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Women's Studies, Gender, and Sexuality > Women's Studies

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Can't I Love What I Criticize? Cover

Can't I Love What I Criticize?

The Masculine and Morrison

Susan Neal Mayberry

Taking a close look at all the key male figures in Toni Morrison's eight novels, this book explores Morrison's admitted, but critically neglected, interest in the relationships between African American men and women and the “axes” on which these relationships turn. Most Morrison scholarship deals with her female characters. Can't I Love What I Criticize? offers a response to this imbalance and to Morrison's call for more work on men, who remain, in her words, “outside of that little community value thing.”

The book also considers the barriers between black men and women thrown up by their participation in a larger, historically racist culture of competition, ownership, sexual repression, and fixed ideals about physical beauty and romantic love. Black women, Morrison says, bear their crosses “extremely well,” and black men, although they have been routinely emasculated by “white men, period,” have managed to maintain a feisty “magic” that everybody wants but nobody else has.

Understanding Morrison's treatment of her male characters, says Susan Mayberry, becomes crucial to grasping her success in “countering the damage done by a spectrum of sometimes misguided isms”--including white American feminism. Morrison's version of masculinity suggests that black men have “successfully retained their special vitality in spite of white male resistance” and that “their connections to black women have saved their lives.” To single out her men is not to negate the preeminence of her women; rather, it is to recognize the interconnectedness and balance between them.

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The Captain’s Widow of Sandwich Cover

The Captain’s Widow of Sandwich

Self-Invention and the Life of Hannah Rebecca Burgess, 1834-1917

Megan Shockley, 0, 0

“Shockley has written a fine historian’s biography that is also a good read. The Captain’s Widow of Sandwich shows how Burgess created her own heroic persona and how that particular version of one woman’s story embodied and ennobled the ideals of an embattled Cape Cod community.”

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Caring and Curing Cover

Caring and Curing

Historical Perspectives on Women and Healing in Canada

Edited by Dianne Dodd and Deborah Gorham

This collection of essays takes the reader from the early 19th century struggle between female midwives and male physicians right up to the late 20th century emergence of professionally trained women physicians vying for a place in the medical hierarchy. The bitter conflict for control of birthing and other aspects of domestic health care between female lay healers, particularly midwives, and the emerging male-dominated medical profession is examined from new perspectives.

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Catina’s Haircut Cover

Catina’s Haircut

A Novel in Stories

Paola Corso

Catina’s Haircut: A Novel in Stories spans four generations of a peasant family in the brutal poverty of post-Unification southern Italy and in an immigrant’s United States. The women in these tales dare to cross boundaries by discovering magical leaps inherent in the landscape, in themselves, and in the stories they tell and retell of family tragedy at a time of political unrest. Through an oral tradition embedded in the stone of memory and the flow of its reinvention, their passionate tale of resistance and transformation courses forward into new generations in a new world.
    A woman threatens to join the land reform struggle in her Calabrian hill town, against her husband’s will, during a call for revolution in 1919. A brother and sister turn to the village sorceress in Fascist Italy to bring rain to their father’s drought-stricken farm. In Pittsburgh, new immigrants witness a miraculous rescue during the Great Flood of 1936. A young girl courageously dives into the Allegheny River to save her grandfather’s only memento of the old country. With only broken English to guide her, a widow hops a bus in search of live chickens to cook for Easter dinner in her husband’s memory. An aging woman in the title story is on a quest to cut the ankle-length hair as hard as the rocky soil of Calabria in a drought. A lonely woman who survived World War II bombings in her close-knit village, struggles to find community as a recent immigrant. A daughter visits her mother’s hill town to try and fulfill a wish for her to see the Fata Morgana. These haunting images permeate Corso’s linked stories of loss, hope, struggle, and freedom.

An official selection of The Sons of Italy® Book Club

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Celluloid Nationalism and Other Melodramas Cover

Celluloid Nationalism and Other Melodramas

From Post-Revolutionary Mexico to fin de siglo Mexamerica

Celluloid Nationalism and Other Melodramas looks at representation and rebellion in times of national uncertainty. Moving from mid-century Mexican cinema to recent films staged in Los Angeles and Mexico City, Susan Dever analyzes melodrama’s double function as a genre and as a sensibility, revealing coincidences between movie morals and political pieties in the civic-minded films of Emilio Fernández, Matilde Landeta, Allison Anders, and Marcela Fernández Violante. These filmmakers’ rationally and emotionally engaged cinema—offering representations of indigenous peoples and poor urban women who alternately endorsed “civilizing” projects and voiced resistance to such totalization—both interrupts and sustains fictions of national coherence in an increasingly transnational world.

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Centaurs and Amazons Cover

Centaurs and Amazons

Women and the Pre-History of the Great Chain of Being

Page duBois

In Centaurs and Amazons, Page duBois offers a prehistory of hierarchy. Using structural anthropology, symbolic analysis, and recent literary theory, she demonstrates a shift in Greek thought from the fifth to the fourth century B.C. that had a profound influence upon subsequent Western culture and politics. Through an analysis of mythology, drama, sculpture, architecture, and Greek vase painting, duBois documents the transition from a system of thought that organized the experience of difference in terms of polarity and analogy to one based upon a relatively rigid hierarchical scheme. This was the beginning of "the great chain of being," the philosophical construct that all life was organized in minute gradations of superiority and inferiority. This scheme, in various guises, has continued to influence philosophical and political thought. The author's intelligent and discriminating use of scholarship from various fields makes Centaurs and Amazons an impressive interdisciplinary study of interest to classicists, feminist scholars, historians, art historians, anthropologists, and political scientists.

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Challenging Boundaries Cover

Challenging Boundaries

Gender and Periodization

Edited by Joyce W. Warren and Margaret Dickie

What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly "fit" female writers into the "white male" scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary periods, advocating a revised literary canon. The essays consider a wide range of American women writers, including Mary Rowlandson, Margaret Fuller, Harriet Beecher Stowe, Emily Dickinson, Frances Harper, Edith Wharton, Gertrude Stein, Amy Lowell and Adrienne Rich, discussing how the present classification of these writers by periods affects our reading of their work.

Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.

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Challenging Liberalism Cover

Challenging Liberalism

Feminism as Political Critique

Lisa H. Schwartzman

Questions about the relevance and value of various liberal concepts are at the heart of important debates among feminist philosophers and social theorists. Although many feminists invoke concepts such as rights, equality, autonomy, and freedom in arguments for liberation, some attempt to avoid them, noting that they can also reinforce and perpetuate oppressive social structures. In Challenging Liberalism Schwartzman explores the reasons why concepts such as rights and equality can sometimes reinforce oppression. She argues that certain forms of abstraction and individualism are central to liberal methodology and that these give rise to a number of problems. Drawing on the work of feminist moral, political, and legal theorists, she constructs an approach that employs these concepts, while viewing them from within a critique of social relations of power.

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Champion of Choice Cover

Champion of Choice

The Life and Legacy of Women's Advocate Nafis Sadik

Cathleen Miller

Not many women can claim to have changed history, but Nafis Sadik set that goal in her youth, and change the world she did. Champion of Choice tells the remarkable story of how Sadik, born into a prominent Indian family in 1929, came to be the world’s foremost advocate for women’s health and reproductive rights, the first female director of a United Nations agency, and “one of the most powerful women in the world” (London Times).

An obstetrician, wife, mother, and devout Muslim, Sadik has been a courageous and tireless advocate for women, insisting on discussing the difficult issues that impact their lives: education, contraception, abortion, as well as rape and other forms of violence. After Sadik joined the fledgling UN Population Fund in 1971, her groundbreaking strategy for providing females with education and the tools to control their own fertility has dramatically influenced the global birthrate. This book is the first to examine Sadik’s contribution to history and the unconventional methods she has employed to go head-to-head with world leaders to improve millions of women’s lives.

Interspersed between the chapters recounting Sadik’s life are vignettes of females around the globe who represent her campaign against domestic abuse, child marriage, genital mutilation, and other human rights violations. With its insights into the political, religious, and domestic battles that have dominated women’s destinies, Sadik’s life story is as inspirational as it is dramatic.

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Character is Destiny Cover

Character is Destiny

The Autobiography of Alice Salomon

Andrew Lees, Editor

In her autobiography, the remarkable feminist and social worker Alice Salomon recounts her transition in the 1890s from privileged idleness to energetic engagement in solving social problems. Salomon took the lead in establishing the profession of social work, and built a career as a social reformer, activist, and educator. A prolific author, Salomon also played a key role in the transatlantic dialogue between German and American feminists in the early twentieth century. Her narrative concludes with the account of her expulsion from Germany by the Nazis in 1937. Salomon's formative influence on the field of social work makes her story crucial for the history of the discipline. This work will also appeal to anyone with an interest in the history of the feminist and socialist movements or the political and social history of twentieth-century Germany. The volume also includes several of Salomon's essays on social work and women's issues, along with photographs of Salomon, her students, and her colleagues. Andrew Lees is Professor and Chair of the History Department at Rutgers University, Camden.

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