Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Hollywood's Sophisticated Cad
Throughout the 1940s, Zachary Scott (1914-1965) was the model for sophisticated, debonair villains in American film. His best-known roles include a mysterious criminal in The Mask of Dimitrios and the indolent husband in Mildred Pierce. He garnered further acclaim for his portrayal of villains in Her Kind of Man, Danger Signal, and South of St. Louis. Although he earned critical praise for his performance as a heroic tenant farmer in Jean Renoir's The Southerner, Scott never quite escaped typecasting.
In Zachary Scott: Hollywood's Sophisticated Cad, Ronald L. Davis writes an appealing biography of the film star. Scott grew up in privileged circumstances--his father was a distinguished physician; his grandfather was a pioneer cattle baron--and was expected to follow his father into medical practice. Instead, Scott began to pursue a career in theater while studying at the University of Texas and subsequently worked his way on a ship to England to pursue acting. Upon his return to America, he began to look for work in New York.
Excelling on stage and screen throughout the 1940s, Scott seemed destined for stardom. By the end of 1950, however, he had suffered through a turbulent divorce. A rafting accident left him badly shaken and clinically depressed. His frustration over his roles mounted, and he began to drink heavily. He remarried and spent the rest of his career concentrating on stage and television work. Although Scott continued to perform occasionally in films, he never reclaimed the level of stardom that he had in the mid-1940s.
To reconstruct Scott's life, Davis uses interviews with Scott and colleagues and reviews, articles, and archival correspondence from the Scott papers at the University of Texas and from the Warner Brothers Archives. The result is a portrait of a talented actor who was rarely allowed to show his versatility on the screen.
Indian-European Exchange in the Colonial Southeast
In 1540, Zamumo, the chief of the Altamahas in central Georgia, exchanged gifts with the Spanish conquistador Hernando de Soto. With these gifts began two centuries of exchanges that bound American Indians and the Spanish, English, and French who colonized the region. Whether they gave gifts for diplomacy or traded commodities for profit, Natives and newcomers alike used the exchange of goods such as cloth, deerskin, muskets, and sometimes people as a way of securing their influence. Gifts and trade enabled early colonies to survive and later colonies to prosper. Conversely, they upset the social balance of chiefdoms like Zamumo's and promoted the rise of new and powerful Indian confederacies like the Creeks and the Choctaws.
Drawing on archaeological studies, colonial documents from three empires, and Native oral histories, Joseph M. Hall, Jr., offers fresh insights into broad segments of southeastern colonial history, including the success of Florida's Franciscan missionaries before 1640 and the impact of the Indian slave trade on French Louisiana after 1699. He also shows how gifts and trade shaped the Yamasee War, which pitted a number of southeastern tribes against English South Carolina in 1715-17. The exchanges at the heart of Zamumo's Gifts highlight how the history of Europeans and Native Americans cannot be understood without each other.
His Life, His Adventures, His Women
Zane Grey was a disappointed aspirant to major league baseball and an unhappy dentist when he belatedly decided to take up writing at the age of thirty. He went on to become the most successful American author of the 1920s, a significant figure in the early development of the film industry, and central to the early popularity of the Western._x000B_Grey's personal life was as colorful as his best novels. Two backcountry trips into the Grand Canyon inspired his first Westerns, and he returned to Arizona annually for many years. His matching passion for sport fishing carried him to Mexico, Nova Scotia, the Galapagos Islands, New Zealand, Tahiti, and Australia. These trips were a canvas for the striking contradictions in Grey's life. Though he celebrated chastity and romantic love in his novels and his marriage was crucial to his success, these ideals were sorely tested by his long separations, deep depressions, and multiple involvements with women. Likewise his popularization of hunting, fishing, and the latest equipment threatened the wilderness that he revered and campaigned to protect._x000B_Thomas H. Pauly's work is the first full-length biography of Zane Grey to appear in over thirty years. Using a hitherto unknown trove of letters and journals, including never-before-seen photographs of his adventures--both natural and amorous--Zane Grey will greatly enlarge and radically alter the current understanding of the superstar author, whose fifty-seven novels and one hundred and thirty movies heavily influenced the world's perception of the Old West._x000B_
Histories and Cultural Politics in Southern Mexico
This richly detailed study chronicles recent political events in southern Mexico, up to and including the July 2000 election of Vicente Fox. Lynn Stephen focuses on the meaning that Emiliano Zapata, the great symbol of land reform and human rights, has had and now has for rural Mexicans. Stephen documents the rise of the Zapatista rebellion in Chiapas and shows how this rebellion was understood in other parts of Mexico, particularly in Oaxaca, giving a vivid sense of rural life in southern Mexico. Illuminating the cultural dimensions of these political events, she shows how indigenous Mexicans and others fashioned their own responses to neoliberal economic policy, which ended land reform, encouraged privatization, and has resulted in increasing socioeconomic stratification in Mexico.
Mixing original ethnographic material drawn from years of fieldwork in Mexico with historical material from a variety of sources, Stephen shows how activists have appropriated symbols of the revolution to build the contemporary political movement. Her wide-ranging narrative touches on the history of land tenure, racism, gender issues in the Zapatista movement, local political culture, the Zapatista uprising of the 1990s and its aftermath, and more. A significant addition to our knowledge of social change in contemporary Mexico, Zapata Lives! also offers readers a model for engaged, activist anthropology.
Farming and Food in the Northern Sierra of Oaxaca
In this book, Roberto González convincingly argues that Zapotec agricultural and dietary theories and practices constitute a valid local science, which has had a reciprocally beneficial relationship with European and United States farming and food systems since the sixteenth century.
Cultural, Social, and Political Processes in Transnational Prespective
7 September 1926—7 September 1986
In May of 1986 Edward Kamau Brathwaite learned that his wife, Doris, was dying of cancer and had only a short time to live. Responding as a poet, he began “helplessly & spasmodically” to record her passage in a diary. Zea Mexican is a collection of excerpts from this diary and other notes from this period of the Brathwaites’ lives, and few who read this book will fail to be caught up in the depth of Edward Brathwaite’s grief. Zea Mexican is a tribute to Doris Brathwaite and an exploration of the creative potency of love. (The title comes from the name Brathwaite gave Doris, who was originally from Guyana of part Amerindian descent.) Exposing the intimacy of his marriage, this book is the closest Brathwaite has ever come to an autobiographical statement. In examining his life with Doris he found the courage to reveal something of his own character. But, more than an autobiography, Zea Mexican is an extraordinary work of literature, much of it written in the expressive “nation language” of Jamaica and the Caribbean. Brathwaite filters his pain through his poetic gift, presenting it to the reader with all the poignancy poetry conveys.
The Obizzi Saga
A prominent writer, a master painter, and a treasure of art that for centuries had been largely neglected are brought brilliantly to life in this first important study of one of the great legacies of Renaissance art. The immense castle at Cataio, about thirty-five miles from Venice, was built between 1570 and 1573. An extraordinary series of frescoes, painted in 1573, covers the walls of six of its palatial halls. Programmed by Giuseppe Betussi, the forty frescoes depict momentous events in the history of the Obizzi family from 1004 to 1422. Executed by Giambattista Zelotti and assistants, the frescoes, plus ceiling decorations, are painted in a Mannerist, highly illusionist style with such skill that the walls seem to be windows through which one views battle scenes, weddings, political negotiations, and other episodes in the dramatic history of the Obizzi family.Now one of the most distinguished scholars of Italian art takes readers room by room, fresco by fresco, on the first guided tour of this Betussi-Zelotti masterpiece. Writing with characteristic clarity, Irma Jaffe combines art history, iconography, formal analysis, Italian history, and the story of the Obizzi family in a richly detailed esthetic, social and historical introduction to the entire series.Describing and explaining with spirit and authority the composition and meaning of each fresco-each illustrated with full color plates-Jaffe also illuminates the fascinating decorations on the ceilings and overdoors of the great rooms. In figures that personify virtues and vices, to comment on the events painted on the walls beneath them, the values of sixteenth century Italy are reflected with uncommon clarity in both the fresco saga and the decorations above.A full understanding of Mannerism and sixteenth century painting must now include the contribution of Battista Zelotti. In the scenes at Cataio he reveals the possibilities available to Mannerist style in his countless poses of the human figure and of horses, in his variety of settings---indoor and outdoor, land and sea---and in the range of preeminent sixteenth century values such as family rank and pride, personal courage, and religion that are expressed in his Saga of the Obizzi family. Zelotti's masterpiece carries the artificiality inherent in Mannerism to a new level of theatrical drama. Viewing the scenes of fierce battles, magnificent weddings, assassinations, and triumph after triumph, suggests to modern viewers something of the splendor of grand opera.For Renaissance scholars and students, for art historians, for travelers and art lovers interested in the heritage of the Renaissance in Italy and in the glorious estates of the Veneto, Zelotti's Epic Frescoes at Cataio: The Obizzi Saga will be an indispensable introduction and guide to a treasure hidden in plain sight for many years.