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Bibliography Affortunati, Monica, and Barbara Scardigli. "Aspects of Plutarch's Life ofPublicola ." In Plutarch and the Historical Tradition, ed. Philip A. Stadter, 109-31. London and New York, 1992. American School of Classical Studies at Athens. The Athenian Agora: A Guide to the Excavation and Museum. 3d ed. Athens, 1976. Andersen, O. "Thersites und Thoas vor Troia." Symbolae Oliensis 57 (1982): 7-34· Anderson, Benedict. Imagined Communities. London, 1983. Andrewes, A. "The Opposition to Perikles." Journal of Hellenic Studies 98 (1978): 1-8. Arthur-Katz, Marylin. "Sexuality and the Body in Ancient Greece." Metis 4, no. 1 (1989): 155-79. Austin, Norman. Helen of Troy and Her Shameless Phantom. Ithaca, 1994. Bain, D. "Audience Address in Greek Tragedy." Classical Quarterly 25 (1975): 13-25. Bakker, Egbert J. "Discourse and Performance: Involvement, Visualization, and 'Presence' in Homeric Poetry." Classical Antiquity 12 (1993): 1-29. Barthes, Roland. "Introduction to the Structural Analysis of Narratives." In A Barthes Reader, ed. Susan Sontag, 251-95. Toronto, 1982a. - - . "The Reality Effect." In French Literary Theory Today, ed. T. Todorov, 11-17. Cambridge, 1982b. Barton, LM., ed. Roman Public Buildings. Exeter, 1989. Bassi, Karen. "Helen and the Discourse of Denial in Stesichorus' Palinode." Arethusa 26 (1993): 51-76. ---. "Male Nudity and Disguise in the Discourse of Greek Histrionics." Helios 22 (1995): 3-22. - - . "Orality, Masculinity and Greek Epic." Arethusa 30 (1997): 315-40. ---. "The Somatics of the Past: Helen and the Body of Tragedy." In Actualizing Absence, ed. Mark Franko and Annette Richards. Hanover, forthcoming. Beazley, J.D. "The New York 'Phlyax-Vase.' " American Journal of Archaeology 56 (1952): 193-95· Benveniste, E. Problems in General Linguistics. Miami, 1971. Bergren, Ann L.T. "Language and the Female in Early Greek Thought." Arethusa 16 (1983): 69-85. Bernal, Martin. Black Athena: The Afroasiatic Roots ofClassical Civilization. Vol. 1, The Fabrication ofAncient Greece, 1785-1985. New Brunswick, 1987. Bieber, M. The History ofthe Greek and Roman Theater. Princeton, 1961. Bibliography Blamire, A. "Pausanias and Persia." Greek, Roman, and Byzantine Studies 11 (1970): 295-305. Block, Elizabeth. "Clothing Makes the Man: A Pattern in the Odyssey." Transactions of the American Philological Association 115 (1985): 1-11. Blundell, Mary Whitlock. "Ethos and Dianoia Reconsidered." In Essays on Aristotle 's Poetics, ed. Amelie Oksenberg Rorty, 155-76. Princeton, 1992. Boardman, J. "Herakles, Peisistratos, and Sons." Revue Archeologique, n.s., 12 (1972): 57-72. ---. "Herakles, Peisistratos, and the Unconvinced." Journal ofHellenic Studies 109 (1989): 158-59. Bonfante, Larissa. "Nudity as a Costume in Classical Art." American Journal of Archaeology 93 (1989): 543-70. Boswell, J. Christianity, Social Tolerance, and Homosexuality. Chicago, 1980. Boyer, M. Christine. The City of Collective Memory: Its Historical Imagery and Architectural Entertainments. Cambridge, Mass., 1994. Reprint 1996. Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. Trans. John Willett. New York, 1964. Broneer, Oscar. "The Tent of Xerxes and the Greek Theatre." University of California Publications in Classical Archaeology 1 (1944): 305-12. Burkert, Walter. "Greek Tragedy and Sacrificial Ritual." Greek, Roman, and Byzantine Studies 7 (1966): 87-121. ---. Structure and History in Greek Mythology and Ritual. Berkeley, 1979. ---. Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth. Trans. Peter Bing. Berkeley 1983. ---. Greek Religion. Trans. John Raffan. Cambridge, Mass., 1985. ---. "Oriental and Greek Mythology: The Meeting of Parallels." In Interpretations ofGreek Mythology, ed. J. Bremmer, 10-40. London, 1987. Burnett, Anne Pippin. Catastrophe Survived: Euripides' Plays ofMixed Reversal. Oxford, 1971. Butcher, S.H. Aristotle's Theory of Poetry and Fine Art. 1894- New York, 1951. Butler, Judith. Gender Trouble. New York, 1990a. ---. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." In Performing Feminisms, ed. Sue-Ellen Case, 270-83. Baltimore and London, 1990b. Calder III, William. "Gold for Bronze: Iliad 6.232-6." In Studies Presented to Sterling Dow, ed. K.J. Rigsby, 31-35. Greek, Roman, and Byzantine Monographs , vol. 10. Durham, 1984. Cameron, Alan. Bread and Circuses: The Roman Emperor and His People. London, 1973· Camp, John M. The Athenian Agora: Excavations in the Heart of Classical Athens. New York, 1986. Carpenter, T.H. Dionysian Imagery in Archaic Greek Art. Oxford, 1986. Case, Sue-Ellen. "Classic Drag: The Greek Creation of Female Parts." Theatre Journal 37 (1985): 317-27. ---. Feminism and Theatre. New York, 1988. Chadwick, John. The Mycenaean World. Cambridge, 1976. Bibliography 253 Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature , and Art. Cambridge, Mass., 1988. Clover, Carol. "Her Body, Himself: Gender in the Slasher Film." Representations 20 (1987): 187-228. Cohen, David. Law, Sexuality...


Subject Headings

  • Nostalgia -- Greece.
  • Men -- Greece.
  • Nostalgia in literature.
  • Gender identity -- Greece.
  • Masculinity -- Greece.
  • Men in literature.
  • Greek drama -- History and criticism.
  • Literature and society -- Greece.
  • Gender identity in literature.
  • Drama -- Psychological aspects.
  • Masculinity in literature.
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