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Index 400 coups, Les (The 400 Blows), 63 5x2 (Five Times Two), ix-x, 115, 128–38; alternate version, 137; and Bruni-­ Tedeschi, Valeria, 4, 130, 131, 136–37; and Campion, Jane, x, 115, 130–31; and fatherhood, 76, 133–34; gay characters in, 88, 132; and music, 4, 131, 134–36; reverse chronology in, 130–31, 136, 137–38. See also Bergman, Ingmar 8 femmes (8 Women), ix, 4, 13, 31, 64–78; and de Van, Marina, 93, 160–61; and flashbacks, 74; intertextuality in, 65–69, 72–73, 75, 160; and lesbianism, 36, 67, 69–72, 75; and the musical, 6, 74–75, 125, 151; and patriarchy, 38–39, 75–76, 151; and Thomas, Robert, 64–65, 69, 70, 73; and Truffaut, François, 36, 54, 71–72, 88 A bout de souffle (Breathless), 166 Action vérité (Truth or Dare), 20–21, 28 Affaire des poisons, L’ (The Poison Affair ), 68 Aghion, Gabriel, 35 Akerman, Chantal, 30 Allouache, Marzak, 35 All That Heaven Allows, 66 Almodóvar, Pedro, 37, 43, 44 Amalric, Mathieu, 28 Amants criminels, Les (Criminal Lovers), ix, 32–33, 39, 51–63; alternate version, 52–53; and flashbacks, 52–55; and homosexuality, 56–57; intertextuality in, 53–54; interviews with actors, 55, 60–61, 62–63; and patriarchy, 38–39; and race, 56–59 Angel, 4, 28, 31, 138–40, 151, 161 Anouilh, Jean, 73 Araki, Gregg, 34 Ardant, Fanny, 64, 67; and lesbianism, 36, 71–72; and Truffaut, François, 72, 88 Arte (television channel), 30, 156 Asibong, Andrew, 54, 58, 59, 140 Astruc, Alexandre, 29 A toute vitesse (Full Speed), 56, 58 Audran, Stéphane, 10, 43 auteurism, 16–17, 29–34, 36 Balasko, Josiane, 35 Banquière, La (The Woman Banker), 67 Barthes, Roland, 107–9 Batcheff, Pierre, 28 Bazin, André, 29 Béart, Emmanuelle, 64, 67, 77 Belle de jour, 160 Belle et la bête, La (Beauty and the Beast), 54 Belmadi, Yasmine, 55, 56 Bergman, Ingmar, 25, 160; and 5x2, x, 115, 129–31 Berliner, Alain, 8, 35 Bernheim, Emmanuèle, ix, 31; and Ricky, 140; and Sous le sable, 82, 160–61; and Swimming Pool, 93, 99, 104 Besnehard, Dominique, 65 Birkin, Jane, 97 i-x_1-198_Schil.indd 191 11/16/10 2:07:13 PM 192 | Index Bitteren Tränen der Petra von Kant, Die (The Bitter Tears of Petra von Kant), 65. See also Fassbinder, Rainer Werner Bonnaud, Frédéric, 25, 32–33, 34, 93 Boudu sauvé des eaux (Boudu Saved from Drowning), 41 Brassens, Georges, 76 Breillat, Catherine, 37, 97, 165 Brigadoon, 67 Bruni-Tedeschi, Valeria, ix, 31, 115, 162, 164; and 5x2, 4, 130, 131, 136–37; and Le temps qui reste, 105 Bruzzi, Stella, 4, 8 Buñuel, Luis, 17, 28, 43, 67, 160 Butler, Judith, 7–8 Cahiers du cinéma, 8, 36, 44, 106; and auteurism, 29; and the cinema of Fran- çois Ozon, 1, 87 Campion, Jane, x, 115, 130–31 Canal Plus (television channel), 26, 29, 34, 81 Cannes film festival, 1, 45 Cantet, Laurent, 1 Carax, Leos, 35 Carré, Isabelle, 156, 158 Cavitch, Max, 13, 22, 107–8 Centre National de la Cinématographie (CNC), 39, 81 Cérémonie, La (A Judgment in Stone), 68 César (award), 1, 20, 35, 73 Chabrol, Claude, 20, 25, 31; and La cérémonie , 68; and Les biches, 10 Chair de l’orchidée, La (Flesh of the Orchid ), 81, 91 Chambre en ville, Une (A Room in Town), 68 Charles, Sébastien, 2, 25, 42; as choreographer , 31, 75, 120, 162 Charme discret de la bourgeoisie, Le (The Discreet Charm of the Bourgeoisie), 17, 43 Chavanne, Pascaline, 4, 31, 162; and 8 femmes, 67; and Gouttes d’eau sur pierres brûlantes, 119 Chéreau, Patrice, 35, 36, 165; and La chair de l’orchidée, 81; and L’homme blessé, 8; and Son frère, 112 Chien andalou, un (An Andalusian Dog), 28 Chienne, La (The Bitch), 40 Chouchou, 35 Cixous, Hélène, 90 Clan, Le (Three Dancing Slaves), 58 Clouzot, Henri-Georges, 25, 92 Cocteau, Jean, 54 Collard, Cyril, 35, 37 Conte d’été (A Summer’s Tale), 113–14 Corps ouverts, Les (Open Bodies), 56 Corsini, Catherine, 30, 35 Cremer, Bruno, 80, 81, 90 Cukor, George, 65, 66 Dalí, Salvador, 28 Dalida, 70 Dallas, 40 Dame aux camélias, La (The Lady of the Camellias), 68 Dandry, Evelyne, 40, 43, 45 Dardenne, Jean-Pierre and Luc, 60, 144 Darrieux, Danielle, 64, 67...


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