When eighteenth-century American men described "with a swelling of the heart" their friendships with other men, addressing them as "lovely boy" and "dearly beloved," celebrating the "ardent affection" that knit their hearts in "indissoluble bonds of fraternal love," their families, neighbors, and acquaintances would have been neither surprised nor disturbed. Richard Godbeer’s groundbreaking new book examines loving and sentimental friendships among men in the colonial and revolutionary periods. Inspired in part by the eighteenth-century culture of sensibility and in part by religious models, these relationships were not only important to the personal happiness of those involved but also had broader social, religious, and political significance. Godbeer shows that in the aftermath of Independence, patriots drafted a central place for male friendship in their social and political blueprint for the new republic. American revolutionaries stressed the importance of the family in the era of self-government, reimagining it in ways appropriate to a new and democratized era. They thus shifted attention away from patriarchal authority to a more egalitarian model of brotherly collaboration. In striving to explore the inner emotional lives of early Americans, Godbeer succeeds in presenting an entirely fresh perspective on the personal relationships and political structures of the period. Scholars have long recognized the importance of same-sex friendships among women, but this is the first book to examine the broad significance ascribed to loving friendships among men during this formative period of American history. Using an array of personal and public writings, The Overflowing of Friendship will transform our understanding of early American manhood as well as challenge us to reconsider the ways we think about gender in this period.

The Pain of Reformation argues that Edmund Spenser's 1590 Faerie Queene represents an extended meditation on emerging notions of physical, social, and affective vulnerability in Renaissance England. Histories of violence, trauma, and injury have dominated literary studies, often obscuring vulnerability, or an openness to sensation, affect, and aesthetics that includes a wide range of pleasures and pains. This book approaches early modern sensations through the rubric of the vulnerable body, explores the emergence of notions of shared vulnerability, and illuminates a larger constellation of masculinity and ethics in post-Reformation England.Spenser's era grappled with England's precarious political position in a world tense with religious strife and fundamentally transformed by the doctrinal and cultural sea changes of the Reformation, which had serious implications for how masculinity, affect, and corporeality would be experienced and represented. Intimations of vulnerability often collided with the tropes of heroic poetry, producing a combination of defensiveness, anxiety, and shame. It has been easy to identify predictably violent formations of early modern masculinity but more difficult to see Renaissance literature as an exploration of vulnerability.The underside of representations of violence in Spenser's poetry was a contemplation of the precarious lives of subjects in post-Reformation England. Spenser's adoption of the allegory of Venus disarming Mars, understood in Renaissance Europe as an allegory of peace, indicates that The Faerie Queene is a heroic poem that militates against forms of violence and war that threatened to engulf Europe and devastate an England eager to militarize in response to perceived threats from within and without. In pursuing an analysis, disarmament, and redefinition of masculinity in response to a sense of shared vulnerability, Spenser's poem reveals itself to be a vital archive of the way gender, violence, pleasure, and pain were understood.

An examination of the intersection of public discourses on sexualities with recent political, economic, and social shifts in the national context of Mexico and the Mexican diaspora in the United States.

Performing Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate. Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.

Pinks, Pansies, and Punks charts the construction of masculinity within American literary culture from the 1930s to the 1970s. Penner documents the emergence of "macho criticism," and explores how debates about "hard" and "soft" masculinity influenced the class struggles of the 1930s, anti-communism in the 1940s and 1950s, and the clash between the Old Left and the New Left in the 1960s. By extending literary culture to include not just novels, plays, and poetry, but diaries, journals, manifestos, screenplays, and essays on psychology and sociology, Penner unveils the multiplicity of gender attitudes that emerge in each of the decades he addresses.

The Politics of Sexuality in Latin America presents the first English-language reader on LGBT politics in Latin America. Representing a range of contemporary works by scholars, activists, analysts, and politicians, the chapters address LGBT issues in nations from Cuba to Argentina. In their many findings, two main themes emerge: the struggle for LGBT rights has made significant inroads in the first decade of the twenty-first century (though not in every domain or every region); and the advances made were slow in coming compared to other social movements. The articles uncover the many obstacles that LGBT activists face in establishing new laws and breaking down societal barriers. They identify perhaps the greatest roadblock in Latin American culture as an omnipresent system of “heteronormativity,” wherein heterosexuality, patriarchalism, gender hierarchies, and economic structures are deeply rooted in nearly every level of society. Along these lines, the texts explore specific impediments, including family dependence, lack of public spaces, job opportunities, religious dictums, personal security, the complicated relationship between leftist political parties and LGBT movements in the region, and the ever-present “closets,” which keep LGBT issues out of the public eye. The volume also looks to the future of LGBT activism in Latin America in areas such as globalization, changing demographics, the role of NGOs, and the rise of economic levels and education across societies, which may aid in a greater awareness of LGBT politics and issues. As the editors posit, to be democratic in the truest sense of the word, nations must recognize and address all segments of their populations.

This book explores the origins and history of the modern American movement for homosexual rights, which originated in Los Angeles in the late 1940s and continues today. Part ethnography and part social history, it is a detailed account of the history of the movement as manifested through the emergence of four related organizations: Mattachine, ONE Incorporated, the Homosexual Information Center (HIC), and the Institute for the Study of Human Resources (ISHR), which began doing business as ONE Incorporated when the two organizations merged in 1995. Pre-Gay L.A. is a chronicle of how one clandestine special interest association emerged as a powerful political force that spawned several other organizations over a period of more than sixty years._x000B__x000B_Relying on extended interviews with participants as well as a full review of the archives of the Homosexual Information Center, C. Todd White unearths the institutional histories of the gay and lesbian rights movement and the myriad personalities involved, including Mattachine founder Harry Hay; ONE Magazine editors Dale Jennings, Donald Slater, and Irma Wolf; ONE Incorporated founder Dorr Legg; and many others. Fighting to decriminalize homosexuality and to obtain equal rights, the viable organizations that these individuals helped to establish significantly impacted legal policies not only in Los Angeles but across the United States, affecting the lives of most of us living in America today.

Private Practices examines the relationship between science, sexuality, gender, race, and culture in the making of modern America between 1920 and 1950, when contradictions among liberal intellectuals affected the rise of U.S. conservatism. Naoko Wake focuses on neo-Freudian, gay psychiatrist Harry Stack Sullivan, founder of the interpersonal theory of mental illness. She explores medical and social scientists' conflicted approach to homosexuality, particularly the views of scientists who themselves lived closeted lives. In assessing how these dynamics worked to shape each other, Private Practices highlights the limits of the scientific approach to subjectivity and illuminates its strange career in modern U.S. culture.

How did a sleepy New England fishing village become a gay mecca? In this dynamic history, Karen Christel Krahulik explains why Provincetown, Massachusetts—alternately known as “Land's End,” “Cape-tip,” “Cape-end,” and, to some, “Queersville, U.S.A”—has meant many things to many people.

Provincetown tells the story of this beguiling coastal town, from its early history as a mid-nineteenth century colonial village to its current stature as a bustling gay tourist destination. It details the many cultures and groups—Yankee artists, Portuguese fishermen, tourists—that have comprised and influenced Provincetown, and explains how all of them, in conjunction with larger economic and political forces, come together to create a gay and lesbian mecca.

Through personal stories and historical accounts, Provincetown reveals the fascinating features that have made Provincetown such a textured and colorful destination: its fame as the landfall of the Mayflower Pilgrims, charm as an eccentric artists’ colony, and allure as a Dionysian playground. It also hints at one of Provincetown’s most dramatic economic changes: its turn from fishing village to resort town. From a history of fishing economies to a history of tourism, Provincetown, in the end, is as eclectic and vibrant as the city itself.