restricted access Bibliography
In lieu of an abstract, here is a brief excerpt of the content:

287 Bib­ liog­ ra­ phy Cin­ ema His­ tory, The­ o­ ries, and Meth­ o­ dol­ o­ gies Alt­ man, Rick. Si­ lent Film Sound. New York: Co­ lum­ bia Uni­ ver­ sity Press, 2004. Bord­ well, David. “A Case for Cog­ ni­ ti­ vism.” Iris 9 (Spring 1989): 11–40. . “A Case for Cog­ ni­ ti­ vism: Fur­ ther Re­ flec­ tions.” Iris 11 (Sum­ mer 1990): 107–12. . “Film Inter­ pre­ ta­ tion Re­ vis­ ited.” Film Crit­ i­ cism 17, nos. 2–3 (Win­ ter/­ Spring 1993): 93–119. . Mak­ ing Mean­ ing: In­ fer­ ence and Rhet­ o­ ric in the Inter­ pre­ ta­ tion of Cin­ ema. Cam­ bridge, MA: Har­ vard Uni­ ver­ sity Press, 1989. . Nar­ ra­ tion in the Fic­ tion Film. Mad­ i­ son: Uni­ ver­ sity of Wis­ con­ sin Press, 1985. Re­ print, Lon­ don: Rout­ ledge, 1988. . On the His­ tory of Film Style. Cam­ bridge, MA: Har­ vard Uni­ ver­ sity Press, 1997. . Poet­ ics of Cin­ ema. New York: Rout­ ledge, 2008. . The Way Hol­ ly­ wood Tells It: Story and Style in Mod­ ern Mo­ vies. Berke­ ley: Uni­ ver­ sity of Cal­ i­ for­ nia Press, 2006. Bord­ well, David, and Noël Car­ roll, eds. ­ Post-Theory: Re­ con­ struct­ ing Film Stud­ ies. Mad­ i­ son: Uni­ ver­ sity of Wis­ con­ sin Press, 1996. Bord­ well, David, and Kris­ tin Thomp­ son. Film Art: An Intro­ duc­ tion. New York:­ McGraw-Hill Inter­ na­ tional, 2010. Bord­ well, David, Janet Stai­ ger, and Kris­ tin Thomp­ son. The Clas­ si­ cal Hol­ ly­ wood Cin­ ema: Film Style and Mode of Pro­ duc­ tion to 1960. New York: Co­ lum­ bia Uni­ ver­ sity Press, 1985. Bru­ netta, Gian Piero, ed. ­ Storia del cin­ ema mon­ di­ ale. 5 vols. Turin: Ei­ naudi, 1999–2001. 288 • Bibliography Chion, ­ Michel. ­ L’audio-vision: Son et image au cin­ éma. Paris: Na­ than, 1990. Trans­ lated and ed­ ited by Clau­ dia Gorb­ man as ­ Audio-Vision: Sound On ­ Screen (New York: Co­ lum­ bia Uni­ ver­ sity Press, 1994). El­ saes­ ser, ­ Thomas, and Adam ­ Barker, eds. Early Cin­ ema: Frame, Space, Nar­ ra­ tive. Lon­ don: BFI Pub­ lish­ ing, 1990. Field, Syd. The ­ Screenwriter’s Prob­ lem ­ Solver: How to Rec­ og­ nize, Iden­ tify, and De­ fine Screen­ writ­ ing Prob­ lems. New York: Dell Pub­ lish­ ing, 1998. Freer, Ian. The Com­ plete Spiel­ berg. Lon­ don: Vir­ gin Pub­ lish­ ing, 2001. Gau­ dreault, André, and Tom Gun­ ning. “Le cin­ éma des pre­ mieres temps: Un défi à­ l’histoire du cin­ éma?” In His­ toire du cin­ éma: Nou­ velles ap­ proches, ed­ ited by ­ Jacques Au­ mont, André Gau­ dreault, and ­ Michel Marie, 49–63. Paris: Pub­ li­ ca­ tions de la Sor­ bonne, 1989. Gom­ ery, Doug­ las. The Com­ ing of Sound. New York: Rout­ ledge, 2005. . The Hol­ ly­ wood Stu­ dio ­ System: A His­ tory. Berke­ ley: Uni­ ver­ sity of Cal­ i­ for­ nia Press, 2007. . ­ Shared Pleas­ ures: A His­ tory of Movie Pres­ en­ ta­ tion in the ­ United ­ States. Lon­ don: BFI Pub­ lish­ ing, 1992. Gott­ lieb, Carl. The Jaws Log. New York: New­ mar­ ket Press, 2005. Hill, John, and Pam­ ela ­ Church Gib­ son, eds. The Ox­ ford Guide to Film Stud­ ies. New York: Ox­ ford Uni­ ver­ sity Press, 1998. Jul­ lier, Laur­ ent. ­ L’écran ­ post-moderne: Un cin­ éma de ­ l’allusion e du feu ­ d’artifice. Paris:­ L’Harmattan, 1997. Trans­ lated by Carla Ca­ petta as Il cin­ ema post­ mod­ erno (Turin: Ka­ plan, 2006). King, Geoff. New Hol­ ly­ wood Cin­ ema: An Intro­ duc­ tion. Lon­ don: I. B. Tau­ ris, 2002. La Polla, ­ Franco, and Maria Te­ resa Ca­ vina, eds. Spiel­ berg su Spiel­ berg. Turin: Lin­ dau, 1995.­ Maltby, Rich­ ard. Hol­ ly­ wood Cin­ ema. Mal­ den, MA: ­ Wiley-Blackwell Pub­ lish­ ing, 2003. Mor­ ris, Nigel. The Cin­ ema of Ste­ ven Spiel­ berg: Em­ pire of Light. Lon­ don: Wall­ flower Press, 2007. Neale, Steve, and Mur­ ray Smith, eds. Con­ tem­ po­ rary Hol­ ly­ wood Cin­ ema. Lon­ don: Rout­ ledge, 1998. Rinz­ ler, J. W. The Mak­ ing of Star Wars: The De­ fin­ i­ tive Story Be­ hind the Orig­ i­ nal Film. Lon­ don: Ebury Press, 2007. Salt, Barry. Film Style and Tech...


pdf

Subject Headings

  • Williams, John, 1932- -- Criticism and interpretation.
  • Motion picture music -- History and criticism.
  • Jaws (Motion picture).
  • Star wars (Motion picture).
  • Raiders of the lost ark (Motion picture).
  • Boston Pops Orchestra.
  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access