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197 Works Cited Adams, James. “Inside the Canadian Museum for Human Rights, the Labyrinth of Conscience.” Globe and Mail. September 19, 2014. http://www.the -human-rights-the-labyrinth-of-conscience/article20701809/?from= 20801763 Aeneas Group International. Countering Insurgency in Complex Environments. October 8, 2011. Site discontinued. Afia. Interview with the author. May 4, 2011. Ahmadi, Mohammed. Interview with the author. May 1, 2011. Ahmed, Sara. “Collective Feelings; or, The Impressions Left by Others.” Theory, Culture & Society 21, no. 2 (2004): 25–­ 42. Ahmed, Sara. Strange Encounters: Embodied Others in Post-­ Coloniality. London: Routledge, 2000. “A Long Look at the Road to the Opening of the Winnipeg Human Rights Museum .” Globe and Mail. September 19, 2014. http://www.theglobeandmail. com/feeds/canadian-press/manitoba/a-look-at-the-long-road-to-theopening -of-winnipegs-human-rights-museum/article20699108/ American Anthropological Association. “American Anthropological Association ’s Executive Board Statement on the Human Terrain System Project.” October 31, 2007. terrain.pdf Anderson, James. Interview with the author. May 7, 2011. Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books, 1999. Archibald, Dan, Adam Smith, Sunny Adams, and Manroop Chawla. Military Training Lands Historic Context: Training Village, Mock Sites, and Large Scale Operations Areas. U.S. Army Corps of Engineers, Engineer Research and Development Center. Champaign, IL: U.S. Department of Defense, Construction Engineering Research Laboratory (CERL), 2010. http://www.denix.osd. mil/cr/lrmp/factsheets/reports-and-other-products/military-lands-historiccontext -training-village-mock-sites-and-large-scale-operations-areas-part1 -of-2-legacy-05-265/ Arrizón, Alicia. Queering Mestizaje: Transculturation and Performance. Ann Arbor : University of Michigan Press, 2006. Austin, J. L. How to Do Things with Words. Edited by J. O. Urmson and Marina Sbisà. Oxford: Clarendon Press, 1975. 198 works cited Bammer, Angelika. Partial Visions: Feminism and Utopianism in the 1970s. Florence , KY: Routledge, 1992. Barrialai. Interview with the author. September 29, 2011. Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994. Bennett, Susan. Theatre and Museums. London: Palgrave Macmillan, 2013. Berlant, Lauren. “Thinking about Feeling Historical.” Emotion, Space, and Society 1 (2008): 4–­ 9. Bishop, Claire. Radical Museology; or, What’s “Contemporary” in Museums of Contemporary Art? London: Koenig, 2014. Boal, Augusto. Theatre of the Oppressed. London: Pluto Press, 1979. Boler, Megan. Feeling Power: Emotions and Education. New York: Routledge, 1999. Brooks, David. Bobos in Paradise: The New Upper Class and How They Got There. New York: Simon and Schuster, 2010. Bumiller, Elisabeth. “A Day Job Waiting for a Kill Shot a World Away.” New York Times. July 29, 2012. -waiting-for-a-kill-shot-7000-miles-away.html Bumiller, Elisabeth. “Remembering Afghanistan’s Golden Age.” New York Times. October 17, 2009. iew/18bumiller.html?_r=0 Burns, Robert. “Afghanistan War: Ex-­ commander Stanley McChrystal Says U.S. Started War with ‘Frighteningly Simplistic’ View of Country.” Huffington Post. October 8, 2011. stan-war-mcchrystal-simplistic_n_999282.html Butcher, Jim. The Moralisation of Tourism: Sun, Sand . . . and Saving the World? London: Routledge, 2003. Butler, Judith. Frames of War. New York: Verso, 2009. Butler, Judith. Precarious Life: The Powers of Mourning and Violence. London: Verso, 2004. Butler, Shelley Ruth. “Mixed Metaphors, Herding, and Burning Issues at the CMHR.” Blog post, Centre for Ethnographic Research and Exhibition in the Aftermath of Violence (CEREV), History Department, Concordia University . October 8, 2014. -metaphors-herding-and-burning-issues-at-the-cmhr#more-4975 “Canadian Manoeuvre Training Centre (CMTC).” Canadian Army. May 4, 2012. ing-centre/ Canadian Museum for Human Rights. “About the Museum.” Canadian Museum for Human Rights. “Mandate and Museum Experience.” Carbone, Mauro. The Flesh of Images: Merleau-­ Ponty between Painting and Cinema. Translated by Marta Nijhuis. Albany: State University of New York Press, 2015. Carter, Jill. “Discarding Sympathy, Disrupting Catharsis: The Mortification of Indigenous Flesh as Survivance-­ Intervention.” Theatre Journal 67, no. 3 (October 2015): 413–­ 32. 199 works cited Colborn-­ Roxworthy, Emily. “Role-­ Play Training at a ‘Violent Disneyland’: The FBI Academy’s Performance Paradigms.” TDR...


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