Works Cited
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237 Angel, Marina. “Susan Glaspell’s Trifles and A Jury of Her Peers: Woman Abuse in a Literary and Legal Context.” Buffalo Law Review 45 (1997): 779–844. Angel-Perez, Elisabeth. “The Revival of Medieval Forms in Recent Political Drama.” Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage, edited by Nicole Boireau, 15–29. Houndmills: Palgrave, 2001. Aristotle. The Poetics. Translated by Samuel H. Butcher. New York: Cosimo Classics, 2008. Arnold, Chloe. “Susan Glaspell, Author, Playwright by Chance.” n.p. 30 Dec. 1917. Clippings, Harvard Theatre Collection, Houghton Library, Harvard University. Arnold, Matthew. Culture and Anarchy (1875). Edited by John Dover Wilson. Cambridge: Cambridge University Press, 1969. Auflitsch, Susanne. Staging Separate Spheres: Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910–1930. New York: Peter Lang, 2006. Bachelard, Gaston. L’air et les songes: Essai sur l’imagination du mouvement. Paris: Corti, 1968.­­­ ———. The Poetics of Space. Translated by Maria Jolas. Boston: Beacon, 1994. Banham, Martin, ed. The Cambridge Guide to Theatre. Cambridge: Cambridge University Press, 1995. Barthes, Roland. The Pleasure of the Text. Translated by Richard Miller. New York: Hill and Wang, 1975. ———S/Z. Translated by Richard Miller. New York: Hill and Wang, 1974. Bentley, Eric. “Melodrama.” Modern Theories of Drama: A Selection of Writings on w o r k s c i t e d • Works Cited 238 Drama and Theatre, 1850–1990, edited by George W. Brandt, 35–41. Oxford: Clarendon, 1998. Ben-Zvi, Linda. “ ‘Murder, She Wrote’: The Genesis of Susan Glaspell’s Trifles.” Ben-Zvi, Susan Glaspell: Essays on Her Theater and Fiction, 19–48. ———. “The Political as Personal in the Writing of Susan Glaspell.” Carpentier and Ozieblo, 275–294. ———, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: University of Michigan Press, 1995. ———. Susan Glaspell: Her Life and Times. New York: Oxford University Press, 2005. Ben-Zvi, Linda, and J. Ellen Gainor. Introduction to Chains of Dew. Ben-Zvi and Gainor, Susan Glaspell: The Complete Plays, 125–127. ———. Introduction to Free Laughter. Ben-Zvi and Gainor, Susan Glaspell: The Complete Plays, 115–116. ———, eds. Susan Glaspell: The Complete Plays. Jefferson: McFarland & Company , 2010. Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. Newark: Wildside, 2008. ———. Matter and Memory. Translated by Nancy M. Paul and William S. Palmer. New York: Cosimo Classics, 2007. Bigsby, Christopher W. E. A Critical Introduction to Twentieth Century American Drama: 1900–1940. Vol. 1. Cambridge: Cambridge University Press, 1982. ———. A Critical Introduction to Twentieth Century American Drama: Beyond Broadway. Vol. 3. Cambridge: Cambridge University, 1985. ———. Introduction to Plays by Susan Glaspell, edited by Christopher W. E. Bigsby. Cambridge: Cambridge University Press, 1982. Blackburn, Simon, ed. The Oxford Dictionary of Philosophy. Oxford: Oxford University Press, 1994. Black Hawk. Black Hawk: An Autobiography. N.p.: Filiquarian, 2006. Blake, William. America, a Prophecy (1793). N.p.: Nabu, 2010. Bloom, Harold. Modern American Drama. Philadelphia: Chelsea House, 2005. Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale University Press, 1976. Works Cited 239 Broun, Heywood. “Looking up, down and Around with the Provincetown Players .” Rev. of The People, dir. Nina Moise and Susan Glaspell. New York Tribune 18 Mar. 1917. Clippings, The Provincetown Players. Scrapbook of New Clippings (1915–1920), Harvard Theatre Collection, Houghton Library, Harvard University. Brown, Thomas K. Pseudodoxia Epidemica, or Vulgar Errors (n.d.). Edited by James Eason. 27 Nov. 2010. http://penelope.uchicago.edu/pseudodoxia /pseudodoxia.shtml. Brustein, Robert. The Theatre of Revolt: An Approach to the Modern Drama. Chicago : Elephant Paperbacks, 1991. Bryan, Patricia L. “Stories in Fiction and in Fact: Susan Glaspell’s A Jury of Her Peers and the 1901 Murder Trial of Margaret Hossack.” Stanford Law Review 49 (1997): 1293–1363. Bryan, Patricia L., and Thomas Wolf. Midnight Assassin: A Murder in America’s Heartland. Chapel Hill: Algonquin Books, 2005. Calhoun, Charles W. Introduction to The Gilded Age: Perspectives on the Origins of Modern America, edited by Charles W. Calhoun, 1–10. Lanham: Rowman & Littlefield, 2007. Camus, Albert. The Rebel: An Essay on Man in Revolt. Translated by Anthony Bower. London: Penguin, 2000. Carpentier, Martha C. “Apollonian Form and Dionysian Excess in Susan Glaspell’s Drama and Fiction.” Carpentier and Ozieblo, 35–50. Carpentier, Martha C., and Emeline Jouve, eds. Susan Glaspell’s Trifles and “A Jury of Her Peers: Centennial Essays, Interviews, and Adaptations. Jefferson, NC: McFarland, 2015. ———. “The Deracinated Self: Immigrants, Orphans, and the ‘Consciousness’ of...