In lieu of an abstract, here is a brief excerpt of the content:

241 References Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press. 2002. Abel, Jessica and Matt Madden. Drawing Words & Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond. New York: First Second. 2008. Adams, Timothy Dow. Light Writing and Life Writing: Photography in Autobiography. Chapter Hill and London: University of North Carolina Press, 2000. Addley, Esther. “Syrian Lesbian Blogger Is Revealed Conclusively to be a Married Man.” The Guardian 13 June 2011. Available at: http://www.guardian.co.uk/ world/2011/jun/13/syrian-lesbian-blogger-tom-macmaster (accessed 4 August 2011). Ahmed, Maaheen. “Moebius, Gir, Giraud, Gérard: Self-visualizations.” International Journal of Comic Art 11(2): 421–31. 2009. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. 2nd ed. London and New York: Verso. 1991. Anderson, John C., and Bradley Katz. “Read Only Memory: Maus and Its Marginalia on CD-ROM.” Deborah R. Geis, ed. In Considering Maus: Approaches to Art Spiegelman’s “Survivor’s Tale” of the Holocaust. Tucaloosa and London: University of Alabama Press: 159–74. 2003. Anderson, Linda. Autobiography. London and New York: Routledge. 2001. Andringa, Els. “The Interface Between Fiction and Life: Patterns of Identification in Reading Autobiographies.” Poetics Today 25(2): 205–40. 2004. Atkinson, Paul. “The Time of Heroes: Narrative, Progress, and Eternity in Miracleman.” Angela, Ndalianis, ed. In The Contemporary Comic Book Superhero. London and New York: Routledge: 44–63. 2009. Attardo, Salvatore and Victor Raskin. “Script Theory Revis(it)ed: Joke Similarity and Joke Representation Model.” Humor: International Journal of Humor Research 3(4): 293–347. 1991. 242 References Baetens, Jan. “Graphic Novels: Literature Without Text?” English Language Notes, Special Issue (Graphia: The Graphic Novel and Literary Criticism) 46(2): 77–88. 2008. ———. “Revealing Traces: A New Theory of Graphic Enunciation.” Robin Varnum and Christina T. Gibbons, eds. In The Language of Comics: Word and Image. Jackson: University Press of Mississippi: 145–55. 2001. Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays. Holquist, Michael, ed. Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press. 1981. ———. “Rabelais and his World.” Translated by Hélène Iswolsky. 1984. Pam Morris, ed. In The Bakhtin Reader: Selected Writings of Bakthin, Medvedev and Voloshinov. London: Edward Arnold: 194–244. 1994. Bal, Mieke. Narratology: Introduction to the Theory of Narrative. Toronto, Buffalo, London: University of Toronto Press. 1985. Barker, Martin. Comics: Ideology, Power and the Critics. Manchester and New York: University of Manchester Press. 1989. ———. “Getting a Conviction: Or, How the British Horror Comics Campaign Only Just Succeeded.” John A. Lent, ed. In Pulp Demons: International Dimensions of the Postwar Anti-Comics Campaign. Cranbury, NJ, London, Mississauga, Ontario: Associated University Presses: 69–92. 1999. ———. “On Seeing How Far You Can See: On Being a ‘Fan’ of 2000 AD.” In Buckingham, David, ed. Reading Audiences: Young People and the Media, Manchester: Manchester University Press: 159–83. 1993. Baron-Cohen, Simon. The Essential Difference: Men, Women and the Extreme Male Brain. London: Allen Lane. 2002. ———. Mindblindness: An Essay on Autism and Theory of Mind. Cambridge, MA and London: Massachusetts Institute of Technology Press. 1995. Barrington, Judith. Writing the Memoir: From Truth to Art. 2nd ed. Portland, Oregon: The Eighth Mountain Press. 2002. Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Farrar, Straus and Giroux. 2000 (1980). ———. Image, Music, Text. London: Fontana. 1977a. ———. Roland Barthes by Roland Barthes. Translated by Richard Howard. London: Macmillan. 1977b. Bartual, Roberto. “William Hogarth’s A Harlot’s Progress: The Beginnings of a Purely Pictographic Sequential Language.” Studies in Comics 1(1): 83–05. 2010. Bateman, John A. Multimodality and Genre: A Foundation for the Systematic Analysis of Multimodal Documents. Houndmills and New York: Palgrave Macmillan. 2008. 243 References Bearden-White, Roy. “Closing the Gap: Examining the Invisible Sign in Graphic Narratives.” International Journal of Comic Art 11(1): 347–62. 2009. Beaty, Bart. “Autobiography as Authenticity.” Jeet Heer and Kent Worcester, eds. In A Comics Studies Reader. Jackson: University Press of Mississippi: 226–35. 2009. ———. “Hillary Chute and the Dynamics of Autobiography.” Comics Journal 29 April. 2011a. Available at: http://www.tcj.com/hillarychuteautobiography/ (accessed 16 June 2011). ———. “Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth.” Michael A. Chaney, ed. In Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. Wisconsin, MA and London: Wisconsin University Press: 247–59. 2011b. ———. Unpopular Culture: Transforming the European Comic Book in the 1990s. Toronto, Buffalo, London: University of Toronto Press. 2007. Bell, Roanne...

pdf

Additional Information

ISBN
9781621036180
Related ISBN
9781617036132
MARC Record
OCLC
864844090
Pages
192
Launched on MUSE
2012-12-20
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.