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323 Abbate, Carolyn. In Search of Opera. Princeton: Princeton University Press, 2001. Adorno, Theodor W. Aesthetic Theory. Edited by Gretel Adorno and Rolf Tiedemann; translated by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1997. . Ästhetische Theorie. Vol. 7 of Gesammelte Schriften, 20 vols. in 23, edited by Gretel Adorno and Rolf Tiedemann. Frankfurt am Main: Suhrkamp Verlag, 1970–86. . “Alban Berg.” In Sound Figures, trans. Rodney Livingstone, 69–79. Stanford: Stanford University Press, 1999. . “Analytical Study of the NBC Music Appreciation Hour.” In Current of Music: Elements of a Radio Theory, ed. Robert Hullot-Kentor, 163–215. Cambridge: Polity, 2009. . Beethoven: The Philosophy of Music. Edited by Rolf Tiedemann; translated by Edmund Jephcott. Stanford: Stanford University Press, 1998. . “Bourgeois Opera.” Translated by David J. Levin. In Sound Figures, 15–28. Stanford: Stanford University Press, 1999. . “Commodity Music Analysed.” In Quasi una fantasia: Essays on Modern Music, trans. Rodney Livingstone, 17–52. London: Verso, 1992. . Current of Music: Elements of a Radio Theory. Edited by Robert Hullot-Kentor. Cambridge : Polity, 2009. . “The Curves of the Needle.” Translated by Thomas Y. Levin. In Essays on Music, ed. Richard Leppert, 271–76. Berkeley: University of California Press, 2002. . Dream Notes. Edited by Christoph Gödde and Henri Lonitz; translated by Rodney Livingstone. Cambridge: Polity, 2007. . “The Form of the Phonograph Record.” Translated by Thomas Y. Levin. In Essays on Music, ed. Richard Leppert, 277–82. Berkeley: University of California Press, 2002. BIBLIOGRAPHY 324 • B i B l i o g r a p h y . Introduction to the Sociology of Music. Translated by E.B. Ashton. New York: Continuum , 1988. . “Is Art Lighthearted?” In Notes to Literature, ed. Rolf Tiedemann, trans. Shierry Weber Nicholsen, 2:247–53. New York: Columbia University Press, 1991–92. . “Mahler.” In Quasi una fantasia: Essays on Modern Music, trans. Rodney Livingstone, 81–110. London: Verso, 1992. . Mahler: A Musical Physiognomy. Translated by Edmund Jephcott. Chicago: University of Chicago Press, 1992. . “Marginalia on Mahler.” Translated by Susan H. Gillespie. In Essays on Music, ed. Richard Leppert, 612–18. Berkeley: University of California Press, 2002. . “Memorandum: Music in Radio.” Mimeograph, 1938. Paul Lazarsfeld Papers, Columbia University Archive, New York. . Minima Moralia: Reflections from Damaged Life. Translated by E.F.N. Jephcott. London: Verso, 1978. . “The Natural History of the Theatre.” In Quasi una fantasia: Essays in Modern Music, trans. Rodney Livinstone, 65–78. London: Verso, 1992. . Negative Dialectics. Translated by E.B. Ashton. New York: Continuum, 1983. . “On Some Relationships between Music and Painting.” Translated by Susan H. Gillespie. Musical Quarterly 79, no. 1 (1995): 66–79. . “On the Contemporary Relationship of Philosophy and Music.” Translated by Susan H. Gillespie. In Essays on Music, ed, Richard Leppert, 135–61. Berkeley: University of California Press, 2002. . “On the Fetish-Character in Music and the Regression of Listening.” In Essays on Music, ed. Richard Leppert, 288–317. Berkeley: University of California Press, 2002. . “On the Social Situation of Music.” Translated by Wes Blomster. In Essays on Music, ed. Richard Leppert, 391–436. Berkeley: University of California Press, 2002. . “Opera and the Long-playing Record.” Translated by Thomas Y. Levin. In Essays on Music, ed. Richard Leppert, 283–87. Berkeley: University of California Press, 2002. . Philosophy of New Music. Edited and translated by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 2006. . “Radio Physiognomics.” In Current of Music: Elements of a Radio Theory, ed. Robert Hullot-Kentnor, 41–132. Cambridge: Polity, 2009. . “The Radio Symphony.” In Essays on Music, ed. Richard Leppert, 251–70. Berkeley: University of California Press, 2002. . “The Schema of Mass Culture.” Translated by Nicholas Walker. In The Culture Industry : Selected Essays on Mass Culture, ed. J.M. Bernstein, 299–335. London: Routledge, 1991. . Towards a Theory of Musical Reproduction: Notes, a Draft, and Two Schemata. Edited by Henri Lonitz; translated by Wieland Hoban. Cambridge: Polity, 2006. Adorno, Theodor W., and Hanns Eisler. Composing for the Films. [1947] London: Athlone Press, 1994. Translated into the German as Komposition für den Film and published in Gesammelte Schriften, ed. Rolf Tiedemann et al., 15:7–155. Frankfurt am Main: Suhrkamp Verlag, 1976. Almendros, Nestor. A Man with a Camera. Translated by Rachel Phillips Belash. New York: Farrar, Straus & Giroux, 1984. B i B l i o g r a p h y • 325 Altman, Rick. “The Material Heterogeneity of Recorded Sound.” In Rick Altman, ed., Sound Theory, Sound Practice, 15–36. New York: Routledge, 1992. Anderson, Donald R. “The West of Frederick Jackson Turner in Three American Plays.” Journal of...


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