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275 Selected Bibliography Abel, Richard, ed. French Film Theory and Criticism, vol. 1: 1907–1929. Princeton, NJ: Princeton University Press, 1988. Acland, Charles R., and Haidee Wasson, eds. Useful Cinema. Durham, NC: Duke University Press, 2011. Alvey, Mark. “Motion Pictures as Taxidermy: Carl Akeley and His Camera.” In the Field: the Bulletin of the Field Museum of Natural History 71, no. 5 (September/October 2000): 10–11. Aoki, Keith, James Boyle, and Jennifer Jenkins. Bound By Law?: Tales from the Public Domain. Durham, NC: Center for the Study of the Public Domain, Duke University Press, 2008. Auer, Michel, and Michèle Ory. Histoire de la caméra ciné amateur. Paris: Les Editions de l’Amateur, 1979. Batchen, Geoffrey. Each Wild Idea: Writing, Photography, History. Cambridge, MA: MIT Press, 2002. Becker, Snowden. “Family in a Can: The Presentation and Preservation of Home Movies in Museums,” The Moving Image 1, no. 2 (Fall 2001): 89–106. Belanger, Pamela J. Inventing Acadia: Artists and Tourists at Mount Desert. Rockland, ME: Farnsworth, 1999. Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Penguin, 1988. Bigourdan, Jean-Louis, Liz Coffey, Dwight Swanson, Bob Brodsky, Toni Treadway, David Cleveland, and Robin Williams, eds., Film Forever: The Home Film Preservation Guide, Chapter 2, “Film Specifics: Stocks and Soundtracks.” accessed May 26, 2015, http://www.filmforever.org/chap2.html. Bilton, Alan. Silent Film Comedy and American Culture. New York: Palgrave Macmillan, 2013. Bourdieu, Pierre. The Field of Cultural Production. New York: Columbia University Press, 1993. Bowser, Eileen. The Transformation of Cinema, 1907–1915: vol. 2, History of the American Cinema. New York: Charles Scribner’s, 1990. Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001. Brown, Dona. Inventing New England: Regional Tourism in the Nineteenth Century. Washington, DC: Smithsonian Institution Press, 1995. Camper, Fred. “Some Notes on the Home Movie,” Journal of Film and Video 38, no. 3/4 (1986): 9–14. Cassidy, Donna M. Marsden Hartley: Race, Region, and Nation. Lebanon, NH: University Press of New England, 2005. The Center for Home Movies 2010 Digitization and Access Summit Final Report, January 2011, accessed May 26, 2015, www.centerforhomemovies.org/Home_Movie _Summit_Final_Report.pdf. 276 | Selected Bibliography Cahan, Richard, and Michael Williams. Vivian Maier: Out of the Shadows. Chicago: CityFiles, 2012. Chalfen, Richard. Snapshot Versions of Life. Bowling Green, OH: Bowling Green State University Popular Press, 1987. Cleto, Fabio, ed. Camp: Queer Aesthetics and the Performing Subject. Ann Arbor: University of Michigan Press, 1999. Coe, Brian. The History of Movie Photography. Westfield, NJ: Eastview Editions, 1981. Condon, Richard H. “Living in Two Worlds: Rural Maine in 1930.” Maine Historical Society Quarterly 25, no. 2 (Fall 1985): 58–87. Conforti, Joseph A. Imagining New England: Explorations of Regional Identity from the Pilgrims to the Mid-Twentieth Century. Chapel Hill, NC: University of North Carolina Press, 2001. Cotton, Raymond C. Hog Reaves, Field Drivers, and Tything Men: The Birth Pains of the Town of Hiram. Hiram, ME: Hiram Historical Society, 1983. Craven, Ian, ed. Movies on Home Ground: Explorations in Home Cinema. Newcastle upon Tyne: Cambridge Scholars Publishing, 2009. Curtis, Scott. “Images of Efficiency: The Films of Frank B. Gilbreth.” In Films That Work: Industrial Film and the Productivity of Media, edited by Patrick Vonderau and Vinzenz Hediger, 85–100. Amsterdam: Amsterdam University Press, 2009. Cutshaw, Stacey McCarroll, and Ross Barrett. In the Vernacular: Photography of the Everyday. Boston: Boston University Art Gallery, 2008. Dixon, Robert. Photography, Early Cinema and Colonial Modernity: Frank Hurley’s Synchronized Lecture Entertainments. London, New York: Anthem, 2012. Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002. Dulac, Germaine. “From ‘Visual and Anti-Visual Films,’” (1928) In The Avant-Garde Film, edited by P. Adams Sitney, 31–48. New York: Anthology Film Archives, 1987. Erens, Patricia. “The Galler Home Movies: A Case Study.” Journal of Film and Video 38, no. 3/4 (1986): 15–24. Fish, Robert, ed. Cinematic Countrysides. Manchester: Manchester University Press, 2007. Fossati, Giovanna. From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press, 2009. Frick, Caroline. Saving Cinema: The Politics of Preservation. New York: Oxford University Press, 2010. Gans, Herbert Julius. Popular Culture and High Culture: An Analysis and Evaluation of Taste. Rev. ed. New York: Basic Books, 1999. Gordon, Marsha. “Lenticular Spectacles: Kodacolor’s Fit in the Amateur Arsenal.” Film History 25, no. 4 (2013): 36–61. Gracy, Karen F. Film Preservation: Competing Definition of Value, Use, and Practice...

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Additional Information

ISBN
9780253026446
Related ISBN
9780253026163
MARC Record
OCLC
991052130
Pages
304
Launched on MUSE
2017-06-28
Language
English
Open Access
No
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