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Women, Law, and the Legal Profession
Unique in both scope and perspective, Calling for Change investigates the status of women within the Canadian legal profession ten years after the first national report on the subject was published by the Canadian Bar Association. Elizabeth Sheehy and Sheila McIntyre bring together essays that investigate a wide range of topics, from the status of women in law schools, the practising bar, and on the bench, to women's grassroots engagement with law and with female lawyers from the frontlines. Contributors not only reflect critically on the gains, losses, and barriers to change of the past decade, but also provide blueprints for political action. Academics, community activists, practitioners, law students, women litigants, and law society benchers and staff explore how egalitarian change is occurring and/or being impeded in their particular contexts. Each of these unique voices offers lessons from their individual, collective, and institutional efforts to confront and counter the interrelated forms of systemic inequality that compromise women's access to education and employment equity within legal institutions and, ultimately, to equal justice in Canada.
Women on the Wisconsin Frontier, 1850-1925
Swedish domestic worker Emina Johnson witnessed the great Peshtigo fire in 1871; Cherokee nurse Isabella Wolfe served the Lac du Flambeau reservation for decades; the author’s own grandmother, Matilda Schopp, was one of numerous immigrants who eked out a living on the Wisconsin cutover. Calling This Place Home tells the stories of these and many other Native and settler women during Wisconsin’s frontier era. Noted historian Joan M. Jensen spent more than a decade delving into the lives of a remarkable range of women who lived during the mid-nineteenth through the early twentieth centuries. These individuals shared many struggles as economies evolved from logging to dairying to tourism. Facing many challenges, they cared for their sick, educated their children, maintained their cultural identity, and preserved their own means of worship. Entwining the experiences of Native and settler communities, Jensen uses photographs and documents to examine and illustrate the recovered stories of representative but often overlooked women. These stories of individuals together form a substantial history of Wisconsin’s well-known industries, its caregiver networks and schooling practices, and matters of faith and politics. This comprehensive volume brings a deeper understanding of the state’s history through the stories of individual women and the broader developments that shaped their lives.
Vol. 15 (2000) - vol. 19 (2004)
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
Gender, Sexuality, and Women in the Military
Drawing on surveys and interviews with almost 300 female military personnel, Melissa Herbert explores how women's everyday actions, such as choice of uniform, hobby, or social activity, involve the creation and re-creation of what it means to be a woman, and particularly a woman soldier. Do women feel pressured to be "more masculine," to convey that they are not a threat to men's jobs or status and to avoid being perceived as lesbians? She also examines the role of gender and sexuality in the maintenance of the male-defined military institution, proposing that, more than sexual harassment or individual discrimination, it is the military's masculine ideology--which views military service as the domain of men and as a mechanism for the achievement of manhood--which serves to limit women's participation in the military has increased dramatically. In the wake of armed conflict involving female military personnel and several sexual misconduct scandals, much attention has focused on what life is like for women in the armed services. Few, however, have examined how these women negotiate an environment that has been structured and defined as masculine.
Vol. 17 (2005) through current issue
Launched in 1985, the Canadian Journal of Women and the Law/Revue Femmes et Droit is the only Canadian periodical devoted entirely to the publication and dissemination of multi-disciplinary scholarship in the expanding field of women's legal studies. The CJWL is incorporated as a non-profit organization with charitable status. The CJWL's readership includes lawyers, judges, law students, academics, government officials and others interested in women's equality. The CJWL's mandate is to provide an outlet for those wishing to explore the impact of law on women's social, economic and legal status, and on the general conditions of their lives.
The Journal promotes the expansion of women's legal scholarship into new areas of research and study, and it aims to increase the volume and improve the accessibility of legal scholarship by Canadian women, on specifically Canadian topics. Finally, the CJWL seeks to provide an important tool for activists, academics and others engaged in research and law reform efforts on behalf of women.
The Masculine and Morrison
The book also considers the barriers between black men and women thrown up by their participation in a larger, historically racist culture of competition, ownership, sexual repression, and fixed ideals about physical beauty and romantic love. Black women, Morrison says, bear their crosses extremely well,” and black men, although they have been routinely emasculated by white men, period,” have managed to maintain a feisty magic” that everybody wants but nobody else has.
Understanding Morrison's treatment of her male characters, says Susan Mayberry, becomes crucial to grasping her success in countering the damage done by a spectrum of sometimes misguided isms”--including white American feminism. Morrison's version of masculinity suggests that black men have successfully retained their special vitality in spite of white male resistance” and that their connections to black women have saved their lives.” To single out her men is not to negate the preeminence of her women; rather, it is to recognize the interconnectedness and balance between them.
Self-Invention and the Life of Hannah Rebecca Burgess, 1834-1917
“Shockley has written a fine historian’s biography that is also a good read. The Captain’s Widow of Sandwich shows how Burgess created her own heroic persona and how that particular version of one woman’s story embodied and ennobled the ideals of an embattled Cape Cod community.”
Historical Perspectives on Women and Healing in Canada
A Novel in Stories
Catina’s Haircut: A Novel in Stories spans four generations of a peasant family in the brutal poverty of post-Unification southern Italy and in an immigrant’s United States. The women in these tales dare to cross boundaries by discovering magical leaps inherent in the landscape, in themselves, and in the stories they tell and retell of family tragedy at a time of political unrest. Through an oral tradition embedded in the stone of memory and the flow of its reinvention, their passionate tale of resistance and transformation courses forward into new generations in a new world.
A woman threatens to join the land reform struggle in her Calabrian hill town, against her husband’s will, during a call for revolution in 1919. A brother and sister turn to the village sorceress in Fascist Italy to bring rain to their father’s drought-stricken farm. In Pittsburgh, new immigrants witness a miraculous rescue during the Great Flood of 1936. A young girl courageously dives into the Allegheny River to save her grandfather’s only memento of the old country. With only broken English to guide her, a widow hops a bus in search of live chickens to cook for Easter dinner in her husband’s memory. An aging woman in the title story is on a quest to cut the ankle-length hair as hard as the rocky soil of Calabria in a drought. A lonely woman who survived World War II bombings in her close-knit village, struggles to find community as a recent immigrant. A daughter visits her mother’s hill town to try and fulfill a wish for her to see the Fata Morgana. These haunting images permeate Corso’s linked stories of loss, hope, struggle, and freedom.
An official selection of The Sons of Italy® Book Club
Coming of Age in American Ethnic Communities