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Against Citizenship

The Violence of the Normative

Amy L. Brandzel

Numerous activists and scholars have appealed for rights, inclusion, and justice in the name of "citizenship." Against Citizenship provocatively shows that there is nothing redeemable about citizenship, nothing worth salvaging or sustaining in the name of "community," practice, or belonging. According to Brandzel, citizenship is a violent dehumanizing mechanism that makes the comparative devaluing of human lives seem commonsensical, logical, and even necessary. Against Citizenship argues that whenever we work on behalf of citizenship, whenever we work towards including more types of peoples under its reign, we inevitably reify the violence of citizenship against nonnormative others. Brandzel's focus on three legal case studies--same-sex marriage law, hate crime legislation, and Native Hawaiian sovereignty and racialization--exposes how citizenship confounds and obscures the mutual processes of settler colonialism, racism, sexism, and heterosexism. In this way, Brandzel argues that citizenship requires anti-intersectionality, that is, strategies that deny the mutuality and contingency of race, class, gender, sexuality and nation--and how, oftentimes, progressive left activists and scholars follow suit.

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Agnès Varda

Kelley Conway

Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she explores the artistic consistencies and bold changes in Varda's career and reveals how one woman charted a nontraditional trajectory through independent filmmaking.

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Ahead of Her Time in Yesteryear

Geraldyne Pierce Zimmerman Comes of Age in a Southern African American Family

Kibibi Voloria Mack-Shelton; With a Foreword by Hayward Farrar Jr.

Born into a relatively privileged family, Geraldyne Pierce Zimmerman earned a reputation as a maverick in her life-long home of Orangeburg, South Carolina, a semi-rural community where race and class were very much governed by the Jim Crow laws. Educated at Nashville’s Fisk University, Zimmerman returned to Orangeburg to teach school, serve her community, and champion equal rights for African Americans and women. She was a woman far ahead of her time. Kibibi V. Mack-Shelton offers a vivid portrayal of the kind of black family seldom recognized for its role in the development of the African American community after the Civil War. At a time when “separate-but-equal” usually meant suffering and injustice for the black community, South Carolina families such as the Tatnalls, Pierces, and Zimmermans achieved a level of financial and social success rivaling that of many white families. Drawing heavily on the oral accounts of Geraldyne Pierce Zimmerman, Mack-Shelton draws the reader into the lives of the African American elite of the early twentieth century. Her captivating narrative style brings to life many complicated topics: how skin color affected interracial interactions and class distinctions within the black community itself, the role of education for women and for African Americans in general, and the ways in which cultural ideas about family and community are simultaneously preserved and transformed over the span of generations. Refreshing and engaging, Ahead of Her Time in Yesteryear is an important contribution to African American and women’s studies, as well as a fascinating biography for any reader interested in a new perspective on small town black culture in the Jim Crow South.

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Albanian Escape

The True Story of U.S. Army Nurses Behind Enemy Lines

Agnes Mangerich

On November 8, 1943, U.S. Army nurse Agnes Jensen stepped out of a cold rain in Catania, Sicily, into a C-53 transport plane. But she and twelve other nurses never arrived in Bari, Italy, where they were to transport wounded soldiers to hospitals farther from the front lines. A violent storm and pursuit by German Messerschmitts led to a crash landing in a remote part of Albania, leaving the nurses, their team of medics, and the flight crew stranded in Nazi-occupied territory. What followed was a dangerous nine-week game of hide-and-seek with the enemy, a situation President Roosevelt monitored daily. Albanian partisans aided the stranded Americans in the search for a British Intelligence Mission, and the group began a long and hazardous journey to the Adriatic coast. During the following weeks, they crossed Albania's second highest mountain in a blizzard, were strafed by German planes, managed to flee a town moments before it was bombed, and watched helplessly as an attempt to airlift them out was foiled by Nazi forces. Albanian Escape is the suspense-filled story of the only group of Army flight nurses to have spent any length of time in occupied territory during World War II. The nurses and flight crew endured frigid weather, survived on little food, and literally wore out their shoes trekking across the rugged countryside. Thrust into a perilous situation and determined to survive, these women found courage and strength in each other and in the kindness of Albanians and guerrillas who hid them from the Germans.

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Alice Paul and the American Suffrage Campaign

Katherine H. Adams

Past biographies, histories, and government documents have ignored Alice Paul's contribution to the women's suffrage movement, but this groundbreaking study scrupulously fills the gap in the historical record. Masterfully framed by an analysis of Paul's nonviolent and visual rhetorical strategies, Alice Paul and the American Suffrage Campaign narrates the remarkable story of the first person to picket the White House, the first to attempt a national political boycott, the first to burn the president in effigy, and the first to lead a successful campaign of nonviolence. _x000B__x000B_Katherine H. Adams and Michael L. Keene also chronicle other dramatic techniques that Paul deftly used to gain publicity for the suffrage movement. Stunningly woven into the narrative are accounts of many instances in which women were in physical danger. Rather than avoid discussion of Paul's imprisonment, hunger strikes, and forced feeding, the authors divulge the strategies she employed in her campaign. Paul's controversial approach, the authors assert, was essential in changing American attitudes toward suffrage. _x000B__x000B_

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All Bound Up Together

The Woman Question in African American Public Culture, 1830-1900

Martha S. Jones

The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. ###All Bound Up Together# explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the "woman question" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions--churches, political organizations, mutual aid societies, and schools. Covering three generations of black women activists, Jones demonstrates that their approach was not unanimous or monolithic but changed over time and took a variety of forms, from a woman's right to control her body to her right to vote. Through a far-ranging look at politics, church, and social life, Jones demonstrates how women have helped shape the course of black public culture. Jones examines the activism of African American women in the nineteenth century who staked out space in the public sphere. Unlike white women activists, who often created their own institutions separate from men in order to establish their public presence, black women, Jones explains, began to organize within mixed-gender institutions that already existed--churches, political organizations, mutual aid societies, and schools. Covering three generations of black women activists, Jones demonstrates that their approach was not unanimous or monolithic but changed over time and took a variety of forms, from a woman’s right to control her body to her right to vote. Jones focuses her attention on one crucial part of that: the extent to which African American women should exercise autonomy and authority within their community’s public culture. This volume explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, throughout the 19th century, the "woman question" was at the core of movements against slavery and for civil rights. The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. ###All Bound Up Together# explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the "woman question" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions--churches, political organizations, mutual aid societies, and schools. Covering three generations of black women activists, Jones demonstrates that their approach was not unanimous or monolithic but changed over time and took a variety of forms, from a woman's right to control her body to her right to vote. Through a far-ranging look at politics, church, and social life, Jones demonstrates how women have helped shape the course of black public culture.

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All the Way from Yoakum

The Personal Journey of a Political Insider

By Marjorie Meyer Arsht

All the Way from Yoakum tells the story of the long, eventful life of a Jewish “good girl” from small-town Texas who became a remarkable woman of her time and a leading light in Houston and Texas politics. One of the founders of the modern Republican Party in Texas, Marjorie Meyer Arsht served as a state party committeewoman and was the first Jewish woman to run as a Republican for the state legislature. Becoming active in politics in the 1950s, she was closely involved in the early career of George H. W. Bush. A member of the prominent Texas family (Meyer, Cohen) that owned Foley Brothers department store and gave Cohen House to Rice University, she recalls the contentious mid-century division in the Jewish community over the issue of Zionism that split congregations and turned friends into bitter antagonists. Formerly president of the Temple Beth Israel Sisterhood, Arsht served as a national spokesperson for a major American anti-Zionist organization. When she turned seventy, Arsht was working as a speechwriter and high-level assistant in the Department of Housing and Urban Development in Washington while also serving as a regent of Texas Southern University, where she spearheaded a number of important reforms. In addition, she continued to run the small, independent energy development and investment company founded by her late husband. From her childhood as a member of one of the few Jewish families in small-town Yoakum, Texas, to her years of political activism and social involvement, she offers a moving account of an indomitable spirit, one that will provide both inspiration and an understanding of how the Republican Party came to be the dominant force in Texas politics.

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All This Hell

U.S. Nurses Imprisoned by the Japanese

Evelyn Monahan

""Even though women were not supposed to be on the front lines, on the front lines we were. Women were not supposed to be interned either, but it happened to us. People should know what we endured. People should know what we can endure.""—Lt. Col. Madeline Ullom More than one hundred U.S. Army and Navy nurses were stationed in Guam and the Philippines at the beginning of World War II. After the Japanese attack on Pearl Harbor in December 1941, five navy nurses on Guam became the first American military women of World War II to be taken prisoner by the Japanese. More than seventy army nurses survived five months of combat conditions in the jungles of Bataan and Corregidor before being captured, only to endure more than three years in prison camps. When freedom came, the U.S. military ordered the nurses to sign agreements with the government not to discuss their horrific experiences. Evelyn Monahan and Rosemary Neidel-Greenlee have conducted numerous interviews with survivors and scoured archives for letters, diaries, and journals to uncover the heroism and sacrifices of these brave women.

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An Alliance Of Women

Immigration And The Politics Of Race

Heather Merrill

In the 1980s, Italy transformed from a country of emigration to one of immigration. Italians are now faced daily with the presence of migrants from all over Africa, parts of South and Central America, the Middle East, Asia, and Eastern Europe. While much attention has been paid to the impact on Italians, few studies have focused on the agency of migrants themselves. In An Alliance of Women, Heather Merrill investigates how migrants and Italians struggle over meanings and negotiate social and cultural identities.

Taking as a starting point the Italian crisis over immigration in the early 1990s, Merrill examines grassroots interethnic spatial politics among female migrants and Turin feminists in Northern Italy. Using rich ethnographic material, she traces the emergence of Alma Mater—an anti-racist organization formed to address problems encountered by migrant women. Through this analysis, Merrill reveals the dynamics of an alliance consisting of women from many countries of origin and religious and class backgrounds.

Highlighting an interdisciplinary approach to migration and the instability of group identities in contemporary Italy, An Alliance of Women presents migrants grappling with spatialized boundaries amid growing nativist and anti-immigrant sentiment in Western Europe.

Heather Merrill is assistant professor of geography and anthropology at Dickinson College.

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Allie Victoria Tennant and the Visual Arts in Dallas

Light Townsend Cummins

At Fair Park in Dallas, a sculpture of a Native American figure, bronze with gilded gold leaf, strains a bow before sending an arrow into flight. Tejas Warrior has welcomed thousands of visitors since the Texas Centennial Exposition opened in the 1930s. The iconic piece is instantly recognizable, yet few people know about its creator: Allie Victoria Tennant, one of a notable group of Texas artists who actively advanced regionalist art in the decades before World War II.
Light Townsend Cummins follows Tennant’s public career from the 1920s to the 1960s, both as an artist and as a culture-bearer, as she advanced cultural endeavors, including the arts. A true pathfinder, she helped to create and nurture art institutions that still exist today, most especially the Dallas Museum of Art, on whose board of trustees she sat for almost thirty years. Tennant also worked on behalf of other civic institutions, including the public schools, art academies, and the State Fair of Texas, where she helped create the Women’s Building. Allie Victoria Tennant and the Visual Arts in Dallas sheds new light on an often overlooked artist.

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