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Bibliography Adorno, Theodor W. Aesthetic Theory. Ed. and trans. Robert Hullot-Kentor. Theory and History of Literature, vol. 88. Minneapolis: University of Minnesota Press, 1997. ———. Critical Models. Trans. Henry Pickford. New York: Columbia University Press, 1999. ———. Minima Moralia: Reflections from Damaged Life. Trans. E. F. N. Jephcott. London: NLB, 1974. ———. Noten zur Literatur. Ed. Rolf Teidemann. Frankfurt am Main: Suhrkamp, 1981. ———. Notes to Literature. 2 vols. Ed. Rolf Tiedemann. Trans. Shierry Weber Nicholsen. New York: Columbia University Press, 1992. Alice Doesn’t Live Here Anymore. Dir. Martin Scorcese. Screenplay Robert Getchell. Perf.: Ellen Burstyn, Alfred Lutter, Kris Kristofferson, Harvey Keitel, Diane Ladd, Jodie Foster. Warner Brothers, 1974. Alter, Robert. ‘‘Sodom as Nexus: The Web of Design in Biblical Narrative.’’ In Reclaiming Sodom. Ed. Jonathan Goldberg. New York: Routledge, 1994. Althusser, Louis. ‘‘Ideology and Ideological State Apparatuses.’’ In Lenin and Philosophy and Other Essays. Trans. Ben Brewster. New York: Monthly Review Press, 1971. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London: Verso, 1991. Anger, Kenneth. Hollywood Babylon. New York: Dell, 1975. Arasse, Daniel. Anselm Kiefer. New York: Abrams, 2001. Arnold, Edwin T., and Eugene L. Miller. The Films and Career of Robert Aldrich. Knoxville : University of Tennessee Press, 1986. Artaud, Antonin. ‘‘La Mise en Scène et la Métaphysique.‘‘ L’Arc: Cahiers Méditerrane ́ens 3, no. 10 (Spring 1960). ———. Antonin Artaud: Œuvres sur papier. Marseille: Musées de Marseille, 1995. PAGE 139 139 ................. 16422$ BIBL 04-17-07 12:51:07 PS 140 Bibliography ———. Œuvres Complètes. 26 vols. Paris: Gallimard, 1956. ———. Selected Writings. Trans. Helen Weaver. Ed. and introduction, Susan Sontag. Notes by Sontag and Don Eric Levine. Berkeley: University of California Press, 1988. ———. The Theater and Its Double. Trans. Mary Caroline Richards. New York: Grove, 1958. Auden, W. H. Collected Poems. Ed. Edward Mendelson. New York: Random House, 1976. Auerbach, Erich. ‘‘Figura.’’ In Scenes from the Drama of European Literature. Theory and History of Literature 9. Minneapolis: University of Minnesota Press, 1984. ———. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Intro. Edward W. Said. Princeton: Princeton University Press, 2003. Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge, Mass.: MIT Press, 2002. Bal, Mieke. ‘‘The Rape of Narrative and the Narrative of Rape: Speech Acts and Body Language in Judges.’’ In Literature and the Body: Essays On Populations and Persons. Ed. Elaine Scarry. Selected Papers from the English Institute, 1986. Baltimore : The Johns Hopkins University Press, 1988. Bal, Mieke and Norman Bryson. ‘‘Semiotics and Art History.’’ Art Bulletin 73, no. 2 (June 1991): 174–208. Ball, Hugo. Flight Out of Time. Trans. Ann Raimes. Ed. John Elderfield. The Documents of Twentieth-Century Art. New York: Viking, 1974. Barber, Stephen. Artaud: The Screaming Body. London: Creation Books, 1999. Baudelaire, Charles. Baudelaire. Ed. Francis Scarfe. The Penguin Poets. Harmondsworth : Penguin, 1961. Baudry, Jean-Louis. ‘‘Ideological Effects of the Basic Apparatus.’’ In Narrative, Apparatus , Ideology. Ed. Philip Rosen. Benjamin, Walter. Illuminations. Trans. Harry Zohn. New York: Schocken, 1969. ———. Selected Writings: Volume 4, 1938–1940. Trans. Edmund Jephcott et al. Ed. Howard Eiland and Michael W. Jennings. Cambridge, Mass.: Belknap Press of Harvard University Press, 2003. Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford: Stanford University Press, 2005. Berger, John. The Sense of Sight. New York: Vintage, 1993. Berlant, Lauren. ‘‘Poor Eliza.’’ American Literature 70, no. 3 (September 1998): 635–68. ———. ‘‘Trauma and Ineloquence.’’ Cultural Values 5, no. 1 (January 2001): 41–58. Bersani, Leo. ‘‘Artaud, Defecation and Birth.’’ In A Future for Astyanax: Character and Desire in Literature. London: Marion Boyars, 1978. ———. The Culture of Redemption. Cambridge, Mass.: Harvard University Press, 1990. Biro, Matthew. Anselm Kiefer and the Philosophy of Martin Heidegger. Cambridge: Cambridge University Press, 1998. ———. ‘‘Representation and Event: Anselm Kiefer, Joseph Beuys, and the Memory of the Holocaust.’’ Yale Journal of Criticism 16, no. 1 (2003): 113–46. Bissell, R. Ward. Artemisia Gentileschi and the Authority of Art: Critical Reading and Catalogue Raisonné. University Park: Pennsylvania State University Press, 1999. PAGE 140 ................. 16422$ BIBL 04-17-07 12:51:07 PS Bibliography 141 ———. Orazio Gentileschi and the Poetic Tradition in Caravaggesque Painting. University Park: Pennsylvania State University Press, 1981. Blau, Herbert. The Audience. Baltimore: The Johns Hopkins University Press, 1990. Blumenberg, Hans. Shipwreck with Spectator: Paradigm of a Metaphor for Existence. Trans. Steven Rendall. Cambridge, Mass.: MIT Press, 1997. Bois, Yve-Alain, Denis Hollier, and Rosalind Krauss. ‘‘A Conversation with Hubert Damisch.’’ October 85 (Summer 1998): 3–17. Borch-Jacobsen, Mikkel. Lacan: The Absolute Master...


Subject Headings

  • Influence (Psychology)
  • Violence.
  • Suffering.
  • Audiences -- Psychology.
  • Spectators -- Psychology.
  • Memory.
  • Recollection (Psychology).
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