Cinema Manifesto (Australia, 1971)
Abstract

Published in the first issue of their long-running journal Cantrills Filmnotes, Australian filmmakers Arthur and Corinne Cantrill’s manifesto argues for a formal cinema that eschews from political and cultural commentary, and indeed from narrative, concentrating on the materiality of film itself. The authors have much in common in this regard with the then-emergent structural filmmakers in the United States and the United Kingdom.