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Women's Studies, Gender, and Sexuality > Women's Studies

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At Home Inside Cover

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At Home Inside

A Daughter's Tribute to Ann Petry

Elisabeth Petry

Ann Petry (1908-1997) was a prominent writer during a period in which few black writers were published with regularity in America. Her novels The Street, Country Place, and The Narrows, along with a collection of short stories and various essays and works of nonfiction, give voice to black experience outside of the traditional strains of poverty and black nationalism.

At Home Inside: A Daughter's Tribute to Ann Petry sifts the myriad contradictions of Ann Petry's life from a daughter's vantage. Ann Petry hoarded antiques but destroyed many of her journals. She wrote, but, failing to publish for years, she used her imagination to design and sew clothes, to bake, and to garden. When fame finally came, Ann Petry did not enjoy the travel it brought. Though she suffered phobias and anxieties all her life, she did not avoid the obligations of literary success until late in her career.

Ann Petry applied her formidable skills to stories she told about herself and her family, and the corrections Elisabeth Petry makes to her mother's inventions will prove invaluable. Talking about her life publicly, Ann Petry acknowledged six different birth dates. She hid her first marriage, and even represented her father, Peter C. Lane, Jr., as a potential killer. Mining Petry's journals Elisabeth Petry creates part biography, part love letter, and part sounding of her mother's genius and luminescent personality.

Elisabeth Petry is a freelance writer with a juris doctor from the University of Pennsylvania. She lives in Middletown, Connecticut, and is the editor of Can Anything Beat White? A Black Family's Letters (University Press of Mississippi).

At the Heart of Freedom Cover

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At the Heart of Freedom

Feminism, Sex, and Equality

Drucilla Cornell

How can women create a meaningful and joyous life for themselves? Is it enough to be equal with men? In this provocative and wide-ranging book, Drucilla Cornell argues that women should transcend the quest for equality and focus on what she shows is a far more radical project: achieving freedom. Cornell takes us on a highly original exploration of what it would mean for women politically, legally, and culturally, if we took this ideal of freedom seriously--if, in her words, we recognized that "hearts starve as well as bodies." She takes forceful and sometimes surprising stands on such subjects as abortion, prostitution, pornography, same-sex marriage, international human rights, and the rights and obligations of fathers. She also engages with what it means to be free on a theoretical level, drawing on the ideas of such thinkers as Kant, Rawls, Ronald Dworkin, Hegel, and Lacan.

Cornell begins by discussing what she believes lies at the heart of freedom: the ability for all individuals to pursue happiness in their own way, especially in matters of love and sex. This is only possible, she argues, if we protect the "imaginary domain"--a psychic and moral space in which individuals can explore their own sources of happiness. She writes that equality with men does not offer such protection, in part because men themselves are not fully free. Instead, women must focus on ensuring that individuals face minimal interference from the state and from oppressive cultural norms. They must also respect some controversial individual choices. Cornell argues in favor of permitting same-sex couples to marry and adopt children, for example. She presses for access to abortion and for universal day care. She also justifies lifestyles that have not always been supported by other feminists, ranging from staying at home as a primary caregiver to engaging in prostitution. She argues that men should have similar freedoms--thus returning feminism to its promise that freedom for women would mean freedom for all.

Challenging, passionate, and powerfully argued, Cornell's book will have a major impact on the course of feminist thought.

Ava Helen Pauling Cover

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Ava Helen Pauling

Partner, Activist, Visionary

Mina Carson

Baad Bitches and Sassy Supermamas Cover

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Baad Bitches and Sassy Supermamas

Black Power Action Films

Stephane Dunn

This lively study unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on black femininity. While low-budget blaxploitation films typically portrayed black women as trifling "bitches" compared to the supermacho black male heroes, the terms "baad bitches" and "sassy supermamas" signal the emergence of films featuring self-assured, empowered, and tough (or "baad") black female protagonists: Cleopatra Jones, Coffy, and Foxy Brown. Stephane Dunn closely examines a distinct moment in the history of African American representation in popular cinema, tracing its influences from the Black Power movement and feminism.

The “Baby Dolls” Cover

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The “Baby Dolls”

Breaking the Race and Gender Barriers of the New Orleans Mardi Gras Tradition

Kim Marie Vaz

One of the first women’s organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the “raddy-walking, shake-dancing, cigar-smoking, money-flinging” ladies who strutted their way into a predominantly male establishment. The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans’s red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes—short satin dresses, stockings with garters, and bonnets—set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic. Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Tremé area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations’ crucial contribution to Louisiana’s cultural history.

A Band of Noble Women Cover

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A Band of Noble Women

Racial Politics in the Women's Peace Movement

Melinda Plastas

A Band of Noble Women brings together the histories of the women’s peace movement and the black women’s club and social reform movement in a story of community and consciousness building between the world wars. Believing that achievement of improved race relations was a central step in establishing world peace, African American and white women initiated new political alliances that challenged the practices of Jim Crow segregation and promoted the leadership of women in transnational politics. Under the auspices of the Women’s International League for Peace and Freedom (WILPF), they united the artistic agenda of the Harlem Renaissance, suffrage-era organizing tactics, and contemporary debates on race in their efforts to expand women’s influence on the politics of war and peace. Plastas shows how WILPF espoused middle-class values and employed gendered forms of organization building, educating thousands of people on issues ranging from U.S. policies in Haiti and Liberia to the need for global disarmament. Highlighting WILPF chapters in Philadelphia, Cleveland, and Baltimore, the author examines the successes of this interracial movement as well as its failures. A Band of Noble Women enables us to examine more fully the history of race in U.S. women’s movements and illuminates the role of the women’s peace movement in setting the foundation for the civil rights movement

Baroness of Hobcaw Cover

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Baroness of Hobcaw

The Life of Belle W. Baruch

Mary E. Miller

Belle W. Baruch (1899–1964) could outride, outshoot, outhunt, and outsail most of the young men of her elite social circle—abilities that distanced her from other debutantes of 1917. Unapologetic for her athleticism and interests in traditionally masculine pursuits, Baruch towered above male and female counterparts in height and daring. While she is known today for the wildlife conservation and biological research center on the South Carolina coast that bears her family name, Belle's story is a rich narrative about one nonconformist's ties to the land. In Baroness of Hobcaw, Mary E. Miller provides a provocative portrait of this unorthodox woman who gave a gift of monumental importance to the scientific community. Belle's father, Bernard M. Baruch, the so-called Wolf of Wall Street, held sway over the financial and diplomatic world of the early twentieth century and served as an adviser to seven U.S. presidents. In 1905 he bought Hobcaw Barony, a sprawling seaside retreat where he entertained the likes of Churchill and FDR. Belle's daily life at Hobcaw reflects the world of wealthy northerners, including the Vanderbilts and Luces, who bought tracts of southern acreage. Miller details Belle's exploits—fox hunting at Hobcaw, show jumping at Deauville, flying her own plane, traveling with Edith Bolling Wilson, and patrolling the South Carolina beach for spies during World War II. Belle's story also reveals her efforts to win her mother's approval and her father's attention, as well as her unraveling relationships with friends, family, employees, and lovers—both male and female. Miller describes Belle's final success in saving Hobcaw from development as the overarching triumph of a tempestuous life.

Basements and Attics, Closets and Cyberspace Cover

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Basements and Attics, Closets and Cyberspace

Explorations in Canadian Women's Archives

Edited by Linda M. Morra

Battered Black Women and Welfare Reform Cover

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Battered Black Women and Welfare Reform

Between a Rock and a Hard Place

This timely and compelling ethnography examines the impact of welfare reform on women seeking to escape domestic violence. Dána-Ain Davis profiles twenty-two women, thirteen of whom are Black, living in a battered women’s shelter in a small city in upstate New York. She explores the contradictions between welfare reform’s supposed success in moving women off of public assistance and toward economic self-sufficiency and the consequences welfare reform policy has presented for Black women fleeing domestic violence. Focusing on the intersection of poverty, violence, and race, she demonstrates the differential treatment that Black and White women face in their entanglements with the welfare bureaucracy by linking those entanglements to the larger political economy of a small city, neoliberal social policies, and racialized ideas about Black women as workers and mothers.

Bear River Massacre and the Making of History, The Cover

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Bear River Massacre and the Making of History, The

At dawn on January 29, 1863, Union-affiliated troops under the command of Col. Patrick Connor were brought by Mormon guides to the banks of the Bear River, where, with the tacit approval of Abraham Lincoln, they attacked and slaughtered nearly three hundred Northwestern Shoshoni men, women, and children. Evidence suggests that, in the hours after the attack, the troops raped the surviving women—an act still denied by some historians and Shoshoni elders. In exploring why a seminal act of genocide is still virtually unknown to the U.S. public, Kass Fleisher chronicles the massacre itself, and investigates the National Park Service’s proposal to create a National Historic Site to commemorate the massacre—but not the rape. When she finds herself arguing with a Shoshoni woman elder about whether the rape actually occurred, Fleisher is forced to confront her own role as a maker of this conflicted history, and to examine the legacy of white women “busybodies.”

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