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Rawidowicz, Kaplan, Kohn
Today, Zionism is understood as a national movement whose primary historical goal was the establishment of a Jewish state. However, Zionism's association with national sovereignty was not foreordained. Zionism and the Roads Not Taken uncovers the thought of three key interwar Jewish intellectuals who defined Zionism's central mission as challenging the model of a sovereign nation-state: historian Simon Rawidowicz, religious thinker Mordecai Kaplan, and political theorist Hans Kohn. Although their models differed, each of these three thinkers conceived of a more practical and ethical paradigm of national cohesion that was not tied to a sovereign state. Recovering these roads not taken helps us to reimagine Jewish identity and collectivity, past, present, and future.
Past and Present
Traces the dialectical connections between Zionism’s past and present. In Zionism, the late Nathan Rotenstreich traces the dialectical connections between Zionism’s past and present based on his contention that the Jewish nation comprises both the State of Israel and the Diaspora. He also addresses relations between both Israel and the Diaspora, on the one hand, and Israel and the Arab world, on the other. Written a short time before Rotenstreich’s death, Zionism can be regarded as his spiritual and ideological legacy.
A Zionist among Palestinians offers the perspective of an ordinary Israeli citizen who became concerned about the Israeli military's treatment of Palestinians and was moved to work for peace. Hillel Bardin, a confirmed Zionist, was a reservist in the Israeli army during the first intifada when he met Palestinians arrested by his unit. He learned that they supported peace with Israel and the then-taboo proposal for a two-state solution, and that they understood the intifada as a struggle to achieve these goals. Bardin began to organize dialogues between Arabs and Israelis in West Bank villages, towns, and refugee camps. In 1988, he was jailed for meeting with Palestinians while on active duty in Ramallah. Over the next two decades, he participated in a variety of peace organizations and actions, from arranging for Israelis to visit Palestinian communities and homes, to the joint jogging group "Runners for Peace," to marches, political organizing, and demonstrations supporting peace, security, and freedom. In this very personal account, Bardin tries to come to grips with the conflict in a way that takes account of both Israeli-Zionist and Palestinian aims.
Hebrew Literature and Israeli Identity
Many contemporary Israelis suffer from a strange condition. Despite the obvious successes of the Zionist enterprise and the State of Israel, tension persists, with a collective sense that something is wrong and should be better. This cognitive dissonance arises from the disjunction between “place” (defined as what Israel is really like) and “Place” (defined as the imaginary community comprised of history, myth, and dream).
Through the lens of five major works in Hebrew by writers Abraham Mapu (1853), Theodor Herzl (1902), Yosef Luidor (1912), Moshe Shamir (1948), and Amos Oz (1963), Schwartz unearths the core of this paradox as it evolves over one hundred years, from the mid-nineteenth century to the 1960s.
In this extraordinary debut novel, Laurie Weeks captures the freedom and longing of life on the edge in New York City. Ranting letters to Judy Davis and Sylvia Plath, an unrequited fixation on a straight best friend, exalted nightclub epiphanies, devastating morning-after hangovers, Zipper Mouth chronicles the exuberance and mortification of a junkie, and transcends the chaos of everyday life.
A Transcendental Materialist Theory of Subjectivity
Slavoj Zizek is one of the most interesting and important philosophers working today, known chiefly for his theoretical explorations of popular culture and contemporary politics. This book focuses on the generally neglected and often overshadowed philosophical core of Žižek’s work—an essential component in any true appreciation of this unique thinker’s accomplishment.
Le défi de la gestion intégrée
L’approche de la gestion intégrée des zones côtières est apparue en opposition à l’approche unisectorielle de la gestion des ressources afin de pallier aux nombreux stress posés sur les écosystèmes par les activités humaines. Près de 700 projets de gestion côtière intégrée sont en cours aujourd’hui dans différents pays du monde. Malgré cela, la dégradation des milieux côtiers n’a pas été freinée. Elle se poursuit même à un rythme alarmant. Il y a donc urgence de trouver des approches de gestion qui proposent des solutions viables.Dans la foulée de la dynamique société et nature et des relations environnement et sociétés, il a été montré que les contextes culturels et les savoirs écologiques locaux ont une influence sur les demandes des communautés pour des politiques environnementales de gestion participative et inclusive des zones côtières du Golfe du Saint-Laurent. L’objectif principal de ce livre est d’élargir l’aire d’étude aux territoires européens et africains, voire des milieux insulaires d’outremer comme la Réunion et la Martinique, afin de susciter une réflexion sur le développement durable du littoral.
Movement, Musidora, and the Crime Serials of Louis Feuillade
The crime serials by French filmmaker Louis Feuillade provide a unique point of departure for film studies, presenting modes rarely examined within early cinematic paradigms. Made during 1913 to 1920, the series of six films share not only a consistency of narrative structure and style but also a progressive revelation of the criminal threat—a dislocation of both cinematic and ideological subjectivity—as it shifts realms of social, cultural, and aesthetic disturbance. Feuillade’s work raises significant questions of cinema authorship, film history, and film aesthetics, all of which are examined in Vicki Callahan’s groundbreaking work Zones of Anxiety, the first study to address the crime serials of Louis Feuillade from a feminist perspective. Zones of Anxiety merges cultural history and feminist film theory, arguing for a different kind of film history, a “poetic history” that is shaped by the little-examined cinematic mode of “uncertainty.” Often obscured by film technique and film historians, this quality of uncertainty endemic to the cinema comes in part from the formal structures of repetition and recursion found in Feuillade’s serials. However, Callahan argues that uncertainty is also found in the “poetic body” of the actress Musidora who is featured in two of the serials. It is the mobility of the Musidora figure—socially, culturally, sexually, and textually—that makes her a powerful image and also a place to view the historical blind spots of film studies and feminist studies with regard to questions of race, class, and sexuality. Callahan’s substantial focus on archival research builds a foundation for a host of compelling arguments for a new feminist history of film. Other studies have touched on the issue of gender in early cinema, though until now neither Feuillade’s work nor French silent film have been examined in light of feminist film theory and history. Zones of Anxiety opens up the possibility of alternate readings in film studies, illuminating our understanding of subjectivity and situating a spectatorship that acknowledges social and cultural differences.
Literature, Postcolonialism, and the Nation
Attempts by writers and intellectuals in former colonies to create unique national cultures are often thwarted by a context of global modernity, which discourages particularity and uniqueness. In describing unstable social and political cultures, such "third-world intellectuals" often find themselves torn between the competing literary requirements of the "local" culture of the colony and the cosmopolitan, "world" culture introduced by Western civilization. In Zones of Instability, Imre Szeman examines the complex relationship between literature and politics by exploring the production of nationalist literature in the former British empire. Taking as his case studies the regions of the British Caribbean, Nigeria, and Canada, Szeman analyzes the work of authors for whom the idea of the"nation" and literature are inexorably entwined, such as Chinua Achebe, Wole Soyinka, C.L.R. James, Frantz Fanon, and V.S. Naipaul. Szeman focuses on literature created in the two decades after World War II, decades in which the future prospects for many colonies went from extreme political optimism to extreme political disappointment. He finds that the "nation" can be read as that space in which literature is thought to be able to conjoin two things that history has separated—the writer and the people.
Lynn Powell’s earlier work has deservedly brought her prestigious prizes and a loyal following. Now, in The Zones of Paradise, Powell extends her range and raises her language to a new intensity. These poems travel from Australia to New Mexico, from the Garden of Eden to her own back yard in Ohio, and everywhere they tremble with the restless exploration of desire, thwarted or fulfilled: “my heart another / Magellan of memory and want.” The Zones of Paradise may offer a vision of what it is like to live in “the fallout of The Fall,” but Powell’s lines dazzle with their sensuous intelligence and vivid wit, introducing an undaunted Eve who can announce, “I want to take April as my personal savior.” In poems that embrace both the risks and pleasures of experience, Lynn Powell celebrates the only world we know.