In lieu of an abstract, here is a brief excerpt of the content:

WO R K S C I T E D AND CONSULTED Abel, Richard. The Red Rooster Scare: Making Cinema American, 1900–1910. Berkeley: U of California P, 1999. Altman, Rick. Silent Film Sound. New York: Columbia UP, 2004. American Film Institute Catalog: Film Beginnings, 1893–1910. Compiled by Elias Savada. “The Armenian Massacres.” New York Times 30 Aug. 1901. “The Astoria Concerts: E. Burton Holmes’s Lecture.” New York Times 25 Feb. 1898: 6. Bancel, Nicolas, Pascal Blanchard, and Sandrine Lemaire. “Les zoos humains: le passage d’un ‘racisme scientifique’ vers un ‘racisme populaire et colonial’ en Occident.” Zoos humains. Ed. Nicolas Bancel et al. Paris: La Découverte, 2002. 69. Benjamin, Walter. The Arcades Project. Cambridge, Mass.: Harvard UP, 2002. ———. “Paris, capitale du XIXe siècle.” Œuvres III. Paris: Gallimard, 2000. 52–53. Bettelheim, Bruno. The Uses of Enchantment / The Meaning and Importance of Fairy Tales. New York: Alfred A. Knopf, 1976. “The Biograph Better.” Washington Post 2 Feb. 1897: 7. Biograph production records. Film Study Center, Museum of Modern Art, New York. “Biographing Jumbo.” Hartford Times 8 Apr. 1897: 1. Bogdanovich, Peter, and Orson Welles. This Is Orson Welles. Ed. Jonathan Rosenbaum. New York: Da Capo, 1998. Boston Herald 17 May 1896: 32. Bowser, Eileen. The Transformation of Cinema, 1907–1915. Berkeley: U of California P, 1990. Brooklyn Daily Eagle 14 May 1901: 1. Burch, Noël. Life to Those Shadows. Berkeley: U of California P, 1991. ———. “A Primitive Mode of Representation?” Early Cinema: Space Frame and Narrative. London : BFI, 1990. 224. Catalogue. F. Z. Maguire & Co. March 1898. 31. “Chas. Pathé Makes a Statement.” Views and Film Index 16 May 1908: 4. Cherchi Usai, Paolo, and Cynthia Rowell, eds. The Griffith Project. Vol. 1, Films Produced in 1907–1908. London: BFI; Pordenone: Le Giornate del cinema muto, 1999. “Cinematograph’s Aid.” Views and Film Index 12 Sept. 1908: 5. Coissac, G.-Michel. Histoire du Cinématographe. De ses origines à nos jours. Paris: Cinéopse/ Gauthier-Villars, 1925. “Comments on Film Subjects.” Moving Picture World 14 Nov. 1908: 378–80. “Conférence de M. Louis Lumière à la Société d’Encouragement pour l’Industrie Nationale.” Bulletin du Photo-Club de Paris no. 51 (Apr. 1895): 125–26. “The ‘Corner’ in Wheat.” Christian Observer 28 Apr. 1909: 7. Crafton, Donald. Before Mickey: The Animated Film, 1898–1928. Cambridge, Mass.: MIT Press, 1984. “Crowd Cheered the Picture—Biograph Representation of Maine Caused Tremendous Enthusiasm.” Washington Post 27 Feb. 1898: 4. 249 “Cult of the Motion Picture.” Moving Picture World 5 Sept. 1908: 176–77. Dahlquist, Marina. The Invisible Seen in French Cinema before 1917. Stockholm: Aura förlag, 2001. “The Degradation of the Motion Picture.” Moving Picture World 17 Oct. 1908: 308–09. Denning, Michael. Mechanic Accents: Dime Novels and Working-Class Culture in America. London: Verso, 1987. Dickson, William Kennedy Laurie. The Biograph in Battle. London: Fisher Unwin, 1901. Rpt. Trowbridge, Wiltshire: Flicks Books, 1995. “Does Its Work Well.” Boston Herald 1 June 1897: 7. “Dreamland and the Beautiful Is Pearl of Coney Island.” The Billboard 9 June 1906: 6. Edison: The Invention of the Movies. DVD. Kino International and the Film/Media Department of the Museum of Modern Art together with the Library of Congress. 2005. Edison Manufacturing Company advertisement. New York Clipper 28 Apr. 1906. “Editorial.” Moving Picture World 3 Oct. 1908: 251. “Film Campaigning.” Film Index 26 Sept. 1908: 9. “Films That Please.” Moving Picture World 21 Mar. 1908: 233. “Fine Day for Biograph.” Hartford Times 12 Apr. 1897: 1. Gaudreault, André. “Detours in Film Narrative: The Development of Cross-Cutting.” Early Cinema. Space, Frame, Narrative. Ed. Thomas Elsaesser, with Adam Barker. London: BFI, 1990 [1979]. 133–150. ———. “Fragmentation and Assemblage in the Lumière Animated Pictures.” Film History 13.1 (2001). ———. From Plato to Lumière: Narration and Monstration in Literature and Cinema. Toronto: U of Toronto P, 2009. ———. “From ‘Primitive Cinema’ to ‘Kine-Attractography.’” Trans. Timothy Barnard. The Cinema of Attractions Reloaded. Ed. Wanda Strauven. Amsterdam: U of Amsterdam P, 2006. ———. “Singular Narrative, Iterative Narrative: Au Bagne (Pathé 1905).” Persistence of Vision 9 (1991): 66–74. Gaudreault, André, and Philippe Gauthier. “Crosscutting, a Programmed Language.” The Griffith Project. Vol. 12, Essays on D. W. Griffith. Ed. Paolo Cherchi Usai and Cynthia Rowell . London: BFI; Pordenone: Le Giornate del cinema muto, 2008. Gaudreault, André, and Tom Gunning. “Le cinéma des premiers temps: un défi à l’histoire du cinéma?” L’Histoire du cinéma, nouvelles approches...


Additional Information

Related ISBN
MARC Record
Launched on MUSE
Open Access
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.