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Works Cited A. D. “The Life and Death of Colonel Blimp.” Manchester Guardian. June 10, 1943. Ackroyd, Peter. London: The Biography. London: Chatto and Windus, 2000. Kindle edition. Adorno, Theodor W. “The Late Style (I).” In Beethoven: The Philosophy of Music, edited by Rolf Tiedemann and translated by Edmund Jephcott, 123–38. Stanford, CA: Stanford University Press, 1998. Agamben, Giorgio. State of Exception. Translated by Kevin Attell. Chicago: University of Chicago Press, 2005. Agee, James. “Masterpiece.” In Agee on Film: Criticism and Comment on the Movies. 347–54. New York: Modern Library, 2000. Aitken, Ian. European Film Theory and Cinema: A Critical Introduction. Bloomington: Indiana University Press, 2001. Aldgate, Anthony, and Jeffrey Richards. Britain Can Take It: British Cinema in the Second World War. London: I. B. Taurus, 2007. Allport, Alan. Demobbed: Coming Home after the Second World War. New Haven, CT: Yale University Press, 2009. Kindle edition. Althusser, Louis. Lenin and Philosophy, and Other Essays. Translated by Ben Brewster. New York: Monthly Review Press, 1971. Altman, Joel B. “‘Vile Participation’: The Amplification of Violence in the Theater of Henry V.” Shakespeare Quarterly 42, no. 1 (Spring 1991): 1–32. Alton, John. Painting with Light. Berkeley: University of California Press, 2013. Amad, Paula. “Film as ‘the Skin of History’: André Bazin and the Specter of the Archive and Death in Nicole Védrès’s Paris 1900 (1947).” Representations 130, no. 1 (Spring 2015): 84–118. Anderegg, Michael A. Orson Welles, Shakespeare, and Popular Culture. New York: Columbia University Press, 1999. Anderson, Scott. Lawrence in Arabia: War, Deceit, Imperial Folly, and the Making of the Modern Middle East. New York: Doubleday, 2013. Arnheim, Rudolph. “In Praise of Character Actors.” In Movie Acting: The Film Reader, edited by Pamela Robertson Wojcik, 205–7. Florence, KY: Psychology Press, 2004. Arnold, Matthew. “Preface to the First Edition of Poems (1853).” In On the Classical Tradition, 1–16. Ann Arbor: University of Michigan Press, 1960. 240 | Works Cited Aron, Raymond. The Century of Total War. Boston, MA: Beacon Press, 1966. Aymes-Stokes, Sophie, and Laurent Mellet. In and Out: Eccentricity in Britain. New Castle upon Tyne: Cambridge Scholars Publishing, 2012. Babbington, Bruce, and Peter Evans. “Matters of Life and Death in Powell and Pressburger’s The Tales of Hoffman.” In A Night at the Opera: Media Representations of Opera, edited by Jeremy Tambling, 145–69. London: John Libbey and Company, 1994. Balcon, Michael. “The British Film during the War.” In The Penguin Film Review 1946–1949. Vol. 1. 66–74 London: Penguin Books, 1977. Barber, C. L., and Richard Paul Wheeler. The Whole Journey: Shakespeare’s Power of Development. Berkeley: University of California Press, 1986. Barker, Ernest. “Some Constants of the English Character.” In Writing Englishness, 1900–1950: An Introductory Sourcebook, edited by Judy Giles and Tim Middleton, 55–63. London: Routledge, 2003. Barker, Simon. “Shakespeare, Stratford, and the Second World War.” In Shakespeare and the Second World War: Memory, Culture, Identity, edited by Irena R. Makaryk and Marissa McHugh, 199–218. Toronto: University of Toronto Press, 2012. Barr, Charles. “Amnesia and Schizophrenia.” In British Cinema: Critical Concepts in Media and Cultural Studies, vol. 3, ed. Robert Murphy, chapter 58. London: Routledge, 2014. Barthes, Roland. “Introduction to the Structural Analysis of Narratives,” ImageMusic -Text. Translated by Stephen Heath. 79–125. New York: Hill and Wang, 1977. ———. S/Z: An Essay. Translated by Richard Howard. New York: Hill and Wang, 1974. ———. Writing Degree Zero. Translated by Annette Lavers and Colin Smith. New York: Hill and Wang, 1967. Bartlett, F. C. Political Propaganda. Cambridge: Cambridge University Press, 1940. Basinger, Jeanine. “The World War II Combat Film: A Definition.” In The War Film, edited by Robert Eberwein, 30–53. New Brunswick, NJ: Rutgers University Press, 2006. Bate, Jonathan. The Genius of Shakespeare. Oxford: Oxford University Press, 1998. Bazin, André. The Cinema of Cruelty. New York: Arcade Publishing, 2013. ———. What Is Cinema? Vol. 1. Berkeley: University of California Press, 2005. ———. What is Cinema? Vol. 2. Berkeley: University of California Press, 2009. Bazin, André, and Bert Cardullo. “On Why We Fight: History, Documentation, and the Newsreel (1946).” Film and History: An Interdisciplinary Journal of Film and Television Studies 31, no. 1 (2001): 60–62. Behler, Ernst. Irony and the Discourse of Modernity. Seattle: University of Washington Press, 1990. Bell, David A. The First Total War. Boston, MA: Houghton Mifflin Co., 2007. Works Cited | 241 Bell, Michael. F. R. Leavis. London: Routledge, 1988. Bell, Robert H. “Homer’s Humor: Laughter in The Iliad.” Humanitas 20, nos. 1–2 (2007): 96...

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