restricted access Bibliography
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285 Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996. Appadurai, Arjun, and Carol Breckenridge. “Museums Are Good to Think: Heritage on View in India.” In Museums and Communities: The Politics of Public Culture, edited by Ivan Karp, Christine Mullen Kreamer, and Steven Lavine, 34–55. Washington, DC: Smithsonian Institution Press, 1992. Araeen, Rasheed. “Dak’Art 1992–2002: The Problems of Representation, Contextualisation, and Critical Evaluation in Contemporary African Art as Presented by the Dakar Biennale .” Third Text 17, no. 1 (2003): 93–106. Aronson, Lisa, and John Weber, eds. Environment and Object: Recent African Art. Munich: Prestel and Frances Young Tang Teaching Museum, 2012. “L’Art du Ciseleur.” Le Soleil, September 24, 1998. Axt, Friedrich, and El Hadji Moussa Babacar Sy, eds. Bildende Kunst der Gegenwart in Senegal . Frankfurt am Main: Museum für Völkerkunde, 1989. Barac, Matthew. “Place Resists: Grounding African Urban Order in an Age of Global Change.” Social Dynamics 37, no. 1 (2011): 24–42. Becker, Carol. “The Second Johannesburg Biennale.” Art Journal 57, no. 2 (Summer 1998): 87–100. ———. Surpassing the Spectacle: Global Transformations and the Changing Politics of Art. Lanham, MD: Rowman and Littlefield, 2002. Becker, Howard. Art Worlds. Berkeley: University of California Press, 1982. Bedford, Emma. “Dak’Art 2000: Biennale of Contemporary African Art.” Art Throb 34 (2000). http://www.artthrob.co.za/00jun/reviews.html. Behar, Ruth. An Island Called Home: Returning to Jewish Cuba. New Brunswick, NJ: Rutgers University Press, 2007. Belting, Hans, and Andrea Buddensieg, eds. The Global Art World: Audiences, Markets, and Museums. Ostfildern, Germany: Hatje Cantz, 2009. Belting, Hans, Andrea Buddensieg, and Peter Weibel, eds. The Global Contemporary and the Rise of New Art Worlds. Karlsruhe: Center for Art and Media, 2013. Benga, Ndiouga. “Les Murs-Murs sur Nos Murs: Quête de Citoyenneté et Culture Urbaine à Dakar (1990–2000).” In Les Arts de la Citoyenneté au Sénégal: Espaces Contestés et BIBLIOGRAPHY Bibliography 286 Civilités Urbaines, edited by Mamadou Diouf and Rosalind Fredericks, 357–375. Paris: Karthala, 2013. Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. Bickford Berzock, Kathleen, and Christa Clarke, eds. Representing Africa in American Art Museums : A Century of Collecting and Display. Seattle: University of Washington Press, 2011. Biggs, Bryan. “Dak’Art 96.” Third Text 36 (Autumn 1996): 83–86. Bigon, Liora. “Bubonic Plague, Colonial Ideologies, and Urban Planning Policies: Dakar, Lagos, and Kumasi.” Planning Perspectives 31, no. 2 (2016): 205–226. “Birame Ndiaye Expose à la Galerie Lezard.” Le Témoin, May 11–18, 1999. Bonilla, Marie-Laure Allain. “Trade Routes: History and Geography: Une Biennale PostNationale en Afrique du Sud.” Master’s thesis, University of Rennes 2, 2005. Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Translated by Richard Nice. New York: Columbia University Press, 1993. Brenson, Michael. “The Curator’s Moment.” Art Journal 57, no. 4 (Winter 1998): 16–27. Buggenhagen, Beth. “A Snapshot of Happiness: Photo Albums, Respectability, and Economic Uncertainty in Muslim Senegal.” Africa 84, no. 1 (2014): 78–100. Burton, Johanna, and Lisa Pasquariello. “‘Ask Somebody Else Something Else’: Analyzing the Artist Interview.” Art Journal 64, no. 3 (2005): 46–49. Bydler, Charlotte. The Global Artworld, Inc.: On the Globalization of Contemporary Art. Uppsala , Sweden: Uppsala University, 2004. Cabrita, Victor-Emmanuel. “The 6th Edition of the Biennial of Contemporary African Art.” In Dak’Art 2004, 12–13. Dakar: SAII, 2004. Camara, Ery. “Essential Undertakings in the Field of African Art.” In Dak’Art 2002, 17–19. Dakar: SAII, 2002. Cappone, Mario. “Un Africain Peintre.” In Iba Ndiaye: Peindre est se Souvenir, 56–65. Condésur -Noireau: Sépia, 1994. Castellote, Jess, ed. Contemporary Nigerian Art in Lagos Private Collections: New Trees in an Old Forest. Gloucestershire: Bookcraft, 2012. Cena, Olivier, and Jean-Marc Tinguad. Ousmane Sow: La Splendeur Sauvage des Hommes. Paris: Télérama Hors, 1999. Césaire, Aimé. Notebook of a Return to the Native Land. In The Collected Poetry of Aimé Césaire , translated and edited by Clayton Eshleman and Annette Smith, 32–85. Berkeley: University of California Press, 1983. Chaitou, Bassam. Trajectoires: Art Contemporain du Sénégal. Dakar: Kaani, 2007. Chakrabarty, Dipesh. Habitations of Modernity: Essays in the Wake of Subaltern Studies. Chicago : University of Chicago Press, 2002. Charry, Eric, ed. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press, 2012. Cissé, Alassane. “La Nouvelle Demarche de Tine.” Sud Quotidien, November 12, 1998. ———. “Senegal at the Museum of Anvers.” Sud Quotidien, June 23...


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Subject Headings

  • Dak'art (Exhibition).
  • Art, Modern -- 21st century.
  • Art, Modern -- 20th century.
  • Art, Senegalese -- 21st century.
  • Art, Senegalese -- 20th century.
  • Artists -- Senegal -- Dakar.
  • Art -- Senegal -- Dakar -- Exhibitions.
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