Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Wesleyan University Press has made a significant commitment to the publication of the work of Samuel R. Delany, including this recent fiction, now available in paperback. The three long stories collected in Atlantis: three tales -- "Atlantis: Model 1924," "Erik, Gwen, and D. H. Lawrence's Aesthetic of Unrectified Feeling," and "Citre et Trans" -- explore problems of memory, history, and transgression.
Winner of both the Hugo and Nebula awards, and Guest of Honor at the 1995 World Science Fiction Convention in Glasgow, Delany was won a broad audience among fans of postmodern fiction with his theoretically sophisticated science fiction and fantasy. The stories of Atlantis: three tales are not SF, yet Locus, the trade publication of the science fiction field, notes that the title story "has an odd, unsettling power not usually associated with mainstream fiction."
A writer whose audience extends across and beyond science fiction, black, gay, postmodern, and academic constituencies, Delany is finally beginning to achieve the broader recognition he deserves.
Bisexuality in Contemporary Film and Television
Often disguised in public discourse by terms like "gay," "homoerotic," "homosocial," or "queer," bisexuality is strangely absent from queer studies and virtually untreated in film and media criticism. Maria San Filippo aims to explore the central role bisexuality plays in contemporary screen culture, establishing its importance in representation, marketing, and spectatorship. By examining a variety of media genres including art cinema, sexploitation cinema and vampire films, "bromances," and series television, San Filippo discovers "missed moments" where bisexual readings of these texts reveal a more malleable notion of subjectivity and eroticism. San Filippo's work moves beyond the subject of heteronormativity and responds to "compulsory monosexuality," where it's not necessarily a couple's gender that is at issue, but rather that an individual chooses one or the other. The B Word transcends dominant relational formation (gay, straight, or otherwise) and brings a discursive voice to the field of queer and film studies.
Black Power Action Films
This lively study unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on black femininity. While low-budget blaxploitation films typically portrayed black women as trifling "bitches" compared to the supermacho black male heroes, the terms "baad bitches" and "sassy supermamas" signal the emergence of films featuring self-assured, empowered, and tough (or "baad") black female protagonists: Cleopatra Jones, Coffy, and Foxy Brown. Stephane Dunn closely examines a distinct moment in the history of African American representation in popular cinema, tracing its influences from the Black Power movement and feminism.
Breaking the Race and Gender Barriers of the New Orleans Mardi Gras Tradition
One of the first women’s organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the “raddy-walking, shake-dancing, cigar-smoking, money-flinging” ladies who strutted their way into a predominantly male establishment. The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans’s red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes—short satin dresses, stockings with garters, and bonnets—set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic. Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Tremé area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations’ crucial contribution to Louisiana’s cultural history.
Racial Politics in the Women's Peace Movement
A Band of Noble Women brings together the histories of the women’s peace movement and the black women’s club and social reform movement in a story of community and consciousness building between the world wars. Believing that achievement of improved race relations was a central step in establishing world peace, African American and white women initiated new political alliances that challenged the practices of Jim Crow segregation and promoted the leadership of women in transnational politics. Under the auspices of the Women’s International League for Peace and Freedom (WILPF), they united the artistic agenda of the Harlem Renaissance, suffrage-era organizing tactics, and contemporary debates on race in their efforts to expand women’s influence on the politics of war and peace. Plastas shows how WILPF espoused middle-class values and employed gendered forms of organization building, educating thousands of people on issues ranging from U.S. policies in Haiti and Liberia to the need for global disarmament. Highlighting WILPF chapters in Philadelphia, Cleveland, and Baltimore, the author examines the successes of this interracial movement as well as its failures. A Band of Noble Women enables us to examine more fully the history of race in U.S. women’s movements and illuminates the role of the women’s peace movement in setting the foundation for the civil rights movement
The Story of America's Only Left-Handed, Gay, Jewish Congressman
In a survey conducted by Washingtonian magazine, Barney Frank was rated the smartest, funniest, and most eloquent member of Congress. A mainstay in the House of Representatives since 1981, he has come to be known for his talent as a legislator, his zeal for verbal combat, his imposing intellect, and a quick wit that both disarms and entertains other lawmakers. Most recently, as chair of the Financial Services Committee, he was instrumental in crafting a compromise bill to stem the tide of home mortgage foreclosures, as well as the subsequent $700 billion “rescue plan.” Based on interviews with over 150 people, including more than thirty hours with Frank himself, this biography reconstructs for the first time his life and career, from his working-class childhood in Bayonne, New Jersey, to his years at Harvard and in Boston politics, through his rise to national prominence. Stuart Weisberg captures Frank in all his quirkiness, irreverence, and complexity. He also examines his less appealing side—his gruff exterior, his legendary impatience, his aversion to wasting time. Weisberg reveals the pressure Frank has felt as the most prominent openly gay politician in the United States, one whose career was nearly derailed by a highly publicized sex scandal involving a male prostitute. Above all, this book shows Frank to be a superb legislator—a pragmatic politician who has dedicated his career to pursuing an unabashedly liberal agenda and whose depth of intellect and sense of humor have made him one of the most influential and colorful figures in Washington.
The Life of Belle W. Baruch
Belle W. Baruch (1899–1964) could outride, outshoot, outhunt, and outsail most of the young men of her elite social circle—abilities that distanced her from other debutantes of 1917. Unapologetic for her athleticism and interests in traditionally masculine pursuits, Baruch towered above male and female counterparts in height and daring. While she is known today for the wildlife conservation and biological research center on the South Carolina coast that bears her family name, Belle's story is a rich narrative about one nonconformist's ties to the land. In Baroness of Hobcaw, Mary E. Miller provides a provocative portrait of this unorthodox woman who gave a gift of monumental importance to the scientific community. Belle's father, Bernard M. Baruch, the so-called Wolf of Wall Street, held sway over the financial and diplomatic world of the early twentieth century and served as an adviser to seven U.S. presidents. In 1905 he bought Hobcaw Barony, a sprawling seaside retreat where he entertained the likes of Churchill and FDR. Belle's daily life at Hobcaw reflects the world of wealthy northerners, including the Vanderbilts and Luces, who bought tracts of southern acreage. Miller details Belle's exploits—fox hunting at Hobcaw, show jumping at Deauville, flying her own plane, traveling with Edith Bolling Wilson, and patrolling the South Carolina beach for spies during World War II. Belle's story also reveals her efforts to win her mother's approval and her father's attention, as well as her unraveling relationships with friends, family, employees, and lovers—both male and female. Miller describes Belle's final success in saving Hobcaw from development as the overarching triumph of a tempestuous life.