restricted access Bibliography
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251 Agamben, Giorgio. Profanations. Translated by Jeff Fort. New York: Zone Books, 2007. Alexandrova, Alena. “The Body Within: On Images and Ruptures.” In Disturbing Bodies, ed. by Sylvia Miezskowski and Christine Vogt-William. Berlin: Trafo, 2008. ———. “Death in the Image: The Post-Religious Life of Christian Images.” In De Vries, Religion: Beyond a Concept, 2008. ———. “Limits in Suspension: On ‘Memoria’ by Bill Viola.” In Witness: Memory, Representation, and the Media in Question, ed. by Ulrik Ekman and Frederik Tygstrurp. Copenhagen: Museum Tusculanum Press, 2008. ———. “Veronicas and Artists: Religious Motifs in Contemporary Visual Art.” Kunstlicht 29, no. 3 (2008): 10–15. ———. “Image-instant/image plastique: Métamorphoses de l’origine.” In “Le métamorphose,” ed. by Boyan Manchev. Special issue of Rue Descartes: Revue du Collège International de Philosophie 64, no. 2 (2009): 23–34. ———. On the Art of Making without Hands. Edited by Wilfried Lentz. Gallery publication no. 2. Rotterdam: Wilfried Lentz Gallery, 2009. ———. “Een opblaasbare Maria: Religieuze motieven tussen kunst en religie .” Boekman: Tijdschrift voor kunst, cultuur en beleid, no. 85 (Winter 2010): 68–78. ———. “Distinct Art.” In Retreating Religion: Deconstructing Christianity with Jean-Luc Nancy, ed. by Alena Alexandrova, Ignaas Devisch, Laurens ten Kate, and Aukje van Rooden. New York: Fordham University Press, 2011. Arya, Rina. “Painting the Pope: An Analysis of Francis Bacon’s Study after Velazquez’s Portrait of Innocent X.” Literature and Theology 23, no. 1 (2009): 33–50. Asad, Talal. “Reflections on Blasphemy.” In De Vries, Religion: Beyond a Concept , 580–610. Assmann, Jan. “What’s Wrong with Images?” In Hlavajova, Lütticken, and Winder, The Return of Religion and Other Myths: A Critical Reader. Baert, Barbara. Kleine Iconologie van de Wind/Wind: On the Origin of Emotion. Ghent: Sint Joris, 2012. bibliography 252 Bibliography Baert, Barbara, ed. Fluid Flesh: The Body, Religion and the Visual Arts. Leuven: Leuven University Press, 2009. Baldessari, John, and Meg Cranston. One Hundred Artists See God. Exhibition catalogue. New York: Independent Curators International, 2004. Barthes, Roland. Mythologies. Translated by Jonathan Cape. New York: Noonday Press, 1972. ———. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Macmillan, 1981. Bax, Marty. “Art and Religion: An Established Relationship, Yet New Again.” In Holy Inspiration: Religion and Spirituality in Modern Art, by Marty Bax and Gijs van Tuyl. Exhibition catalogue. Amsterdam: Museumshop De Nieuwe Kerk, 2008. Belting, Hans. Likeness and Presence: A History of the Image before the Era of Art. Translated by Edmund Jephcott. Chicago: University of Chicago Press, 1994. ———. Art History after Modernism. Translated by Caroline Saltzwedel and Mitch Cohen. Chicago: University of Chicago Press, 2003. ———. La vraie image: Croire aux images? Translated by Jean Torrent. Paris: Éditions Gallimard, 2007. ———. An Anthropology of Images: Picture, Medium, Body. Translated by Thomas Dunlap. Princeton, N.J.: Princeton University Press, 2011. Belting, Hans, and Bill Viola. “A Conversation: Hans Belting and Bill Viola.” In Walsh, Bill Viola: The Passions. Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction .” In Illuminations, ed. by Hannah Arendt, tr. by Harry Zohn, 217–52. New York: Schocken Books, 1969. Besançon, Alain. The Forbidden Image: An Intellectual History of Iconoclasm. Translated by Jane Marie Todd. Chicago: University of Chicago Press, 2000. Bois, Yve-Alain. Painting as a Model. Cambridge, Mass.: MIT Press, 1993. Bois, Yve-Alain, and Rosalind Krauss. Formless: A User’s Guide. Cambridge, Mass.: MIT Press, 2000. Bonami, Francesco, and Sarah Cosulich Canarutto. God & Goods: Spiritualitàe confusione di massa = Spirituality and Mass Confusion. Exhibition catalogue. Udine: Villa Manin, 2008 Bouwhuis, Jelle. “Gert Jan Kocken, Defacing.” SMBA Newsletter (Stedelijk Museum Bureau Amsterdam), no. 100 (2007). Bredekamp, Horst, Michael Diers, and Charlotte Schoell-Glass, eds. Aby Warburg: Akten des internationalen Symposions Hamburg 1990. Weinheim: VCH, 1991. Bryson, Norman. Looking at the Overlooked: Four Essays on Still-Life Painting. London: Reaktion Books, 1990. Bibliography 253 Buchloh, Benjamin. Neo-Avantgarde and Cultural Industry: Essays on European and American Art from 1955 to 1975. October Books series. Cambridge, Mass.: MIT Press, 2003. Buck-Morse, Susan. Dialectics of Seeing: Walter Benjamin and the Arcades Project . Cambridge, Mass.: MIT Press, 1991. Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis : University of Minnesota Press, 2009. Charlier, Jacques, Sally de Kunst, Alena Alexandrova et al. Lawrence Malstaf: The Long Now, 1997–2008. Exhibition catalogue. Ghent: Galerie Fortlaan 17, 2008. Chrisafis, Angelique. “Attack on ‘Blasphemous’ Art Work Fires Debate on Role of Religion in France.” The Guardian, 18 April 2011. Comer, Stuart, ed. Film and Video Art. London: Tate Publishing, 2009...