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The Opera Quarterly (December 2018)

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Nietzsche, Tristan und Isolde, and the Analysis of Wagnerian Rhythm

Katherine Fry
The Opera Quarterly -- Volume 29, Numbers 3-4, Summer-Autumn 2013
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Maria Callas's Waistline and the Organology of Voice

Nina Sun Eidsheim
The Opera Quarterly -- Volume 33, Numbers 3-4, Summer-Autumn 2017
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Wagner and the Origin of Evil

Berthold Hoeckner
The Opera Quarterly -- Volume 23, Number 2-3, Spring-Summer 2007
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Trisha Brown's L'Orfeo: Postmodern Meets Baroque

Guillaume Bernardi
The Opera Quarterly -- Volume 24, Number 3-4, Summer-Autumn 2008
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Cultural Revolution Model Opera Films and the Realist Tradition in Chinese Cinema

Jason McGrath
The Opera Quarterly -- Volume 26, Number 2-3, Spring-Summer 2010
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Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century

Sander L. Gilman
The Opera Quarterly -- Volume 23, Number 2-3, Spring-Summer 2007
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Verdi, Politics, and "Va, pensiero": The Scholars Squabble

George Whitney Martin
The Opera Quarterly -- Volume 21, Number 1, Winter 2005
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The Politics of Remediation: Mise-en-scène and the Subjunctive Body in Chinese Opera Film

Weihong Bao
The Opera Quarterly -- Volume 26, Number 2-3, Spring-Summer 2010
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