Selected Bibliography
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Selected Bibliography The following represents a selection of sources cited in the text. Additional works of interest are included in the backnotes for each chapter. Many of the studies listed below straddle subjects or are taken in different directions than their authors might have anticipated, and so it would have been misleading or simply unworkable to divide the bibliography into subsections. Abramson, Daniel. “Make History, Not Memory: History’s Critique of Memory .” Harvard Design Magazine 9 (Fall 1999): 1–6. Adorno, T.W. Introduction to the Sociology of Music. Translated by E.B. Ashton. New York: Seabury Press, 1976. ———. Mahler: A Musical Physiognomy. Translated by Edmund Jephcott. Chicago and London: University of Chicago Press, 1992. ———. “On the Fetish-Character in Music and the Regression of Listening” (1938). In The Essential Frankfurt School Reader, edited by Andrew Arato and Eike Gebhardt, 270–99. New York: Continuum, 1982. Adorno, T. W., and Hanns Eisler. Composing for the Films. London and Atlantic Highlands, NJ: Athlone Press, 1994. Ashby, Arved. “Frank Zappa and the Anti-Fetishist Orchestra.” Musical Quarterly 83 (Winter 1999): 557–606. Attali, Jacques. Noise. Translated by Brian Massumi. Minneapolis and London : University of Minnesota Press, 1985. Babbitt, Milton. “The Composer as Specialist” (1958; “Who Cares if You Listen ?”). In Classic Essays on Twentieth-Century Music, edited by Richard Kostelanetz and Joseph Darby, 162–63. New York: Schirmer, 1996. Badal, James. Recording the Classics: Maestros, Music, and Technology. Kent, OH and London: Kent State University Press, 1996. Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 1981. ———. The Eiffel Tower and Other Mythologies. Translated by Richard Howard. New York: Hill and Wang, 1979. 299 300 / Selected Bibliography ———. “The Photographic Message.” In Image-Music-Text, translated by Stephen Heath, 15–31. New York: Hill and Wang, 1977. ———. The Pleasure of the Text. Translated by Richard Miller. New York: Hill and Wang, 1975. ———. Sade Fourier Loyola. Translated by Richard Miller. New York: Hill and Wang, 1976. Barton, David. “Literacy in Everyday Contexts.” In Literacy and Motivation: Reading Engagement in Individuals and Groups, edited by Ludo Verhoeven and Catherine E. Snow, 21–34. Mahwah, NJ: Lawrence Erlbaum Associates , Inc., 2001. Baudrillard, Jean. “The Ecstasy of Communication” (1987). Translated by John Johnston. In The Anti-Aesthetic: Essays on Postmodern Culture, edited by Hal Foster, 126–34. New York: New Press, 1998. ———. Paroxysm: Interviews with Philippe Petit. Translated by Chris Turner. London and New York: Verso, 1998. Bazzana, Kevin. Glenn Gould: The Performer in the Work; A Study in Performance Practice. New York: Oxford University Press, 1997. Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap Press of Harvard University Press, 1999. ———. “The Work of Art in the Age of Mechanical Reproduction” (1936). In Illuminations: Essays and Reflections, edited by Hannah Arendt and translated by Harry Zohn, 217–51. New York: Schocken Books, 1968. Bergson, Henri. Creative Evolution. Translated by Arthur Mitchell. New York: Henry Holt, 1926. ———. Matter and Memory. Translated by Nancy Margaret Paul and W. Scott Palmer. New York: Macmillan, 1950. ———. Time and Free Will: An Essay on the Immediate Data of Consciousness . Translated by F.L. Pogson. New York: Harper, 1960. Bernstein, Leonard. “Mahler: His Time Has Come” (1967). In Findings, 255– 64. New York: Simon and Schuster, 1982. Blaukopf, Kurt, and Herta Blaukopf. Mahler: His Life, Work, and World. New York: Thames and Hudson, 1991. Boorman, Stanley. “The Musical Text.” In Rethinking Music, edited by Nicholas Cook and Mark Everist, 403–23. Oxford and New York: Oxford University Press, 1999. Boulez, Pierre. “Technology and the Composer” (1977). In Orientations: Collected Writings, edited by Jean-Jacques Nattiez, 486–94. Cambridge, MA: Harvard University Press, 1986. Braun, Hans-Joachim. Music and Technology in the Twentieth Century. Baltimore and London: Johns Hopkins University Press, 2002. Brendel, Alfred. “Notes on a Complete Recording of Beethoven’s Piano Works” (1966), “Werktreue—An Afterthought” (1976), and “A Case for Live Recordings” (1984). In Alfred Brendel on Music: Collected Essays, 16– 41, 345–51. Rev. ed. London: Robson Books, 2007. Selected Bibliography / 301 Brooks, Tim. Survey of Reissues of U.S. Recordings. Washington, D.C.: Council on Library and Information Resources and the Library of Congress, 2005. Brown, John Seely, and Paul Duguid. The Social Life of Information. 2nd ed. Boston: Harvard Business School Press, 2002. Bull, Michael. “The Dialectics of Walking: Walkman Use and the Reconstruction of the Site of Experience.” In Consuming Cultures: Power and Resistance , edited by Jeff Hearn and Sasha Roseneil...