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Les auteurs remettent en question la valeur et l'efficacité des approches sexothérapeutiques à orientation behaviorale en resituant la sexualité dans une perspective plus globale par rapport aux forces inconscientes et aux besoins socioaffectifs qu'elle vise à combler.
Sex and Violence in Contemporary Russian Popular Culture
Perestroika and the end of the Soviet Union transformed every aspect of life in Russia, and as hope began to give way to pessimism, popular culture came to reflect the anxiety and despair felt by more and more Russians. Free from censorship for the first time in Russia's history, the popular culture industry (publishing, film, and television) began to disseminate works that featured increasingly explicit images and descriptions of sex and violence.
In Overkill, Eliot Borenstein explores this lurid and often-disturbing cultural landscape in close, imaginative readings of such works as You're Just a Slut, My Dear! (Ty prosto shliukha, dorogaia!), a novel about sexual slavery and illegal organ harvesting; the Nympho trilogy of books featuring a Chechen-fighting sex addict; and the Mad Dog and Antikiller series of books and films recounting, respectively, the exploits of the Russian Rambo and an assassin killing in the cause of justice. Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats. At the same time, they built a notion of nationalism or heroism that could be maintained even under the most miserable of social conditions, when consumers felt most powerless.
For Borenstein, the myriad depictions of deviance in pornographic and also crime fiction, with their patently excessive and appalling details of social and moral decay, represented the popular culture industry's response to the otherwise unimaginable scale of Russia's national collapse. "The full sense of collapse," he writes, "required a panoptic view that only the media and culture industry were eager to provide, amalgamating national collapse into one master narrative that would then be readily available to most individuals as a framework for understanding their own suffering and their own fears."
Essai sur l'ontogénèse sexuelle et ses vicissitudes
Cet ouvrage trace les grandes lignes de l'évolution de la différenciation sexuelle et émet des hypothèses originales sur le développement de la féminité et de la masculinité de même que sur l'ontogénèse de la fonction érotique. Il analyse également la relation entre déviances sexuelles et conflits d'identité de genre.
Although sexual psychophysiology has made great strides over the past few decades, the progress made has not been accompanied by much effort to integrate research findings or to stimulate methodological and theoretical discussions among researchers. Yet this new research area has the potential to make substantial contributions to understanding a wide range of phenomena, including the spread of HIV/STIs, sexual "addiction" or compulsivity, the use (or nonuse) of birth-control methods, sexual infidelity, and aggressive sexual behaviors. Psychophysiological methods can assist in the exploration of the underlying psychological, physiological, and affective processes, and, perhaps more importantly, how they interact. In this volume, editor Erick Janssen brings together wide-ranging essays written by an authoritative group of researchers, representing the cutting edge of sexual psychophysiology.
Nouvelles explorations en sexoanalyse
Les auteurs de cet ouvrage proposent d'explorer différentes facettes de la sexualité humaine en examinant des concepts centraux tels l'agressivité phallique et l'intimité. Sont abordées aussi des réalités cliniques comme les sexualités atypiques, le travestisme et l'ambiguïté sexuelle.
An Investigation of Fundamental Principles
Otto Weininger's controversial book Sex and Character, first published in Vienna in 1903, is a prime example of the conflicting discourses central to its time: antisemitism, scientific racism and biologism, misogyny, the cult and crisis of masculinity, psychological introspection versus empiricism, German idealism, the women's movement and the idea of human emancipation, the quest for sexual liberation, and the debates about homosexuality. Combining rational reasoning with irrational outbursts, in the context of today's scholarship, Sex and Character speaks to issues of gender, race, cultural identity, the roots of Nazism, and the intellectual history of modernism and modern European culture. This new translation presents, for the first time, the entire text, including Weininger's extensive appendix with amplifications of the text and bibliographical references, in a reliable English translation, together with a substantial introduction that places the book in its cultural and historical context.
An Interdisciplinary Reader
Despite the explosion of critical writing on gender and sexuality, relatively little work has focused on Latin America. Sex and Sexuality in Latin America: An Interdisciplinary Readerfills in this gap. Daniel Balderston and Donna J. Guy assert that the study of sexuality in Latin America requires a break with the dominant Anglo-European model of gender. To this end, the essays in the collection focus on the uncertain and contingent nature of sexual identity.
Organized around three central themes--control and repression; the politics and culture of resistance; and sexual transgression as affirmation of marginalized identities--this intriguing collection will challenge and inform conceptions of Latin American gender and sexuality. Covering topics ranging from transvestism to the world of tango, and countries as diverse as Mexico, Brazil, and Argentina, this volume takes an accessible, dynamic, and interdisciplinary approach to a highly theoretical topic.
"Opens up new conceptual horizons for exploring gender and sexuality. . . . In stimulating readers to think 'outside the box' of established academic notions of sexuality and gender, Sex and Sexuality in Latin America illustrates the sometimes mind-boggling mission of iconoclastic scholarship. The well-written essays are thought-provoking analyses on the cutting edge of gender scholarship."
Latin American Research Review, vol. 36, no. 3, 2001
La sexualité fait maintenant partie de notre recherche d’un mieux-être, d’un certain confort du corps. Nous assistons en effet à une démocratisation du plaisir sexuel et de l’érotisme. Sans être en mesure de repérer les causes de ce changement d’attitude face à la sexualité, ni même de pouvoir tracer les grands contours de ce changement, nous ne pouvons ignorer un tel phénomène.
Soucieux de dresser un tableau des grandes problématiques sexologiques un groupe de professeurs universitaires a préparé ce recueil de textes fondamentaux qui reflète l'état des connaissances scientifiques en sexologie. Un ouvrage de référence pour toute personne cherchant à rassembler les pièces de l'énigmatique puzzle de la sexualité humaine.
Brazilian Erotic Dancers in New York
Migrant sex workers are commonly cast as victims, moved by desperation to flee poverty and hopelessness in their home country. The Brazilian erotic dancers Suzana Maia presents in Transnational Desires, however, are women from the Brazilian middle classsome of them welleducated professionalswho migrated to the United States not just to better themselves economically but also to realize their personal dreams.
Their motivation to migrate and to work as erotic dancers can also be understood in the context of a representational system, inaugurated in colonial times, that emphasizes the exoticism of Brazilian womentheir bodies, their skin tone, their sexuality. These stereotypes are the props that Brazilian women use to construct their performances in Manhattan and Queens gentlemen's bars and the language through which they negotiate their relationships to society at large.
Transnational Desires focuses on the lives of nine Brazilian dancers with whom the author, herself a middleclass Brazilian, developed close relationships over the years. Maia examines their social relations both in the bar scene and with family, friends, and lovers outside. She shows that for these women erotic dancing is part of a life trajectory that involves negotiating their social position and life prospects in a fundamentally transnational social universe.