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225 Works Cited Adair, Gilbert. Vietnam on Film: From The Green Berets to Apocalypse Now. New York: Proteus, 1981. Alloway, Lawrence. Violent America: The Movies 1946–1964. New York: Museum of Modern Art, 1971. Altman, Rick. Film/Genre. London: BFI, 1999. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin : U of Texas P, 1994. Ansen, David. Rev. of Cruising. Newsweek 18 Feb. 1980. ———. “Little Toyshop of Horrors.” Rev. of Gremlins. Newsweek 18 June 1984: 90. ———. “The Producer Is King Again.” Newsweek 20 May 1985: 84. Armstrong, Nancy, and Leonard Tennenhouse, eds. The Violence of Representation : Literature and the History of Violence. London: Routledge, 1989. Arnold, Gary. “Horror with the Spielberg Touch.” Rev. of Poltergeist. Washington Post 4 June 1982: D1. Atkins, Thomas R. Graphic Violence on the Screen. New York: Monarch, 1976. Attanasio, Paul. “‘Rambo’: New Blood, Old Moves Stallone’s Righteous Rabble -Rouser.” Washington Post 22 May 1985: F1. Austin, Bruce A., Mark J. Nicolich, and Thomas Simonet. “M.P.A.A. Ratings and the Box Office: Some Tantalizing Statistics.” Film Quarterly 35.2 (Winter 1981–82): 28–30. Bach, Steven. Final Cut: Art, Money, and Ego in the Making of Heaven’s Gate, the Film That Sank United Artists. Updated ed. New York: Newmarket, 1999. Barker, Martin. “Violence Redux.” Schneider 57–79. Bart, Peter. Fade Out: The Calamitous Final Days of MGM. New York: Morrow , 1990. ———. “‘Red Dawn’: Shooting the McVeigh Way.” Daily Variety 16 June 1997: 34. Bart, Peter, and Peter Guber. Shoot Out: Surviving Fame and (Mis)Fortune in Hollywood. New York: Putnam’s, 2002. Base, Ron. “Platoon’s Director Tastes Victory.” Toronto Star 18 Dec. 1986: C1. Kendrick Works.indd 225 2/5/09 7:46:47 AM WORKS CITED 226 Beale, Lewis. “Troubled Times: How Producers Pander to the Public’s Paranoia .” San Francisco Chronicle 8 Dec. 1985: 32. Bell, Arthur. “Bell Tells.” Village Voice 16 July 1979. Belton, John. Widescreen Cinema. Cambridge: Harvard UP, 1992. Bettleheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Random, 1975. Birkland, Thomas A. After Disaster: Agenda Setting, Public Policy, and Focusing Events. Washington, DC: Georgetown UP, 1997. Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-’n’Roll Generation Saved Hollywood. New York: Simon, 1998. Bok, Sissela. Mayhem: Violence as Public Spectacle. New York: AddisonWesley , 1998. Boot, Andy. Fragments of Fear: An Illustrated History of British Horror Films. London: Creation, 1996. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia UP, 1985. Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge: Harvard UP, 1984. Bouzereau, Laurent. The Cutting Room Floor: Movie Scenes Which Never Made It to the Movies. New York: Citadel, 1994. ———. The De Palma Cut: The Films of America’s Most Controversial Director . New York: Dembner, 1988. ———. Ultraviolent Movies: From Sam Peckinpah to Quentin Tarantino. Secaucus , NJ: Citadel, 1996. Box Office Mojo. . Breznican, Anthony. “How ‘Gremlins’ and ‘Indiana Jones’ Remade Hollywood .” Associated Press State and Local Wire 24 Aug. 2004. Britton, Andrew. “Blissing Out: The Politics of Reaganite Entertainment.” Movie (Winter 1986): 1–42. Bronson, Gail, and Steve Hawkins. “Movie Violence Getting Out of Hand?” U.S. News and World Report 18 June 1984: 70. Brophy, Philip. “Horrality—The Textuality of Contemporary Horror Films.” Gelder 276–84. Callahan, Jean. “Hot Dog.” American Film May 1983: 10. Canby, Vincent. “Are Video Games About to Zap the Action Movie?” Rev. of Blue Thunder. New York Times 15 May 1983, sec. 2: 13. ———. “As a Rating, PG Says Less Than Meets the Eye.” New York Times 10 June 1984, sec. 2: 1. ———. “Cockeyed at Red Dawn.” New York Times 16 Sept. 1984, sec. 2: 19. ———. “Film View: How Should We React to Violence?” New York Times 11 Dec. 1983, sec. 2: 23. ———. Rev. of The Godfather. New York Times 16 Mar. 1972: 56. Kendrick Works.indd 226 2/5/09 7:46:47 AM WORKS CITED 227 ———. “Screen: ‘Gremlins,’ Kiddie Gore.” New York Times 8 June 1984: C10. ———. “Screen: ‘Indiana Jones,’ Directed by Spielberg.” New York Times 23 May 1984: C21. ———. Rev of Sisters. New York Times 27 Sept. 1973: 44. ———. “Spike Lee Stirs Things Up at Cannes.” New York Times 20 May 1989, sec. 1: 11. ———. “Sylvester Stallone Returns as Rambo.” New York Times 22 May 1985: C23. Carlomagno, Ellen. “The Burman Studio.” Fangoria Aug. 1981: 20–24. Cawelti, John G. The Six-Gun...