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Zionists in Interwar Czechoslovakia

Minority Nationalism and the Politics of Belonging

Tatjana Lichtenstein

This book presents an unconventional history of minority nationalism in interwar Eastern Europe. Focusing on an influential group of grassroots activists, Tatjana Lichtenstein uncovers Zionist projects intended to sustain the flourishing Jewish national life in Czechoslovakia.The book shows that Zionism was not an exit strategy for Jews, but as a ticket of admission to the societies they already called home.It explores how and why Zionists envisioned minority nationalism as a way to construct Jews’ belonging and civic equality in Czechoslovakia.By giving voice to the diversity of aspirations within interwar Zionism, the book offers a fresh view of minority nationalism and state building in Eastern Europe.

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Zipper Mouth

Laurie Weeks

In this extraordinary debut novel, Laurie Weeks captures the freedom and longing of life on the edge in New York City. Ranting letters to Judy Davis and Sylvia Plath, an unrequited fixation on a straight best friend, exalted nightclub epiphanies, devastating morning-after hangovers, Zipper Mouth chronicles the exuberance and mortification of a junkie, and transcends the chaos of everyday life.

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Zizek's Ontology

A Transcendental Materialist Theory of Subjectivity

Johnston, Adrian

Slavoj Zizek is one of the most interesting and important philosophers working today, known chiefly for his theoretical explorations of popular culture and contemporary politics. This book focuses on the generally neglected and often overshadowed philosophical core of Žižek’s work—an essential component in any true appreciation of this unique thinker’s accomplishment.

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Zombiescapes and Phantom Zones

Ecocriticism and the Liminal from "Invisible Man" to "The Walking Dead"

Lee Rozelle

In Zombiescapes and Phantom Zones: Ecocriticism and the Liminal from “Invisible Man” to “The Walking Dead,” Lee Rozelle chronicles the weirdest, ugliest, and most mixed-up characters to appear on the literary scene since World War II—creatures intimately linked to damaged habitats that rise from the muck, not to destroy or rule the world, but to save it. The book asks what happens to these landscapes after the madness, havoc, and destruction. What monsters and magic surface then?
 
Rozelle argues that zombiescapes and phantom zones depicted in the book become catalysts for environmental reanimation and sources of hope. Liminality offers exciting and useful new ways to conceptualize places that have historically proven troublesome, unwieldy, or hard to define. Zombiescapes can reduce the effects of pollution, promote environmental justice, lessen economic disparity, and localize food production. The grotesques that ooze and crawl from these passages challenge readers to consider new ways to re-inhabit broken lands at a time when energy efficiency, fracking, climate change, the Pacific trade agreement, local food production, and sustainability shape the intellectual landscape.
 
Rozelle focuses on literary works from 1950 to 2015—the zombiescapes and monsterscapes of post–World War II literature—that portray in troubling and often devastating ways the “brownfields” that have been divested of much of their biodiversity and ecological viability. However, he also highlights how these literary works suggest a new life and new potential for such environments. With an unlikely focus on places of ruination and an application of interdisciplinary, transnational approaches to a range of fields and texts, Rozelle advances the notion that places of distortion might become a nexus where revelation and advocacy are possible again.
 
Zombiescapes and Phantom Zones has much to offer to various fields of scholarship, including literary studies, ecocriticism, and environmental studies. Research, academic, and undergraduate audiences will be captivated by Rozelle’s lively prose and unique anthropological, ecocritical, and literary analyses.

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Zones côtières et changement climatique

Le défi de la gestion intégrée

Edited by Omer Chouinard

L’approche de la gestion intégrée des zones côtières est apparue en opposition à l’approche unisectorielle de la gestion des ressources afin de pallier aux nombreux stress posés sur les écosystèmes par les activités humaines. Près de 700 projets de gestion côtière intégrée sont en cours aujourd’hui dans différents pays du monde. Malgré cela, la dégradation des milieux côtiers n’a pas été freinée. Elle se poursuit même à un rythme alarmant. Il y a donc urgence de trouver des approches de gestion qui proposent des solutions viables.Dans la foulée de la dynamique société et nature et des relations environnement et sociétés, il a été montré que les contextes culturels et les savoirs écologiques locaux ont une influence sur les demandes des communautés pour des politiques environnementales de gestion participative et inclusive des zones côtières du Golfe du Saint-Laurent. L’objectif principal de ce livre est d’élargir l’aire d’étude aux territoires européens et africains, voire des milieux insulaires d’outremer comme la Réunion et la Martinique, afin de susciter une réflexion sur le développement durable du littoral.

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Zones of Anxiety

Movement, Musidora, and the Crime Serials of Louis Feuillade

Vicki Callahan

The crime serials by French filmmaker Louis Feuillade provide a unique point of departure for film studies, presenting modes rarely examined within early cinematic paradigms. Made during 1913 to 1920, the series of six films share not only a consistency of narrative structure and style but also a progressive revelation of the criminal threat—a dislocation of both cinematic and ideological subjectivity—as it shifts realms of social, cultural, and aesthetic disturbance. Feuillade’s work raises significant questions of cinema authorship, film history, and film aesthetics, all of which are examined in Vicki Callahan’s groundbreaking work Zones of Anxiety, the first study to address the crime serials of Louis Feuillade from a feminist perspective. Zones of Anxiety merges cultural history and feminist film theory, arguing for a different kind of film history, a “poetic history” that is shaped by the little-examined cinematic mode of “uncertainty.” Often obscured by film technique and film historians, this quality of uncertainty endemic to the cinema comes in part from the formal structures of repetition and recursion found in Feuillade’s serials. However, Callahan argues that uncertainty is also found in the “poetic body” of the actress Musidora who is featured in two of the serials. It is the mobility of the Musidora figure—socially, culturally, sexually, and textually—that makes her a powerful image and also a place to view the historical blind spots of film studies and feminist studies with regard to questions of race, class, and sexuality. Callahan’s substantial focus on archival research builds a foundation for a host of compelling arguments for a new feminist history of film. Other studies have touched on the issue of gender in early cinema, though until now neither Feuillade’s work nor French silent film have been examined in light of feminist film theory and history. Zones of Anxiety opens up the possibility of alternate readings in film studies, illuminating our understanding of subjectivity and situating a spectatorship that acknowledges social and cultural differences.

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Zones of Instability

Literature, Postcolonialism, and the Nation

Imre Szeman

Attempts by writers and intellectuals in former colonies to create unique national cultures are often thwarted by a context of global modernity, which discourages particularity and uniqueness. In describing unstable social and political cultures, such "third-world intellectuals" often find themselves torn between the competing literary requirements of the "local" culture of the colony and the cosmopolitan, "world" culture introduced by Western civilization. In Zones of Instability, Imre Szeman examines the complex relationship between literature and politics by exploring the production of nationalist literature in the former British empire. Taking as his case studies the regions of the British Caribbean, Nigeria, and Canada, Szeman analyzes the work of authors for whom the idea of the"nation" and literature are inexorably entwined, such as Chinua Achebe, Wole Soyinka, C.L.R. James, Frantz Fanon, and V.S. Naipaul. Szeman focuses on literature created in the two decades after World War II, decades in which the future prospects for many colonies went from extreme political optimism to extreme political disappointment. He finds that the "nation" can be read as that space in which literature is thought to be able to conjoin two things that history has separated—the writer and the people.

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The Zones of Paradise

By Lynn Powell

Lynn Powell’s earlier work has deservedly brought her prestigious prizes and a loyal following. Now, in The Zones of Paradise, Powell extends her range and raises her language to a new intensity. These poems travel from Australia to New Mexico, from the Garden of Eden to her own back yard in Ohio, and everywhere they tremble with the restless exploration of desire, thwarted or fulfilled: “my heart another / Magellan of memory and want.” The Zones of Paradise may offer a vision of what it is like to live in “the fallout of The Fall,” but Powell’s lines dazzle with their sensuous intelligence and vivid wit, introducing an undaunted Eve who can announce, “I want to take April as my personal savior.” In poems that embrace both the risks and pleasures of experience, Lynn Powell celebrates the only world we know.

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Zong!

M. NourbeSe Philip

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert--the only extant public document related to the massacre of these African slaves--Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

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Zoning and Property Rights

Chinese Agriculture

Lawrence Wai-chung Lai

The author combines the unique multidisciplinary backgrounds of an academic, a political scientist, a lawyer and an urban planner to provide the reader with a novel and challenging discussion about the economic nature of land use zoning. Besides establishing a coherent framework for zoning based on the Coasian property rights paradigm, the book offers the reader several up-to-date case studies, including the government role in assigning exclusive property rights via marine fish culture zoning in Hong Kong.

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