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American Women's Autobiographical Writing, 1819–1919
The life narratives in this collection are by ethnically diverse women of energy and ambition—some well known, some forgotten over generations—who confronted barriers of gender, class, race, and sexual difference as they pursued or adapted to adventurous new lives in a rapidly changing America. The engaging selections—from captivity narratives to letters, manifestos, criminal confessions, and childhood sketches—span a hundred years in which women increasingly asserted themselves publicly. Some rose to positions of prominence as writers, activists, and artists; some sought education or wrote to support themselves and their families; some transgressed social norms in search of new possibilities. Each woman’s story is strikingly individual, yet the brief narratives in this anthology collectively chart bold new visions of women’s agency.
Sex, Hope, and Rock-and-Roll
From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.
Labor, Identity, and Hollywood Stardom
Who was Rita Hayworth? Born Margarita Carmen Cansino, she spent her life subjected to others' definitions of her, no matter how hard she worked to claim her own identity. Although there have been many "revelations" about her life and career, Adrienne McLean's book is the first to show that such disclosures were part of a constructed image from the outset. McLean explores Hayworth's participation in the creation of her star persona, particularly through her work as a dancer-a subject ignored by most film scholars. The passive love goddess, as it turns out, had a unique appeal to other women who, like her, found it extraordinarily difficult to negotiate the competing demands of family, domesticity, and professional work outside the home. Being Rita Hayworth also considers the ways in which the actress has been treated by film scholarship over the years to accomplish its own goals, sometimes at her expense.
Women Corporate Lobbyists, Policy, and Power in the United States
From lobbyists such as Jack Abramoff, to corporate executives, like Enron's Kenneth Lay and Jeffrey Skilling, recent scandals dealing with politics and government have focused only on men at the top. But do these high-profile men accurately represent the gendered make up of corporate-government in the United States?
In this first in-depth look at the changing face of corporate lobbying, Denise Benoit shows how women who have historically worked mostly in policy areas relating to "women's issues" such as welfare, family, and health have become increasingly influential as corporate lobbyists, specializing in what used to be considered "masculine" policy, such as taxes and defense. Benoit finds that this new crop of female lobbyists mobilize both masculinity and femininity in ways that create and maintain trusting, open, and strong relations with those in government, and at the same time help corporations to save and earn billions of dollars.
While the media focuses on the dubious behaviors of men at the top of business and government, this book shows that female corporate lobbyists are indeed one of the best kept secrets in Washington.
Human Rights and Sharia Law in Morocco
There are two major women’s movements in Morocco: the Islamists who hold shari’a as the platform for building a culture of women’s rights, and the feminists who use the United Nations’ framework to amend shari’a law. Between Feminism and Islam shows how the interactions of these movements over the past two decades have transformed the debates, the organization, and the strategies of each other.
In Between Feminism and Islam, Zakia Salime looks at three key movement moments: the 1992 feminist One Million Signature Campaign, the 2000 Islamist mass rally opposing the reform of family law, and the 2003 Casablanca attacks by a group of Islamist radicals. At the core of these moments are disputes over legitimacy, national identity, gender representations, and political negotiations for shaping state gender policies. Located at the intersection of feminism and Islam, these conflicts have led to the Islamization of feminists on the one hand and the feminization of Islamists on the other.
Documenting the synergistic relationship between these movements, Salime reveals how the boundaries of feminism and Islamism have been radically reconfigured. She offers a new conceptual framework for studying social movements, one that allows us to understand how Islamic feminism is influencing global debates on human rights.
Free Women of Color in the Americas
David Barry Gaspar and Darlene Clark Hine's Beyond Bondage outlines the restricted spheres within which free women of color, by virtue of gender and racial restrictions, were forced to carve out their existences. Although their freedom, represented by the acquisition of property, respectability, and opportunity, always remained precarious, the collection supports the surprising conclusion that women of color often sought and obtained these advantages more successfully than their male counterparts.
Gender, Violence, and Representation in Postcolonial India
In Beyond Partition , Deepti Misri shows how 1947 marked the beginning of a history of politicized animosity associated with the differing ideas of "India" held by communities and in regions on one hand, and by the political-military Indian state on the other. Assembling literary, historiographic, performative, and visual representations of gendered violence against men and women, she establishes that cultural expressions do not just follow violence but determine its very contours, and interrogates the gendered scripts underwriting the violence originating in the contested visions of what "India" means. Ambitious and ranging across disciplines, Beyond Partition offers both an overview of and nuanced new perspectives on the ways caste, identity, and class complicate representations of violence, and how such representations shape our understandings of both violence and of India.
Reimagining the American New Woman, 1895-1915
Challenging monolithic images of the New Woman as white, well-educated, and politically progressive, this study focuses on important regional, ethnic, and sociopolitical differences in the use of the New Woman trope at the turn of the twentieth century. Using Charles Dana Gibson's "Gibson Girls" as a point of departure, Martha H. Patterson explores how writers such as Pauline Hopkins, Margaret Murray Washington, Sui Sin Far, Mary Johnston, Edith Wharton, Ellen Glasgow, and Willa Cather challenged and redeployed the New Woman image in light of other "new" conceptions: the "New Negro Woman," the "New Ethics," the "New South," and the "New China." Examining a diverse array of cultural products, Patterson shows how the seemingly celebratory term of the New Woman becomes a trope not only of progressive reform, consumer power, transgressive femininity, modern energy, and modern cure, but also of racial and ethnic taxonomies, social Darwinist struggle, imperialist ambition, assimilationist pressures, and modern decay.