autumn 2008
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