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A Memoir for Misfits
Tracking Choreography in the Age of AIDS
David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine in depth the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide?
Gere expands the definition of choreography to analyze not only theatrical dances but also the protests conceived by ACT-UP and the NAMES Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a portrait of gay male choreographers struggling to cope with AIDS and its meanings.
Gay Men, AIDS, and the Promise of the Queer Past
The AIDS epidemic soured the memory of the sexual revolution and gay liberation of the 1970s, and prominent politicians, commentators, and academics instructed gay men to forget the sexual cultures of the 1970s in order to ensure a healthy future. But without memory there can be no future, argue Christopher Castiglia and Christopher Reed in this exploration of the struggle over gay memory that marked the decades following the onset of AIDS.
Challenging many of the assumptions behind first-wave queer theory, If Memory Serves offers a new perspective on the emergence of contemporary queer culture from the suppression and repression of gay memory. Drawing on a rich archive of videos, films, television shows, novels, monuments, paintings, and sculptures created in the wake of the epidemic, the authors reveal a resistance among critics to valuing—even recognizing—the inscription of gay memory in art, literature, popular culture, and the built environment. Castiglia and Reed explore such topics as the unacknowledged ways in which the popular sitcom Will and Grace circulated gay subcultural references to awaken a desire for belonging among young viewers; the post-traumatic (un)rememberings of queer theory; and the generation of “ideality politics” in the art of Félix González-Torres, the film Chuck & Buck, and the independent video Video Remains.
Inspired by Alasdair MacIntyre’s insight that “the possession of a historical identity and the possession of a social identity coincide,” Castiglia and Reed demonstrate that memory is crafted in response to inadequacies in the present—and therefore a constructive relation to the past is essential to the imagining of a new future.
Club Culture and Queer World-Making
"Impossible Dance is a highly accessible, original and engaging account of the complex and often heavily theorized debates around the body, identity and community. Focusing on gay, lesbian and queer club culture in the 1990s New York City, this is the first book to bring together vital issues such as dance culture, queer community, sex culture, HIV identity and politics. Based on four years of field work, the book takes readers on a journey from the streets of New York City into the dance clubs and onto the dance floor. Detailed interviews with club-goers capture their perspectives on how they stage their self-fashioning through dancing. Fiona Buckland argues that such dancing embodies and rehearses a powerful political imagination, laying claim to the space and to one's body as queer."--Publishers Weekly
Transgender Bodies, Subcultural Lives
In her first book since the critically acclaimed Female Masculinity, Judith Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. She presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don’t Cry, Halberstam turns her attention to the cultural and artistic production of queers themselves. She examines the “transgender gaze,” as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. She then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities.
Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place.
Journeys of Resilience from Adolescence to Adulthood
A Biographer’s Memoir
A True Story of Incest
The TV-perfect family of Walter de Milly III was like many others in the American South of the 1950s—seemingly close-knit, solidly respectable, and active in the community.
Tragically, Walter’s deeply troubled father would launch his family on a perilous journey into darkness. To the outside world, this man is a prominent businessman, a dignified Presbyterian, and a faithful husband; to Walter, he is an overwhelming, handsome monster. Whenever the two are together, young Walter becomes a sexual plaything for his father; father and son outings are turned into soul-obliterating nightmares.
Walter eventually becomes a successful businessman only to be stricken by another catastrophe: his father, at the age of seventy, is caught molesting a young boy. Walter is asked to confront his father. Walter convenes his family, and in a private conference with a psychiatrist, the father agrees to be surgically castrated.
De Milly’s portraits of his relationships with his father and mother, and the confrontation that leads to his father’s bizarre and irreversible voluntary “cure,” are certain to be remembered long after the reader has set aside this powerful contribution to the literature of incest survival.
A History of Queer Minnesota
For too long, LGBTQ communities—including Minnesota’s—have been maligned, misrepresented, and often outright ignored. Myths regarding the queer experience have grown and become embedded in local and national consciousness. The absence of queer stories over time in local historical and popular writing only served to further this ignorance, but great strides have been made in recent decades to celebrate Minnesota’s vibrant queer history. Add to this rising chorus an enchanting new voice: Land of 10,000 Loves, Stewart Van Cleve’s wide-ranging and unprecedented illustrated history of queer life in Minnesota.
Drawing from the renowned Tretter Collection at the University of Minnesota—a vast collection of books, photographs, films, and other historical artifacts that Van Cleve calls “one of the most comprehensive accounts of international queer history in the world”—Land of 10,000 Loves blends oral history, archival narrative, newspaper accounts, and fascinating illustrations to paint a remarkable picture of Minnesota’s queer history. More than 120 concise historical essays lead readers from the earliest evidences of queer life in Minnesota before the Second World War—for example, Oscar Wilde’s visit to Minnesota and “rumors” at the Alexander Ramsey house—to riverfront vice districts, protest and parade sites, bars, 1970s collectives, institutions, public spaces, and private homes. More than 130 illustrations illuminate these histories with images of pride guides, archival photographs, and advertisements from local queer bars among other extraordinary pieces of ephemera and artifacts. Many of the stories and images are well known, while others have been all but forgotten, until now.
Building on foundational works of regional queer history such as The Evening Crowd at Kirmser’s and Queer Twin Cities, the historical vignettes of Land of 10,000 Loves show us that Minnesota—from its biggest cities to its smallest towns—has been, as Van Cleve notes, “queer, to a certain extent, since the very beginning.” Land of 10,000 Loves honors this rich and diverse legacy and is a compelling testament to the sacrifices, scandals, and victories that have affected and continue to affect the lives of queer Minnesotans.
How a Gay, Hammer-Swinging Twentysomething Survived a Year in Iraq
In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.