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New Hibernia Review (November 2017)

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Imperialism, Aesthetics, and Gothic Confrontation in The Picture of Dorian Gray

Ellen Scheible
New Hibernia Review -- Volume 18, Number 4, Winter/Geimhreadh 2014
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Deirdre Madden’s One by One in the Darkness (1996): Impossible Reconciliation?

Travis Snyder
New Hibernia Review -- Volume 21, Number 1, Spring/Earrach 2017
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Ireland and Brexit: A Roundtable

Timothy White
New Hibernia Review -- Volume 20, Number 4, Winter/Geimhreadh 2016
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Irish Traditional Music in a Modern World

Sommers Smith, Sally K
New Hibernia Review -- Volume 5, Number 2, Samhradh/Summer 2001
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“You Have Made Him What He Is”: Irish Laborers and the Preston Strike in Elizabeth Gaskell’s North and South

Susanne S. Cammack
New Hibernia Review -- Volume 20, Number 4, Winter/Geimhreadh 2016
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Violence and Vernacular in Seamus Heaney's Beowulf

Thomas McGuire
New Hibernia Review -- Volume 10, Number 1, Earrach/Spring 2006
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Simulat Ergo Est”: Brian O’Nolan’s Metaperformative Simulations

Daniel Keith Jernigan
New Hibernia Review -- Volume 20, Number 1, Spring/Earrach 2016
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Oedipus in Derry: Seamus Deane's Reading in the Dark

Daniel William Ross
New Hibernia Review -- Volume 11, Number 1, Earrach/Spring 2007
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Containing Granuaile: Grace O’Malley in Two Nineteenth-century Novels

Patrick Maume
New Hibernia Review -- Volume 19, Number 1, Spring/Earrach 2015
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Joyce and Yeats: Easter 1916 and the Great War

Wayne K. Chapman
New Hibernia Review -- Volume 10, Number 4, Geimhreadh/Winter 2006
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