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The Politics of Women's Bodies in France
Beauvoir and Her Sisters investigates how women's experiences, as represented in print culture, led to a political identity of an "imagined sisterhood" through which political activism developed and thrived in postwar France. Through the lens of women's political and popular writings, Sandra Reineke presents a unique interpretation of feminist and intellectual discourse on citizenship, identity, and reproductive rights._x000B__x000B_Drawing on feminist writings by Simone de Beauvoir, feminist reviews from the women's liberation movement, and cultural reproductions from French women's fashion and beauty magazines, Reineke illustrates how print media created new spaces for political and social ideas. This sustained study extends from 1944, when women received the right to vote in France, to 1993, when the French government outlawed anti-abortion activities. Touching on the relationship between consumer culture and feminist practice, Reineke's analysis of a selection of women's writings underlines how these texts challenged traditional gender models and ideals._x000B_
Christianity and the Cultivation of Female Genius
Because of Beauvoir does what many say is impossible: it demonstrates how women can flourish, without conflict, while being simultaneously Christian and feminist. Alison Jasper offers a vision of Julia Kristeva's "female genius" as the capacity of women to thrive and cultivate intellect within and across different cultural and theological environments. Using the writings of English women from the 17th through the 21st centuries as living profiles, Jasper draws upon the creative power in the lives of real women to recognize and retrieve a female subjectivity—one that determines how women see and are seen after Simon de Beauvoir.
Hedwig Dohm (1831–1919) was a thinker and writer significantly ahead of her time. She championed women’s rights in Germany and criticized with acerbic wit the social, political, and familial inequities inherent in gender relationships at the time of the first wave of the women’s movement. Her novella Become Who You Are is about a woman, Agnes Schmidt, whose husband has died and who is grappling with finding an identity for herself as an aging widow—reflecting the restrictions imposed especially on aging, widowed women who often yearn for a life and identity of their own. Also included here is the English translation of Dohm’s essay, “The Old Woman,” which is a compelling call for women to resist the social, intellectual, psychological, and physical restraints placed on women of Dohm’s time.
Written by a leading activist in the transgender movement, Becoming a Visible Man is an artful and compelling inquiry into the politics of gender. Jamison Green combines candid autobiography with informed analysis to offer unique insight into the multiple challenges of the female-to-male transsexual experience, ranging from encounters with prejudice and strained relationships with family to the development of an FTM community and the realities of surgical sex reassignment. For more than a decade, Green has provided educational programs on gender-variance issues for corporations, law-enforcement agencies, social-science conferences and classes, continuing legal education, religious education, and medical venues. His comprehensive knowledge of the processes and problems encountered by transgendered and transsexual people—as well as his legal advocacy work to help ensure that gender-variant people have access to the same rights and opportunities as others—enable him to explain the issues as no transsexual author has previously done. Brimming with frank and often poignant recollections of Green’s own experiences—including his childhood struggles with identity and his years as a lesbian parent prior to his sex-reassignment surgery—the book examines transsexualism as a human condition, and sex reassignment as one of the choices that some people feel compelled to make in order to manage their gender variance. Relating the FTM psyche and experience to the social and political forces at work in American society, Becoming a Visible Man also speaks consciously of universal principles that concern us all, particularly the need to live one’s life honestly, openly, and passionately.
The Emergence and Development of the California Women's Movement, 1880-1911
In 1880, the California woman safeguarded the Republic by maintaining a morally sound home. Scarcely forty years later, women in the Pacific state won full-fledged citizenship and voting rights of their own. Becoming Citizens shows how this enormous transformation came about. Gayle Gullett demonstrates how women's search for a larger public life in the late nineteenth century led to a flourishing women's movement in California. _x000B_Women's radical demand for citizenship, however, was rejected by state voters along with the presidential reform candidate, William Jennings Bryan, in the tumultuous election year of 1896. Gullett shows how women rebuilt the movement in the early years of the twentieth century and forged a critical alliance between activist women and the men involved in the urban Good Government movement. This alliance formed the basis of progressivism, with male Progressives helping to legitimize women's new public work by supporting their civic campaigns, appointing women to public office, and placing a suffrage referendum before the male electorate in 1911. _x000B_Placing local developments in a national context, Becoming Citizens illuminates the links between these two major social movements: the western women's suffrage movement and progressivism._x000B__x000B__x000B_
Stories of Violent Men
In this groundbreaking work, Lois Presser investigates the life stories of men who have perpetrated violence. She applies insights from across the academy to in-depth interviews with men who shared their accounts of how they became the people we most fear--those who rape, murder, assault, and rob, often repeatedly. Been a Heavy Life provides the discipline of criminology with two crucial frameworks: one for critically evaluating the construction of offenders own stories, and one for grasping the cultural meta-narratives that legitimize violence. For social scientists generally, this book offers a vivid demonstration of just how dynamic and contingent self-narratives are.
American Women's Autobiographical Writing, 1819–1919
The life narratives in this collection are by ethnically diverse women of energy and ambition—some well known, some forgotten over generations—who confronted barriers of gender, class, race, and sexual difference as they pursued or adapted to adventurous new lives in a rapidly changing America. The engaging selections—from captivity narratives to letters, manifestos, criminal confessions, and childhood sketches—span a hundred years in which women increasingly asserted themselves publicly. Some rose to positions of prominence as writers, activists, and artists; some sought education or wrote to support themselves and their families; some transgressed social norms in search of new possibilities. Each woman’s story is strikingly individual, yet the brief narratives in this anthology collectively chart bold new visions of women’s agency.
Sex, Hope, and Rock-and-Roll
From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.
Labor, Identity, and Hollywood Stardom
Who was Rita Hayworth? Born Margarita Carmen Cansino, she spent her life subjected to others' definitions of her, no matter how hard she worked to claim her own identity. Although there have been many "revelations" about her life and career, Adrienne McLean's book is the first to show that such disclosures were part of a constructed image from the outset. McLean explores Hayworth's participation in the creation of her star persona, particularly through her work as a dancer-a subject ignored by most film scholars. The passive love goddess, as it turns out, had a unique appeal to other women who, like her, found it extraordinarily difficult to negotiate the competing demands of family, domesticity, and professional work outside the home. Being Rita Hayworth also considers the ways in which the actress has been treated by film scholarship over the years to accomplish its own goals, sometimes at her expense.