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229 Bibliography Abdoh, Reza. The Law of Remains. In Plays for the End of the Century, edited by Bonnie Marranca, 9–­ 94. Baltimore, Md.: Johns Hopkins University Press, 1996. Abu-​ Lughod, Lila. “Writing against Culture.” In Recapturing Anthropology: Working in the Present, edited by Richard Fox, 137–­ 54. Santa Fe, N.Mex.: School of American Research Press, 1991. Ackerman, Holly, and Juan M. Clark. Cuban Balseros: Voyage of Uncertainty. Miami: Policy Center of the Cuban American National, 1995. Aguilar, Alan, ed. Hotel Juárez: Dramaturgia de feminicidios. Durango, Mex.: Editorial Espacio Vacío, 2008. Alvarez, Lynne. Tales of Revolution. In Lynne Alvarez: Collected Plays, Volume 1, 213–­ 62. Lyme, N.H.: Smith and Kraus, 1998. Alvarez, Natalie. “Transcultural Dramaturgies, Latina Theatre’s Third Wave.” In Contemporary Women Playwrights: Into the 21st Century, edited by Penny Farfan and Lesley Ferris, 82–­ 97. Houndmills, U.K.: Palgrave Macmillan, 2014. Amavizca Murúa, Rubén. Mujeres de Juárez. Unpublished play script. 2010. Andreas, Peter. Border Games: Policing the U.S.-​ Mexico Divide. Ithaca, N.Y.: Cornell University Press, 2000. Aparicio, Frances R., and Susana Chávez-​ Silverman. Tropicalizations: Transcultural Representations of Latinidad. Hanover, N.H.: University Press of New England, 1997. Aristotle. On Poetry and Style. Translated by G. M. A. Grube. 1958; repr. Indianapolis : Hackett, 1989. Arriola, Elvia. “Accountability for Murder in Las Maquiladoras: Linking Corporate Indifference to Gender Violence at the U.S. Mexico Border. In Making a Killing: Femicide, Free Trade, and La Frontera, edited by Alicia Gaspar de Alba with Georgina Guzmán, 25–­ 62. Austin: University of Texas Press, 2010. Arrizón, Alicia. Queering Mestizaje. Ann Arbor: University of Michigan Press, 2006. Arsenault, Chris. “In Juárez, Women Just Disappear,” Al Jazeera English, March 8, 2011. http://www​.aljazeera​.com/indepth/features/2011/03/2011381423124 45430​.html. Astorga, Luis. El siglo de las drogas: El narcotráfico, del Porfiriato al nuevo milenio. Mexico City: Plaza y Janés, 2005. Barber, Marta. “Bicycle Spins Migrant Metaphor.” Review of A Bicycle Country. Miami Herald, December 16, 1999. ———. “Thoughtful Bicycle Is Poetry in Motion.” Review of A Bicycle Country. Miami Herald, November 13, 2000. 230 Bibliography Barberán Reinares, Laura.“Globalized Philomels: State Patriarchy, Transnational Capital, and the Femicides on the U.S.-​ Mexico Border in Roberto Bolaño’s 2666.” South Atlantic Review 75, no. 4 (2010): 51–­ 72. Becker, Gary. Human Capital: A Theoretical and Empirical Analysis, with Special Reference to Education. Chicago: University of Chicago Press, 1964. Benítez, Rohry, Adriana Candia, Patricia Cabrera, Guadalupe de la Mora, Josefina Martínez, Isabel Velázquez, Ramona Ortiz, and S Taller de Narrativa de Ciudad Juárez. El silencio que la voz de todas quiebra: Mujeres y víctimas de Ciudad Juárez. Chihuahua, Mex.: Ediciones de Azar, 1999. Berlant, Lauren. Cruel Optimism. Durham, N.C.: Duke University Press, 2011. Bernson, Alexandra. En Las Manos de la Muerte. Unpublished play script, 2010. Beverley, John. Testimonio: On the Politics of Truth. Minneapolis: University of Minnesota Press: 2004. ———.  “  ‘Through All Things Modern’: Second Thoughts on Testimonio.” Boundary 2 18, no. 2 (1991): 1–­ 21. Blau, Herbert. Take Up the Bodies: Theater at the Vanishing Point. Urbana: University of Illinois Press, 1982. Boal, Augusto. Theatre of the Oppressed. New York: TCG, 1993. Bolaño, Roberto. 2666: A Novel. New York: Farrar, Straus and Giroux, 2008. Boluk, Stephanie, and Wylie Lenz, eds. Generation Zombie: Essays on the Living Dead in Modern Culture. Jefferson, N.C.: MacFarland, 2011. Bonfil Batalla, Guillermo. México Profundo: Reclaiming a Civilization. Translated by Philip A. Dennis. Austin: University of Texas Press, 1996. Borten, Craig, and Melisa Wallack. Dallas Buyers Club. Directed by Jean-​ Marc Vallée. Universal City, Calif.: Focus Features, 2013. Screenplay: http:// focusguilds2013​.com/workspace/media/dbc_final​-script_​-12​.02​.12​-​.pdf. Bosch, Carles, and David Trueba. Balseros. DVD. Directed by Carles Bosch and Josep Maria Domènech. Barcelona: Lauren Films, 2002. Bracho, Ricardo, Jorge Ignacio Cortiñas, and José Muñoz. “Towards Translocalism : Latino Theater in the New United States—­ Ricardo Bracho and Jorge Cortiñas in Conversation with José Muñoz.” In Trans-​global Readings: Crossing Theatrical Boundaries. Edited by Caridad Svich. Manchester, U.K.: Manchester University Press, 2003: 66–­ 70. Brady, Mary Pat. Extinct Lands, Temporal Geographies. Durham, N.C.: Duke University Press, 2002. Brantley, Ben. “Theater Review: So Many Mixed Blessings in a Life Lived Bilingually .” Review of Havana Is Waiting. New York Times, October 27, 2001. http://theater2​.nytimes​.com/mem/theater/treview​.html. Brito, Fernando. “Tus pasos se perdieron con...