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166 0ERMISSIONS Some of the chapters in this book were developed from essays that have previously appeared elsewhere. A section of chapter 2,“Spiritual Functions of Art,” has been adapted from “Lonergan and Art,” which appeared in João J. Vila-Chã, ed., Os Domínios da Inteligência: Bernard Lonergan e a Filosofia. The Realms of Insight: Bernard Lonergan and Philosophy, in Revista Portuguesa de Filosofia, Volume 63, Number 4 (2007). Chapter 3, “Elemental Meaning and Gerard Manley Hopkins,” appeared in a slightly different version as “Gerard Manley Hopkins and Lonergan’s Notion of Elemental Meaning,” in Lonergan Workshop, Volume 19: Celebrating the 450th Jesuit Jubilee, ed. Fred Lawrence (2006). A version of chapter 5, “A Pattern of Timeless Moments: T. S. Eliot’s Four Quartets,”was published under the title“A Pattern of Timeless Moments: T. S. Eliot’s Four Quartets as a Poetic Expression of Eric Vegelin’s Philosophy of Existence and History,” as Number 70 in the chapbook series Voegeliniana: Occasional Papers, ed. Professor Peter J. Opitz of the Voegelin Center for Politics , Culture, and Religion, Ludwig-Maximilians University, Munich. All are published here by gracious permission of the editors. Chapter 4, “Emily Dickinson and the Unknown God,” is a revised version of “The Tension of the Metaxy in Emily Dickinson’s Poetry,”which appears in Voegelinian Readings of Modern Literature, ed. Charles R. Embry (Columbia: University of Missouri Press, 2011); it is reprinted here by permission of the publisher. Permissions 167 Permission to cite material from the works of Bernard Lonergan has been graciously granted by the Trustees of the Lonergan Estate. Permission to quote at length from a number of works of Eric Voegelin has been granted by the University of Missouri Press, including: The Collected Works of Eric Voegelin, Volume 5, Modernity without Restraint: The Political Religions; The New Science of Politics; and Science, Politics, and Gnosticism, ed. Manfred Henningsen (2000); The Collected Works of Eric Voegelin, Volume 6, Anamnesis: On the Theory of History and Politics, ed. David Walsh (2002); The Collected Works of Eric Voegelin, Volume 11, Published Essays, 1953–1965, ed. Ellis Sandoz (2000); The Collected Works of Eric Voegelin, Volume 12, Published Essays, 1966–1985, ed. Ellis Sandoz (1990); The Collected Works of Eric Voegelin , Volume 14, Order and History, Volume I: Israel and Revelation, ed. Maurice P. Hogan (2001); The Collected Works of Eric Voegelin, Volume 17, Order and History, Volume IV: The Ecumenic Age, ed. Michael Franz (2000); The Collected Works of Eric Voegelin, Volume 18, Order and History, Volume V: In Search of Order, ed. Ellis Sandoz (2000); and The Collected Works of Eric Voegelin, Volume 33, The Drama of Humanity and Other Miscellaneous Writings, 1939– 1985, ed. William Petropulos and Gilbert Weiss (2004). Poems of Emily Dickinson are reprinted by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson: Variorum Edition, ed. Ralph W. Franklin (Cambridge: Belknap Press of Harvard University Press), copyright © 1998 by The President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College. Excerpts from “Burnt Norton” from Four Quartets by T. S. Eliot, copyright© 1936 by Harcourt, Inc., and renewed 1964 by T. S. Eliot, reprinted by permission of the publisher and Faber & Faber Ltd., London, UK. Excerpts from “East Coker” in Four Quartets, copyright © 1940 by T. S. Eliot and renewed 1968 by Esme Valerie Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company and Faber & Faber Ltd., London, UK. Excerpts from “The Dry Salvages” in Four Quartets, copyright © 1941 by T. S. Eliot and renewed 1969 by Esme Valerie Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company and Faber & Faber Ltd., London, UK. Excerpts from“Little Gidding”in Four Quartets, copyright © 1942 by T. S. Eliot and renewed 1970 by EsmeValerie Eliot,reprinted by permission of Houghton Mifflin Harcourt Publishing Company and Faber & Faber Ltd., London, UK. Excerpt from “Note” by Dylan Thomas, from Collected Poems, copyright © 1952 by Dylan Thomas. Reprinted by permission of New Directions Publishing Corp. Excerpts from “Fern Hill” and “A Refusal to Mourn the Death, by Fire, of a Child in London” by Dylan Thomas, from The Poems of Dylan Thomas, 168 Permissions copyright © 1945 by The Trustees for the Copyrights of Dylan Thomas. Reprinted by permission of New Directions Publishing Corp. The same excerpts from Dylan Thomas, Collected Poems, reprinted by permission of Orion, London , UK. “Archaic Torso of Apollo,”translated by Stephen Mitchell,copyright © 1982 by Stephen...

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