After accepting a job teaching English on a small engineering vessel traveling from Shanghai to Texas, Gillian Kendall embarks on a strange journey with no ports of call but exotic emotional landscapes. She is the only female aboard, surrounded by Chinese men. The cosmopolitan graduate student suddenly has to adjust to an alien world, thick with cigarette smoke, unusual sea creatures, and male sexuality. Kendall invites readers to travel with her across cultural divides as deep and mysterious as the Pacific while she explores her own culture, orientation, and heart.

Bringing together the best of the late Allan Bérubé's published and unpublished work, this collection explores the growth of gay and lesbian history from its grassroots beginnings in the 1970s. D'Emilio and Freedman, who were friends of the author's, compiled the essays and have written a substantial introduction that provides a biographical portrait of a life of (largely self-taught)scholarship and of committed activism in the peace and gay liberation movements and later involvement with queer activism and class conscious, anti-racist scholarship.

Following the French Revolution, radical military reforms created conditions for new physical and emotional intimacy between soldiers, establishing a model of fraternal affection that would persist from the revolutionary and Napoleonic wars through the Franco-Prussian War and World War I.

Based on extensive research in French and American archives, and enriched by his reading of Napoleonic military memoirs and French military fiction from Hugo and Balzac to Zola and Proust, Brian Joseph Martin's view encompasses a broad range of emotional and erotic relationships in French armies from 1789 to 1916. He argues that the French Revolution's emphasis on military fraternity evolved into an unprecedented sense of camaraderie among soldiers in the armies of Napoleon. For many soldiers, the hardships of combat led to intimate friendships. For some, the homosociality of military life inspired mutual affection, lifelong commitment, and homoerotic desire.

How do lesbians decide to become mothers or remain childfree? Why do new families form at particular historical moments? These questions are at the heart of Nancy J. Mezey’s New Choices, New Families. Researchers, politicians, and society at large continue to debate the changing American family, especially nontraditional families that emerge from divorce, remarriage, grandparents-as-parents, and adoption. This ongoing discussion also engages the controversy surrounding the parental rights of same-sex couples and their families. New Choices, New Families enters into this conversation. Mezey asks why lesbians are forming families at this particular historical moment and wonders how race, class, sexual identity, and family history factor into the decision-making process. Drawing heavily from personal interviews, Mezey’s groundbreaking analysis gives voice to groups long underrepresented in similar studies—black, Latina, working class, and childfree lesbians. Some chapters examine how childhood experiences contribute to the desire to become a mother, while others consider the influence of women’s partners and careers. New Choices, New Families provides thoughtful insights into questions about sexual identity, social and cultural expectations, and what and who constitute a family.

Many Americans hold fast to the notion that gay men and women, more often than not, have been ostracized from disapproving families. Not in This Family challenges this myth and shows how kinship ties have been an animating force in gay culture, politics, and consciousness throughout the latter half of the twentieth century.

Historian Heather Murray gives voice to gays and their parents through an extensive use of introspective writings, particularly personal correspondence and diaries, as well as through published memoirs, fiction, poetry, song lyrics, movies, and visual and print media. Starting in the late 1940s and 1950s, Not in This Family covers the entire postwar period, including the gay liberation and lesbian feminist movements of the 1960s and 1970s, the establishment of PFLAG (Parents, Families, and Friends of Lesbians and Gays), and the AIDS crisis of the 1980s and 1990s. Ending her story with an examination of contemporary coming-out rituals, Murray shows how the personal that was once private became political and, finally, public.

In exploring the intimate, reciprocal relationship of gay children and their parents, Not in This Family also chronicles larger cultural shifts in privacy, discretion and public revelation, and the very purpose of family relations. Murray shows that private bedrooms and consumer culture, social movements and psychological fashions, all had a part to play in transforming the modern family.

Outside the Lines explores the personal and historical forces that have shaped the work of a dozen gifted poets. The answers given to Hennessy's astute, perfectly tailored questions remind a reader how exciting poetry can be, and how writers create, through language, the world as we have never known it. These adventuresome interviews will stir anyone who cares about the making of art. ---Bernard Cooper, author of Maps to Anywhere Editor Christopher Hennessy gathers interviews with some of the most significant figures in contemporary American poetry. While each poet is gay, these encompassing, craft-centered interviews reflect the diversity of their respective arts and serve as a testament to the impact gay poets have had and will continue to have on contemporary poetics. The book includes twelve frank, intense interviews with some of America's best-known and loved poets, who have not only enjoyed wide critical acclaim but who have had lasting impact on both the gay tradition and the contemporary canon writ large, for example, Frank Bidart, the late Thom Gunn, and J. D. McClatchy. Some of the most honored and respected poets, still in the middle of their careers, are also included, for example, Mark Doty, Carl Phillips, and Reginald Shepherd. Each interview explores the poet's complete work to date, often illuminating the poet's technical evolution and emotional growth, probing shifts in theme, and even investigating links between verse and sexuality. In addition to a selected bibliography of works by established poets, the book also includes a list of works by newer and emerging poets who are well on their way to becoming important voices of the new millennium.