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Women's Studies, Gender, and Sexuality > Women's Studies

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Bright Epoch Cover

Bright Epoch

Women and Coeducation in the American West

Andrea G. Radke-Moss

With the passage of the Morrill Act in 1862, many states in the Midwest and the West chartered land-grant colleges following the Civil War. Because of both progressive ideologies and economic necessity, these institutions admitted women from their inception and were among the first public institutions to practice coeducation. Although female students did not feel completely accepted by their male peers and professors in the land-grant environment, many of them nonetheless successfully negotiated greater gender inclusion for themselves and their peers.

In Bright Epoch, Andrea G. Radke-Moss tells the story of female students’ early mixed-gender encounters at four institutions: Iowa Agricultural College, the University of Nebraska, Oregon Agricultural College, and Utah State Agricultural College. Although land-grant institutions have been most commonly associated with domestic science courses for women, Bright Epoch illuminates the diversity of other courses of study available to female students, including the sciences, literature, journalism, business commerce, and law. In a culture where the forces of gender separation constantly battled gender inclusion, women found new opportunities for success and achievement through activities such as literary societies, athletics, military regiments, and women’s rights and suffrage activism. Through these venues, women students challenged nineteenth-century gender limitations and created broader definitions of female inclusion and participation in the land-grant environment and in the larger American society.

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Burying the Dead but Not the Past Cover

Burying the Dead but Not the Past

Ladies' Memorial Associations and the Lost Cause

Caroline E. Janney

Immediately after the Civil War, white women across the South organized to retrieve and rebury the remains of Confederate soldiers scattered throughout the region. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers, nearly 28 percent of the 260,000 Confederate soldiers who perished in the war. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women's place in the historical narrative by exploring their role as the creators and purveyors of Confederate tradition between 1865 and 1915.

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California Women and Politics Cover

California Women and Politics

From the Gold Rush to the Great Depression

Edited by Robert W. Cherny, Mary Ann Irwin, and Ann Marie Wilson

In 1911 as progressivism moved toward its zenith, the state of California granted women the right to vote. However, women’s political involvement in California’s public life did not begin with suffrage, nor did it end there. Across the state, women had been deeply involved in politics long before suffrage, and—although their tactics and objectives changed—they remained deeply involved thereafter. California Women and Politics examines the wide array of women’s public activism from the 1850s to 1929—including the temperance movement, moral reform, conservation, trade unionism, settlement work, philanthropy, wartime volunteerism, and more—and reveals unexpected contours to women’s politics in California. The contributors consider not only white middle-class women’s organizing but also the politics of working-class women and women of color, emphasizing that there was not one monolithic “women’s agenda,” but rather a multiplicity of women’s voices demanding recognition for a variety of causes.

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Calling for Change Cover

Calling for Change

Women, Law, and the Legal Profession

Elizabeth Sheehy and Sheila McIntyre

Unique in both scope and perspective, Calling for Change investigates the status of women within the Canadian legal profession ten years after the first national report on the subject was published by the Canadian Bar Association. Elizabeth Sheehy and Sheila McIntyre bring together essays that investigate a wide range of topics, from the status of women in law schools, the practising bar, and on the bench, to women's grassroots engagement with law and with female lawyers from the frontlines. Contributors not only reflect critically on the gains, losses, and barriers to change of the past decade, but also provide blueprints for political action. Academics, community activists, practitioners, law students, women litigants, and law society benchers and staff explore how egalitarian change is occurring and/or being impeded in their particular contexts. Each of these unique voices offers lessons from their individual, collective, and institutional efforts to confront and counter the interrelated forms of systemic inequality that compromise women's access to education and employment equity within legal institutions and, ultimately, to equal justice in Canada.

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Calling This Place Home Cover

Calling This Place Home

Women on the Wisconsin Frontier, 1850-1925

Joan M. Jensen

Swedish domestic worker Emina Johnson witnessed the great Peshtigo fire in 1871; Cherokee nurse Isabella Wolfe served the Lac du Flambeau reservation for decades; the author’s own grandmother, Matilda Schopp, was one of numerous immigrants who eked out a living on the Wisconsin cutover. Calling This Place Home tells the stories of these and many other Native and settler women during Wisconsin’s frontier era. Noted historian Joan M. Jensen spent more than a decade delving into the lives of a remarkable range of women who lived during the mid-nineteenth through the early twentieth centuries. These individuals shared many struggles as economies evolved from logging to dairying to tourism. Facing many challenges, they cared for their sick, educated their children, maintained their cultural identity, and preserved their own means of worship. Entwining the experiences of Native and settler communities, Jensen uses photographs and documents to examine and illustrate the recovered stories of representative but often overlooked women. These stories of individuals together form a substantial history of Wisconsin’s well-known industries, its caregiver networks and schooling practices, and matters of faith and politics. This comprehensive volume brings a deeper understanding of the state’s history through the stories of individual women and the broader developments that shaped their lives.

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Camera Obscura

Vol. 15 (2000) - vol. 19 (2004)

Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.

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Camouflage Isn't Only for Combat Cover

Camouflage Isn't Only for Combat

Gender, Sexuality, and Women in the Military

Melissa S. Herbert

Drawing on surveys and interviews with almost 300 female military personnel, Melissa Herbert explores how women's everyday actions, such as choice of uniform, hobby, or social activity, involve the creation and re-creation of what it means to be a woman, and particularly a woman soldier. Do women feel pressured to be "more masculine," to convey that they are not a threat to men's jobs or status and to avoid being perceived as lesbians? She also examines the role of gender and sexuality in the maintenance of the male-defined military institution, proposing that, more than sexual harassment or individual discrimination, it is the military's masculine ideology--which views military service as the domain of men and as a mechanism for the achievement of manhood--which serves to limit women's participation in the military has increased dramatically. In the wake of armed conflict involving female military personnel and several sexual misconduct scandals, much attention has focused on what life is like for women in the armed services. Few, however, have examined how these women negotiate an environment that has been structured and defined as masculine.

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Canadian Journal of Women and the Law

Vol. 17 (2005) through current issue

Launched in 1985, the Canadian Journal of Women and the Law/Revue Femmes et Droit is the only Canadian periodical devoted entirely to the publication and dissemination of multi-disciplinary scholarship in the expanding field of women's legal studies. The CJWL is incorporated as a non-profit organization with charitable status. The CJWL's readership includes lawyers, judges, law students, academics, government officials and others interested in women's equality. The CJWL's mandate is to provide an outlet for those wishing to explore the impact of law on women's social, economic and legal status, and on the general conditions of their lives.

The Journal promotes the expansion of women's legal scholarship into new areas of research and study, and it aims to increase the volume and improve the accessibility of legal scholarship by Canadian women, on specifically Canadian topics. Finally, the CJWL seeks to provide an important tool for activists, academics and others engaged in research and law reform efforts on behalf of women.

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Can't I Love What I Criticize? Cover

Can't I Love What I Criticize?

The Masculine and Morrison

Susan Neal Mayberry

Taking a close look at all the key male figures in Toni Morrison's eight novels, this book explores Morrison's admitted, but critically neglected, interest in the relationships between African American men and women and the “axes” on which these relationships turn. Most Morrison scholarship deals with her female characters. Can't I Love What I Criticize? offers a response to this imbalance and to Morrison's call for more work on men, who remain, in her words, “outside of that little community value thing.”

The book also considers the barriers between black men and women thrown up by their participation in a larger, historically racist culture of competition, ownership, sexual repression, and fixed ideals about physical beauty and romantic love. Black women, Morrison says, bear their crosses “extremely well,” and black men, although they have been routinely emasculated by “white men, period,” have managed to maintain a feisty “magic” that everybody wants but nobody else has.

Understanding Morrison's treatment of her male characters, says Susan Mayberry, becomes crucial to grasping her success in “countering the damage done by a spectrum of sometimes misguided isms”--including white American feminism. Morrison's version of masculinity suggests that black men have “successfully retained their special vitality in spite of white male resistance” and that “their connections to black women have saved their lives.” To single out her men is not to negate the preeminence of her women; rather, it is to recognize the interconnectedness and balance between them.

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The Captain’s Widow of Sandwich Cover

The Captain’s Widow of Sandwich

Self-Invention and the Life of Hannah Rebecca Burgess, 1834-1917

Megan Shockley, 0, 0

“Shockley has written a fine historian’s biography that is also a good read. The Captain’s Widow of Sandwich shows how Burgess created her own heroic persona and how that particular version of one woman’s story embodied and ennobled the ideals of an embattled Cape Cod community.”

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