Writing in his late teens and early twenties, S\am\i cAmr gave his diary an apt subtitle: The Battle of Life, encapsulating both the political climate of Palestine in the waning years of the British Mandate as well as the contrasting joys and troubles of family life. Now translated from the Arabic, S\am\i’s diary represents a rare artifact of turbulent change in the Middle East. Written over four years, these ruminations of a young man from Hebron brim with revelations about daily life against a backdrop of tremendous transition. Describing the public and the private, the modern and the traditional, S\am\i muses on relationships, his station in life, and other universal experiences while sharing numerous details about a pivotal moment in Palestine’s modern history. Making these never-before-published reflections available in translation, Kimberly Katz also provides illuminating context for S\am\i’s words, laying out biographical details of S\am\i, who kept his diary private for close to sixty years. One of a limited number of Palestinian diaries available to English-language readers, the diary of S\am\i cAmr bridges significant chasms in our understanding of Middle Eastern, and particularly Palestinian, history.

Has China in the 1980s gone through a phase of "youth rebellion" comparable with that represented in films such as Rebel Without a Cause (1954), Look Back in Anger (1959) or Easy Rider (1969)? The present study is an attempt to look for evidence in the "youth-rebellion" films produced over that period of time that may help to answer the question.

Fascinating revisionist history of Jewish life in Tel Aviv in the Mandate era

The Young, the Restless, and the Dead captures the spirit of Canadian filmmakers through interviews with the most accomplished and dynamic of yesterday’s, today’s, and tomorrow’s film greats. Funny, provocative, and enlightening, the filmmakers reflect on their careers and explore with the interviewers the issues that challenge them.

This book features an interview with a late director (Jean-Claude Lauzon) whose work is recognized in the canon as outstanding; interviews with filmmakers who are accomplished in their fields and have to their credit a sizeable body of work (Blake Corbet, Andrew Currie, Brent Carlson, Guy Maddin, Lynne Stopkewich, Anne Wheeler, Gary Burns, and Mina Shum); and an interview with a young director new to the field (Michael Dowse). Together these players in the Canadian film scene capture the energy, success, and tribulations of a fascinating cultural industry.

The Young, the Restless, and the Dead is the first volume in a series of interviews with key cultural creators in the field of cinema. It seeks to bring to a wide audience the insights and emotions, the trials and achievements of significant figures in Canadian film.

George Melnyk talks about The Young, the Restless, and the Dead with Eric Volmers of the Calgary Herald. <a href="http://www2.canada.com/calgaryherald/news/booksandthearts/story.html?id=eff1d18b-bb2e-4bcc-b984-891f6fc35aa1">Read the interview online.

"An important resource for scholars, policymakers and social service providers....devoted to economic, demographic, ethical, legal, public policy, psychological, social service, subcultural and sociological issues relevant to young fathers. This volume contributes to the ongoing process of reframing the early pregnancy an childbearing literature to include young fathers. The empirical chapters include quantitative analyses of national surveys, ethnographic studies of inner-city young men and program evaluations....provide[s] up-to-date overviews of recent policy and programmatic initiatives." —Journal of Adolescence This volume is the first volume to bring together a wide and balanced array of research program and policy perspectives on unwed fatherhood. The essays illuminate the public debate about welfare reform, paternity and child support, and family values.

An engrossing autobiographical exploration of black masculinity as a mode of racial and verbal performance.

Though the field of comic book studies has burgeoned in recent years, Latino characters and creators have received little attention. Putting the spotlight on this vibrant segment, Your Brain on Latino Comics illuminates the world of superheroes Firebird, Vibe, and the new Blue Beetle while also examining the effects on readers who are challenged to envision such worlds. Exploring mainstream companies such as Marvel and DC as well as rising stars from other segments of the industry, Frederick Aldama provides a new reading of race, ethnicity, and the relatively new storytelling medium of comics themselves. Overview chapters cover the evolution of Latino influences in comics, innovations, and representations of women, demonstrating Latino transcendence of many mainstream techniques. The author then probes the rich and complex ways in which such artists affect the cognitive and emotional responses of readers as they imagine past, present, and future worlds. Twenty-one interviews with Latino comic book and comic strip authors and artists, including Laura Molina, Frank Espinosa, and Rafael Navarro, complete the study, yielding captivating commentary on the current state of the trade, cultural perceptions, and the intentions of creative individuals who shape their readers in powerful ways.

In the wake of structural adjustment programs in the 1980s and health reforms in the 1990s, the majority of sub-Saharan African governments spend less than ten dollars per capita on health annually, and many Africans have limited access to basic medical care. Using a community-level approach, anthropologist Ellen E. Foley analyzes the implementation of global health policies and how they become intertwined with existing social and political inequalities in Senegal. Your Pocket Is What Cures You examines qualitative shifts in health and healing spurred by these reforms, and analyzes the dilemmas they create for health professionals and patients alike. It also explores how cultural frameworks, particularly those stemming from Islam and Wolof ethnomedicine, are central to understanding how people manage vulnerability to ill health.While offering a critique of neoliberal health policies, Your Pocket Is What Cures You remains grounded in ethnography to highlight the struggles of men and women who are precariously balanced on twin precipices of crumbling health systems and economic decline. Their stories demonstrate what happens when market-based health reforms collide with material, political, and social realities in African societies.