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Contents Series Editors’ Preface . . . . . . . . . . . . . . . . . . . . . . . . . ix Acknowlegements . . . . . . . . . . . . . . . . . . . . . . . . . . . xi A Brief Biography of Edwin Morgan . . . . . . . . . . . . . . . . xiii Abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvii Introduction: Presence, Process, Prize . . . . . . . . . . . . . . . . 1 Alan Riach 1. The Once and Future Pilot . . . . . . . . . . . . . . . . . . . . . . 16 James McGonigal 2. Edwin Morgan’s Scrapbooks . . . . . . . . . . . . . . . . . . . . . 28 Dorothy McMillan 3. Full Flourish: Major Collections of the 1960s and 1970s . . . . . 40 David Kinloch 4. Edwin Morgan’s Poetry from Scotland . . . . . . . . . . . . . . . 59 Cairns Craig 5. Cold War Morgan . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Adam Piette 6. Morgan and the City . . . . . . . . . . . . . . . . . . . . . . . . . 101 Robyn Marsack 7. Edwin Morgan and European Modernism . . . . . . . . . . . . 116 Ernest Schonfield 8. Concrete Realities . . . . . . . . . . . . . . . . . . . . . . . . . . .130 John Corbett 9. Edwin Morgan’s Theatre . . . . . . . . . . . . . . . . . . . . . . .145 Anne Varty 10. Into the Twenty-First Century: from Demon to Dream . . . . . 159 Hamish Whyte Endnotes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Further Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Notes on Contributors . . . . . . . . . . . . . . . . . . . . . . . . 199 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 THIS PAGE INTENTIONALLY LEFT BLANK For Marshall Walker in partial repayment of a debt we’ll never want to close. – A.R. THIS PAGE INTENTIONALLY LEFT BLANK ...

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