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In this Issue

Table of Contents

  1. Rethinking Postcolonial Melodrama and Affect
  2. Sheetal Majithia
  3. pp. 1-23
  4. restricted access
  1. A Postcolonial Reading of Lesia Ukraïnka’s Orhiia
  2. Anastassiya Andrianova
  3. pp. 25-45
  4. restricted access
  1. Adaptation, Fidelity, and the “Reek” of Aesthetic Ideology: Susan Sontag’s Lady from the Sea
  2. Olivia Noble Gunn
  3. pp. 46-64
  4. restricted access
  1. The Imagistic Theatre of Robert Whitman
  2. Nadja Rottner
  3. pp. 66-93
  4. restricted access
  1. Vanishing Acts: Sarah Kane’s Texts for Performance and Postdramatic Theatre
  2. Matthew Roberts
  3. pp. 94-110
  4. restricted access
  1. Folk Modernism: Zora Neale Hurston’s Gestural Drama
  2. Elin Diamond
  3. pp. 112-134
  4. restricted access
  1. Performing Archives / Archives of Performance ed. by Gunhild Borggreen and Rune Gade (review)
  2. David Pellegrini
  3. pp. 135-138
  4. restricted access
  1. Contemporary Women Playwrights into the Twenty-First Century ed. by Penny Farfan and Leslie Ferris (review)
  2. Lisa M. Anderson
  3. pp. 138-140
  4. restricted access
  1. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance ed. by Karen Jürs-Munby, Jerome Carroll, and Steve Giles (review)
  2. Julia Jarcho
  3. pp. 140-142
  4. restricted access
  1. Performance and Community: Commentary and Case Studies ed. by Caoimhe McAvinchey (review)
  2. Claire Syler
  3. pp. 142-145
  4. restricted access
  1. Recasting Transnationalism through Performance: Theatre Festivals in Cape Verde, Mozambique, and Brazil by Christina S. McMahon (review)
  2. Sarah J. Townsend
  3. pp. 145-147
  4. restricted access
  1. Mapping Irish Theatre: Theories of Space and Place by Chris Morash and Shaun Richards (review)
  2. Lisa Fitzgerald
  3. pp. 147-149
  4. restricted access
  1. Theatrical Liberalism: Jews and Popular Entertainment in America by Andrea Most (review)
  2. Harley Erdman
  3. pp. 149-152
  4. restricted access
  1. Staging Faith: Religion and African American Theater from the Harlem Renaissance to World War II by Craig R. Prentiss (review)
  2. Paige A. McGinley
  3. pp. 152-154
  4. restricted access