In lieu of an abstract, here is a brief excerpt of the content:

203 1 Index About the Theatre, 12 absurdism, 59, 98, 103–5, 168, 199 Abydos (Osiris) passion plays, 14–15 Achilles, 69 action (dramatic), 19, 21, 24, 28–29, 33–34, 46, 73–88, 99, 102–7, 114–19, 128–29, 134–37, 148, 158, 201 activism, 7, 50, 54, 57, 138, 169, 182 actors, xi, 4–8, 9, 14, 15–18, 23, 24, 27, 30, 42, 46, 50, 52, 53, 56, 58, 61, 62, 70, 72, 73, 74, 75, 77, 78, 79, 89, 97, 100, 105, 107, 111, 112, 113, 117, 119, 128, 134–39, 149–53, 157–62, 168, 172, 173, 182, 201–2; as creators of texts, 97, 134–39; physicality of, 46, 56, 58; relationships with dramaturgs, 157–62, 168, 172, 201–2; as researchers, 62, 111 actor’s packets, 155–60, 167, 173–74 acts, 74, 76 adaptation, xii, 45, 53, 57, 58, 63, 64, 92, 101, 114, 118, 124, 141–42, 180–82, 194–95, 201 Addison, Joseph, 38 Aegiptisches Museum, 15 Aeschylus, 39, 69, 87, 101, 193 aesthetic distance, 83, 85–87, 100 Africa, 30, 63, 168, 183 agonists, 75–77 Akalaitis, JoAnne, 57 Alcoholics Anonymous, xii Alexander the Great, 18 alienation, 48–50 Allen, Woody, 87 Alley Theatre, 3 American Society for Theatre Research (ASTR), xv, 6, 187–90 anagnoresis, 84–85, 90 analysis, xii, 3, 4, 35, 36–37, 39, 43–45, 55, 56, 69–106, 110–20, 139–43, 148, 154, 181 Angels in America, 57 antagonist, 76–77, 80–82, 102, 106, 142 anthropology, 7, 43, 64, 85 Antigone, 77, 79 Anti-Oedipus, 53, 185 antitheatrical prejudice, 15–17, 25 antithesis, 40 arc, 74, 84–85, 92, 95–100, 102, 104, 140, 142 Archer, William, 12, 53 arena stage, 3 Aristophanes, 56, 94, 96, 193 Aristotle, 5, 18–20, 21, 22, 23, 27, 28–30, 34, 35, 55, 57, 73, 80, 82, 89–90, 93, 94–95, 98–101, 102, 104, 106, 107, 116, 123, 128, 130, 135, 139, 193, 198 Arons, Wendy, 57 Ars Poetica, 21–22 Artaud, Antonin, 54, 133, 136, 137, 182, 200 Arte Nuevo de hacer comedias, 30–31 artistic directors, xii, 6, 7, 10, 70, 111, 125, 144–47, 160–61, 180, 200 Aquinas, Thomas, 18 attack, 78–79, 83–85, 88–89 Chemers Index.indd 203 2/9/10 7:53:14 AM INDEX 204 audience, 3, 4, 6, 9, 10, 11, 14, 17, 19, 22, 23, 25, 26–28, 29, 30, 31, 42, 46, 47, 50, 52–54, 57–59, 63, 64, 70–73, 78, 80, 82, 83, 86, 87–90, 93–95, 100–103, 105–6, 108, 113–14, 116–19, 127, 129, 130, 133, 134, 135, 136, 137–139, 143, 145–48, 150, 152, 154, 155, 157, 160, 161–75, 179, 180, 201, 202 Augustine of Hippo, 18, 25, 37 avant-garde, 30, 98, 102, 105, 131, 133, 137, 182, 183, 200 Averroës (Ibn Rushd), 18 Bacchae, 53, 63 Bakhtin, Mikhail, 47, 95, 96, 199 Ball, David, 74–75, 102, 181, 199 beats (dramatic), 74–75, 78–79, 83–85, 88, 102, 128. See also anagnoresis; attack; catastrophe; climax; closing beat; discovery ; exposition; MacGuffin; opening beat; peripiteia; reversal Beaumarchais, Pierre-Augustin Caron, 31–34, 198 Beckett, Samuel, 73–74, 102–4, 199 Behn, Aphra, 56, 57 Behrndt, Synne, xiii, 133–34, 182 Benjamin, Walter, 49, 184 Bernstein, Leonard, 50 Bharatamuni, 22–24, 198 Bhava-Rasa, 23 biology, 18, 43, 51 Blitztein, Mark, 50 Bly, Mark, 3, 4–5, 8–9, 108, 132, 154, 181, 197 Boal, Augusto, 50–51, 102, 138–39, 182, 201 Boccacio, Giovanni, 37 Bogart, Anne, 61–62 Bolieau-Despreaux, Nicholas, 37 Borges, Jorge Luis, 7–9, 197 bourgeosie, 34, 48–49, 52, 57; box office, xii, 145, 165 Brazil, 50–51, 102, 138, 182, 201 Brecht, Bertolt, 49–50, 52, 57, 76, 86, 88, 95, 99, 100–102, 104, 119, 137–39, 168, 182, 184, 199 Brook, Peter, 4, 182, 199 Brooks, Mel, 93 Brunner, John, 3, 4 Buchner, Georg, 92 Burrows, Abe, 76 Butler, Samuel, 38 capitalism, 48–49, 54, 57, 65 Carlson, Marvin, 47, 185 casebooks, xiii, 14, 36, 153, 172–74, 179–80, 182 Castelvetro, Lodovoco, 28–30, 31 catastasis, 24, 84, 95, 102, 105 catastrophe, 24, 84, 94, 102 Cesaire, Aime, 63–64 change (theatrical),73, 76–77, 78, 82, 87, 116, 126, 128, 133, 141, 155, 169, character, 8, 15, 19, 24, 26, 36, 46, 52, 54, 56, 59, 61, 75–77, 80–81, 84–85, 87, 94, 97–99...

pdf

Additional Information

ISBN
9780809385713
Related ISBN
9780809329526
MARC Record
OCLC
649913253
Pages
224
Launched on MUSE
2012-01-01
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.