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The Politics of Women's Bodies in France
Beauvoir and Her Sisters investigates how women's experiences, as represented in print culture, led to a political identity of an "imagined sisterhood" through which political activism developed and thrived in postwar France. Through the lens of women's political and popular writings, Sandra Reineke presents a unique interpretation of feminist and intellectual discourse on citizenship, identity, and reproductive rights._x000B__x000B_Drawing on feminist writings by Simone de Beauvoir, feminist reviews from the women's liberation movement, and cultural reproductions from French women's fashion and beauty magazines, Reineke illustrates how print media created new spaces for political and social ideas. This sustained study extends from 1944, when women received the right to vote in France, to 1993, when the French government outlawed anti-abortion activities. Touching on the relationship between consumer culture and feminist practice, Reineke's analysis of a selection of women's writings underlines how these texts challenged traditional gender models and ideals._x000B_
Christianity and the Cultivation of Female Genius
Because of Beauvoir does what many say is impossible: it demonstrates how women can flourish, without conflict, while being simultaneously Christian and feminist. Alison Jasper offers a vision of Julia Kristeva's "female genius" as the capacity of women to thrive and cultivate intellect within and across different cultural and theological environments. Using the writings of English women from the 17th through the 21st centuries as living profiles, Jasper draws upon the creative power in the lives of real women to recognize and retrieve a female subjectivity—one that determines how women see and are seen after Simon de Beauvoir.
Hedwig Dohm (1831–1919) was a thinker and writer significantly ahead of her time. She championed women’s rights in Germany and criticized with acerbic wit the social, political, and familial inequities inherent in gender relationships at the time of the first wave of the women’s movement. Her novella Become Who You Are is about a woman, Agnes Schmidt, whose husband has died and who is grappling with finding an identity for herself as an aging widow—reflecting the restrictions imposed especially on aging, widowed women who often yearn for a life and identity of their own. Also included here is the English translation of Dohm’s essay, “The Old Woman,” which is a compelling call for women to resist the social, intellectual, psychological, and physical restraints placed on women of Dohm’s time.
The Emergence and Development of the California Women's Movement, 1880-1911
In 1880, the California woman safeguarded the Republic by maintaining a morally sound home. Scarcely forty years later, women in the Pacific state won full-fledged citizenship and voting rights of their own. Becoming Citizens shows how this enormous transformation came about. Gayle Gullett demonstrates how women's search for a larger public life in the late nineteenth century led to a flourishing women's movement in California. _x000B_Women's radical demand for citizenship, however, was rejected by state voters along with the presidential reform candidate, William Jennings Bryan, in the tumultuous election year of 1896. Gullett shows how women rebuilt the movement in the early years of the twentieth century and forged a critical alliance between activist women and the men involved in the urban Good Government movement. This alliance formed the basis of progressivism, with male Progressives helping to legitimize women's new public work by supporting their civic campaigns, appointing women to public office, and placing a suffrage referendum before the male electorate in 1911. _x000B_Placing local developments in a national context, Becoming Citizens illuminates the links between these two major social movements: the western women's suffrage movement and progressivism._x000B__x000B__x000B_
The Woman Behind the Legend
Her Early Diaries and the Diaries She Read
Encompassing thirty-eight handwritten volumes, Virginia Woolf's diary is her lengthiest and longest-sustained work, and last work to reach the public. In the only full-length work to explore deeply this luminous and boundary-stretching masterpiece, Barbara Lounsberry traces Woolf's development as a writer through her first twelve diaries--a fascinating experimental stage, where the earliest hints of Woolf's pioneering modernist style can be seen.
Starting with fourteen-year-old Woolf's first palm-sized leather diary, Becoming Virginia Woolf illuminates how her private and public writing was shaped by the diaries of other writers including Samuel Pepys, James Boswell, the French Goncourt brothers, Mary Coleridge, Ralph Waldo Emerson, and Woolf's "diary parents"--Sir Walter Scott and Fanny Burney. These key literary connections open a new and indispensable window onto the story of one of literature's most renowned modernists.
American Women's Autobiographical Writing, 1819–1919
The life narratives in this collection are by ethnically diverse women of energy and ambition—some well known, some forgotten over generations—who confronted barriers of gender, class, race, and sexual difference as they pursued or adapted to adventurous new lives in a rapidly changing America. The engaging selections—from captivity narratives to letters, manifestos, criminal confessions, and childhood sketches—span a hundred years in which women increasingly asserted themselves publicly. Some rose to positions of prominence as writers, activists, and artists; some sought education or wrote to support themselves and their families; some transgressed social norms in search of new possibilities. Each woman’s story is strikingly individual, yet the brief narratives in this anthology collectively chart bold new visions of women’s agency.
Sex, Hope, and Rock-and-Roll
From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.
Labor, Identity, and Hollywood Stardom
Who was Rita Hayworth? Born Margarita Carmen Cansino, she spent her life subjected to others' definitions of her, no matter how hard she worked to claim her own identity. Although there have been many "revelations" about her life and career, Adrienne McLean's book is the first to show that such disclosures were part of a constructed image from the outset. McLean explores Hayworth's participation in the creation of her star persona, particularly through her work as a dancer-a subject ignored by most film scholars. The passive love goddess, as it turns out, had a unique appeal to other women who, like her, found it extraordinarily difficult to negotiate the competing demands of family, domesticity, and professional work outside the home. Being Rita Hayworth also considers the ways in which the actress has been treated by film scholarship over the years to accomplish its own goals, sometimes at her expense.