In lieu of an abstract, here is a brief excerpt of the content:

229 Bibliography Abdoh, Reza. The Law of Remains. In Plays for the End of the Century, edited by Bonnie Marranca, 9–­ 94. Baltimore, Md.: Johns Hopkins University Press, 1996. Abu-​ Lughod, Lila. “Writing against Culture.” In Recapturing Anthropology: Working in the Present, edited by Richard Fox, 137–­ 54. Santa Fe, N.Mex.: School of American Research Press, 1991. Ackerman, Holly, and Juan M. Clark. Cuban Balseros: Voyage of Uncertainty. Miami: Policy Center of the Cuban American National, 1995. Aguilar, Alan, ed. Hotel Juárez: Dramaturgia de feminicidios. Durango, Mex.: Editorial Espacio Vacío, 2008. Alvarez, Lynne. Tales of Revolution. In Lynne Alvarez: Collected Plays, Volume 1, 213–­ 62. Lyme, N.H.: Smith and Kraus, 1998. Alvarez, Natalie. “Transcultural Dramaturgies, Latina Theatre’s Third Wave.” In Contemporary Women Playwrights: Into the 21st Century, edited by Penny Farfan and Lesley Ferris, 82–­ 97. Houndmills, U.K.: Palgrave Macmillan, 2014. Amavizca Murúa, Rubén. Mujeres de Juárez. Unpublished play script. 2010. Andreas, Peter. Border Games: Policing the U.S.-​ Mexico Divide. Ithaca, N.Y.: Cornell University Press, 2000. Aparicio, Frances R., and Susana Chávez-​ Silverman. Tropicalizations: Transcultural Representations of Latinidad. Hanover, N.H.: University Press of New England, 1997. Aristotle. On Poetry and Style. Translated by G. M. A. Grube. 1958; repr. Indianapolis : Hackett, 1989. Arriola, Elvia. “Accountability for Murder in Las Maquiladoras: Linking Corporate Indifference to Gender Violence at the U.S. Mexico Border. In Making a Killing: Femicide, Free Trade, and La Frontera, edited by Alicia Gaspar de Alba with Georgina Guzmán, 25–­ 62. Austin: University of Texas Press, 2010. Arrizón, Alicia. Queering Mestizaje. Ann Arbor: University of Michigan Press, 2006. Arsenault, Chris. “In Juárez, Women Just Disappear,” Al Jazeera English, March 8, 2011. http://www​.aljazeera​.com/indepth/features/2011/03/2011381423124 45430​.html. Astorga, Luis. El siglo de las drogas: El narcotráfico, del Porfiriato al nuevo milenio. Mexico City: Plaza y Janés, 2005. Barber, Marta. “Bicycle Spins Migrant Metaphor.” Review of A Bicycle Country. Miami Herald, December 16, 1999. ———. “Thoughtful Bicycle Is Poetry in Motion.” Review of A Bicycle Country. Miami Herald, November 13, 2000. 230 Bibliography Barberán Reinares, Laura.“Globalized Philomels: State Patriarchy, Transnational Capital, and the Femicides on the U.S.-​ Mexico Border in Roberto Bolaño’s 2666.” South Atlantic Review 75, no. 4 (2010): 51–­ 72. Becker, Gary. Human Capital: A Theoretical and Empirical Analysis, with Special Reference to Education. Chicago: University of Chicago Press, 1964. Benítez, Rohry, Adriana Candia, Patricia Cabrera, Guadalupe de la Mora, Josefina Martínez, Isabel Velázquez, Ramona Ortiz, and S Taller de Narrativa de Ciudad Juárez. El silencio que la voz de todas quiebra: Mujeres y víctimas de Ciudad Juárez. Chihuahua, Mex.: Ediciones de Azar, 1999. Berlant, Lauren. Cruel Optimism. Durham, N.C.: Duke University Press, 2011. Bernson, Alexandra. En Las Manos de la Muerte. Unpublished play script, 2010. Beverley, John. Testimonio: On the Politics of Truth. Minneapolis: University of Minnesota Press: 2004. ———. “‘Through All Things Modern’: Second Thoughts on Testimonio.” Boundary 2 18, no. 2 (1991): 1–­ 21. Blau, Herbert. Take Up the Bodies: Theater at the Vanishing Point. Urbana: University of Illinois Press, 1982. Boal, Augusto. Theatre of the Oppressed. New York: TCG, 1993. Bolaño, Roberto. 2666: A Novel. New York: Farrar, Straus and Giroux, 2008. Boluk, Stephanie, and Wylie Lenz, eds. Generation Zombie: Essays on the Living Dead in Modern Culture. Jefferson, N.C.: MacFarland, 2011. Bonfil Batalla, Guillermo. México Profundo: Reclaiming a Civilization. Translated by Philip A. Dennis. Austin: University of Texas Press, 1996. Borten, Craig, and Melisa Wallack. Dallas Buyers Club. Directed by Jean-​ Marc Vallée. Universal City, Calif.: Focus Features, 2013. Screenplay: http:// focusguilds2013​.com/workspace/media/dbc_final​-script_​-12​.02​.12​-​.pdf. Bosch, Carles, and David Trueba. Balseros. DVD. Directed by Carles Bosch and Josep Maria Domènech. Barcelona: Lauren Films, 2002. Bracho, Ricardo, Jorge Ignacio Cortiñas, and José Muñoz. “Towards Translocalism : Latino Theater in the New United States—­ Ricardo Bracho and Jorge Cortiñas in Conversation with José Muñoz.” In Trans-​global Readings: Crossing Theatrical Boundaries. Edited by Caridad Svich. Manchester, U.K.: Manchester University Press, 2003: 66–­ 70. Brady, Mary Pat. Extinct Lands, Temporal Geographies. Durham, N.C.: Duke University Press, 2002. Brantley, Ben. “Theater Review: So Many Mixed Blessings in a Life Lived Bilingually .” Review of Havana Is Waiting. New York Times, October 27, 2001. http://theater2​.nytimes​.com/mem/theater/treview​.html. Brito, Fernando. “Tus pasos se perdieron con...


Additional Information

Related ISBN
MARC Record
Launched on MUSE
Open Access
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.