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WO R K S C I T E D AND CONSULTED Abel, Richard. The Red Rooster Scare: Making Cinema American, 1900–1910. Berkeley: U of California P, 1999. Altman, Rick. Silent Film Sound. New York: Columbia UP, 2004. American Film Institute Catalog: Film Beginnings, 1893–1910. Compiled by Elias Savada. http://www.afi.com. “The Armenian Massacres.” New York Times 30 Aug. 1901. “The Astoria Concerts: E. Burton Holmes’s Lecture.” New York Times 25 Feb. 1898: 6. Bancel, Nicolas, Pascal Blanchard, and Sandrine Lemaire. “Les zoos humains: le passage d’un ‘racisme scientifique’ vers un ‘racisme populaire et colonial’ en Occident.” Zoos humains. Ed. Nicolas Bancel et al. Paris: La Découverte, 2002. 69. Benjamin, Walter. The Arcades Project. Cambridge, Mass.: Harvard UP, 2002. ———. “Paris, capitale du XIXe siècle.” Œuvres III. Paris: Gallimard, 2000. 52–53. Bettelheim, Bruno. The Uses of Enchantment / The Meaning and Importance of Fairy Tales. New York: Alfred A. Knopf, 1976. “The Biograph Better.” Washington Post 2 Feb. 1897: 7. Biograph production records. Film Study Center, Museum of Modern Art, New York. “Biographing Jumbo.” Hartford Times 8 Apr. 1897: 1. Bogdanovich, Peter, and Orson Welles. This Is Orson Welles. Ed. Jonathan Rosenbaum. New York: Da Capo, 1998. Boston Herald 17 May 1896: 32. Bowser, Eileen. The Transformation of Cinema, 1907–1915. Berkeley: U of California P, 1990. Brooklyn Daily Eagle 14 May 1901: 1. Burch, Noël. Life to Those Shadows. Berkeley: U of California P, 1991. ———. “A Primitive Mode of Representation?” Early Cinema: Space Frame and Narrative. London : BFI, 1990. 224. Catalogue. F. Z. Maguire & Co. March 1898. 31. “Chas. Pathé Makes a Statement.” Views and Film Index 16 May 1908: 4. Cherchi Usai, Paolo, and Cynthia Rowell, eds. The Griffith Project. Vol. 1, Films Produced in 1907–1908. London: BFI; Pordenone: Le Giornate del cinema muto, 1999. “Cinematograph’s Aid.” Views and Film Index 12 Sept. 1908: 5. Coissac, G.-Michel. Histoire du Cinématographe. De ses origines à nos jours. Paris: Cinéopse/ Gauthier-Villars, 1925. “Comments on Film Subjects.” Moving Picture World 14 Nov. 1908: 378–80. “Conférence de M. Louis Lumière à la Société d’Encouragement pour l’Industrie Nationale.” Bulletin du Photo-Club de Paris no. 51 (Apr. 1895): 125–26. “The ‘Corner’ in Wheat.” Christian Observer 28 Apr. 1909: 7. Crafton, Donald. Before Mickey: The Animated Film, 1898–1928. Cambridge, Mass.: MIT Press, 1984. “Crowd Cheered the Picture—Biograph Representation of Maine Caused Tremendous Enthusiasm.” Washington Post 27 Feb. 1898: 4. 249 “Cult of the Motion Picture.” Moving Picture World 5 Sept. 1908: 176–77. Dahlquist, Marina. The Invisible Seen in French Cinema before 1917. Stockholm: Aura förlag, 2001. “The Degradation of the Motion Picture.” Moving Picture World 17 Oct. 1908: 308–09. Denning, Michael. Mechanic Accents: Dime Novels and Working-Class Culture in America. London: Verso, 1987. Dickson, William Kennedy Laurie. The Biograph in Battle. London: Fisher Unwin, 1901. Rpt. Trowbridge, Wiltshire: Flicks Books, 1995. “Does Its Work Well.” Boston Herald 1 June 1897: 7. “Dreamland and the Beautiful Is Pearl of Coney Island.” The Billboard 9 June 1906: 6. Edison: The Invention of the Movies. DVD. Kino International and the Film/Media Department of the Museum of Modern Art together with the Library of Congress. 2005. Edison Manufacturing Company advertisement. New York Clipper 28 Apr. 1906. “Editorial.” Moving Picture World 3 Oct. 1908: 251. “Film Campaigning.” Film Index 26 Sept. 1908: 9. “Films That Please.” Moving Picture World 21 Mar. 1908: 233. “Fine Day for Biograph.” Hartford Times 12 Apr. 1897: 1. Gaudreault, André. “Detours in Film Narrative: The Development of Cross-Cutting.” Early Cinema. Space, Frame, Narrative. Ed. Thomas Elsaesser, with Adam Barker. London: BFI, 1990 [1979]. 133–150. ———. “Fragmentation and Assemblage in the Lumière Animated Pictures.” Film History 13.1 (2001). ———. From Plato to Lumière: Narration and Monstration in Literature and Cinema. Toronto: U of Toronto P, 2009. ———. “From ‘Primitive Cinema’ to ‘Kine-Attractography.’” Trans. Timothy Barnard. The Cinema of Attractions Reloaded. Ed. Wanda Strauven. Amsterdam: U of Amsterdam P, 2006. ———. “Singular Narrative, Iterative Narrative: Au Bagne (Pathé 1905).” Persistence of Vision 9 (1991): 66–74. Gaudreault, André, and Philippe Gauthier. “Crosscutting, a Programmed Language.” The Griffith Project. Vol. 12, Essays on D. W. Griffith. Ed. Paolo Cherchi Usai and Cynthia Rowell . London: BFI; Pordenone: Le Giornate del cinema muto, 2008. Gaudreault, André, and Tom Gunning. “Le cinéma des premiers temps: un défi à l’histoire du cinéma?” L’Histoire du cinéma, nouvelles approches...

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Additional Information

ISBN
9780813546445
Related ISBN
9780813544427
MARC Record
OCLC
318240465
Pages
288
Launched on MUSE
2012-01-01
Language
English
Open Access
No
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