A Lex Sacra from Selinous (review)

The sacred law receiving its editio princeps in this monograph was a gift to the Getty Museum whose curator asked the authors to publish it. Since the Museum does not exhibit material of chiefly historical interest, it donated the inscription to the Republic of Italy in 1992. The law is inscribed on the largest lead tablet known to the authors (0.597 x 0.23 x 0.002 m.). The tablet is broken on all sides; its text is written in two columns, A and B, upside down to one another. From the letter forms, and the mention of Zeus Meilichios and the proper name Myskos the authors infer Selinous as the place of provenience. A comparison of the letter forms with those of other inscriptions from the region suggests the mid–fifth century B.C. or slightly earlier as the date of the document. The dialect is a variety of West Greek, agreeing with the language of Megara Nisaia and its colonies. All this is set forth in exemplary fashion in Chapters I and II, along with a transcription and translation of the text accompanied by an extensive commentary with thorough and generally very enlightening discussion of all aspects of the law.

The inscription is unlike most sacred laws in that it sets out proper ritual procedure rather than regulating cult finances or the perquisites of officials. The two parts, A and B, share a concern with purification, with A concentrating on sacrifice and giving instructions to a group, while B addresses one person seeking purification. Other rituals mentioned include libations, aspersions, anointing, turning around, and setting out a table and couch, which last the authors interpret as a θεοξενία. These matters and much more are expounded with acuity and a wealth of supporting evidence in Chapters III–VIII, which form the bulk of the book and contain much interesting information more or less closely related to the law. A summary of the evidence assembled in the commentary is followed by a close study of the various rituals (III, IV). After a survey of the supernatural figures, including helpful lists of the cults of Zeus Meilichios, the Tritopatores, et al. (V), the authors investigate the influence of Punic religion on the cult of Zeus Meilichios, and possible connections between the law and curse tablets from Selinous (VII, IX). Overviews of the history of Selinous and of the archaeology of Meilichios' precinct round out the book (VI, VIII).

In column A, certain , a new word interpreted by the authors as members of an , are to perform sacrifices to Zeus Eumenes (a new by-name), Meilichios, and the Eumenides before the festival of the Kotytia and the Olympic truce. The most remarkable feature in A is the transformation of "impure" into "pure"Tritopatores. The "impure" receive sacrifices "as heroes"; after purification with wine poured through the roof of a (subterranean?) structure, "as gods." A group's collective ancestors and patrons of procreation, the Tritopatores elsewhere had both national and gentilitial cults without shrines and images. At Selinous they were the spirits of family members only, not of the citizens as a whole, and had a shrine which is undiscovered as yet. Closely connected with the cult of the Selinountine Tritopatores was that of Zeus Meilichios, a god of purification associated with underworld figures, and usually worshipped in precincts without temples by individuals and groups below the level of the polis. The Selinous text locates Meilichios "in Myskos' " and "in Euthydamos' " which the authors, probably correctly, interpret as "in the plots of."They stress the private, gentilitial aspects of the law in A, drawing a rather sharp distinction between public and private cult. Since the state clearly had an interest in the proper performance of the rites, the authors are at pains to explain the connections between the public and private aspects of the regulations: Myskos and Euthydamos were historical figures and founders of clans having charge of cults which later came to...