"[Yellowcake Towns] provides us with not only an in-depth picture of the fluctuations of the demands for uranium over the previous half century but also a personal look at the health and economic implications on people and communities who supported such ventures at the behest of the government." —Utah Historical Quarterly

"A fascinating story, well researched and written." —Moab Times Independent

Michael Amundson presents a detailed analysis of the four mining communities at the hub of the twentieth-century uranium booms: Moab, Utah; Grants, New Mexico; Uravan, Colorado; and Jeffrey City, Wyoming. He follows the ups and downs of these "Yellowcake Towns" from uranium's origins as the crucial element in atomic bombs and the 1950s boom to its use in nuclear power plants, the Three Mile Island accident, and the 1980s bust. Yellowcake Towns provides a look at the supply side of the Atomic Age and serves as an important contribution to the growing bibliography of atomic history.

In this important new book, C.H. Kwan asks whether the Japanese yen can, or will, replace the dollar as the key currency in East Asia. Kwan analyzes the implications for Japan and Asia's developing countries should they come together to form a yen bloc —a grouping of countries that use the yen as an international currency and maintain stable exchange rates against the yen. Combining academic analysis with his experience advising the Japanese prime minister and the Japanese minister of finance, Kwan concludes that a yen bloc might benefit Asia's developing countries —as well as Japan —while contributing to a more stable international monetary order. Kwan's book represents the first attempt to explore systematically the possibility of monetary integration in Asia. It also provides a vision for regional integration in Asia in the twenty-first century.

As the nineteenth century ended in Hunt County, Texas, a way of life was dying. The tightly knit, fiercely independent society of the yeomen farmers—”plain folk,” as historians have often dubbed them—was being swallowed up by the rising tide of a rapidly changing, cotton-based economy. A social network based on family, religion, and community was falling prey to crippling debt and resulting loss of land ownership. For many of the rural people of Hunt County and similar places, it seemed like the end of the world. In Yeomen, Sharecroppers, and Socialists historian Kyle G. Wilkison analyzes the patterns of plain-folk life and the changes that occurred during the critical four decades spanning the end of the nineteenth and the beginning of the twentieth centuries. Political protest evolved in the wake of the devastating losses experienced by the poor rural majority, and Wilkison carefully explores the interplay of religion and politics as Greenbackers, Populists, and Socialists vied for the support of the dispossessed tenant farmers and sharecroppers. With its richly drawn contextualization and analysis of the causes and effects of the epochal shifts in plain-folk society, Kyle G. Wilkison’s Yeomen, Sharecroppers, and Socialists will reward students and scholars in economic, regional, and agricultural history.      

This book contends that Josiah Royce bequeathed to philosophy a novel idealism based on an ethico-religious insight. This insight became the basis for an idealistic personalism, wherein the Real is the personal and a metaphysics of community is the most appropriate approach to metaphysics for personal beings, especially in an often impersonal and technological intellectual climate. The first part of the book traces how Royce constructed his idealistic personalism in response to criticisms made by George Holmes Howison. That personalism is interpreted as an ethical and panentheistic one, somewhat akin to Charles Hartshorne's process philosophy. The second part investigates Royce's idealistic metaphysics in general and his ethico-religious insight in particular. In the course of these investigations, the author examines how Royce's ethico-religious insight could be strengthened by incorporating the philosophical theology of Dr. Reverend Martin Luther King, Jr., and Emmanuel Levinas's ethical metaphysics. The author concludes by briefly exploring the possibility that Royce's progressive racial anti-essentialism is, in fact, a form of cultural, antiblack racism and asks whether his cultural, antiblack racism taints his ethico-religious insight.

Barack Obama’s presidential victory demonstrated unprecedented racial progress on a national level. Not since the civil rights legislation of the 1960s has the United States seen such remarkable advances. During Obama’s historic campaign, however, prominent African Americans voiced concern about his candidacy, demonstrating a divided agenda among black political leaders. The assassination of Martin Luther King Jr. changed perceptions about the nature of African American leadership. In Yes We Did?, Cynthia Fleming examines the expansion of black leadership from grassroots to the national arena, beginning with Booker T. Washington and W. E. B. DuBois and progressing through contemporary leaders including Harold Ford Jr., Louis Farrakhan, Jesse Jackson Jr., and Barack Obama. She emphasizes socioeconomic status, female black leadership, media influence, black conservatism, and generational conflict. Fleming had unprecedented access to a wide range of activists, including Carol Mosley Braun, Al Sharpton, and John Hope Franklin. She deftly maps the history of black leadership in America, illuminating both lingering disadvantages and obstacles that developed after the civil rights movement. Among those interviewed were community activists and scholars, as well as former freedom riders, sit-in activists, and others who were intimately involved in the civil rights struggle and close to Dr. King. Their personal accounts reflect the diverse viewpoints of the black community and offer a new understanding of the history of African American leadership, its current status, and its uncertain future.

2009 Choice Outstanding Academic Title

The ultra-Orthodox yeshiva, or Jewish seminary, is a space reserved for men, and for a focus on religious ideals. Fundamentalist forms of piety are usually believed to be quite resistant to change. In Yeshiva Fundamentalism, Nurit Stadler uncovers surprising evidence that firmly religious and pious young men of this community are seeking to change their institutions to incorporate several key dimensions of the secular world: a redefinition of masculinity along with a transformation of the family, and participation in civic society through the labor market, the army, and the construction of organizations that aid terror victims. In their private thoughts and sometimes public actions, they are resisting the demands placed on them to reject all aspects of the secular world.

Because women are not allowed in the yeshiva setting, Stadler's research methods had to be creative. She invented a way to simulate yeshiva learning with young yeshiva men by first studying with an informant to learn key religious texts, often having to do with family life, sexuality, or participation in the larger society. This informant then invited students over to discuss these texts with Stadler and himself outside of the yeshiva setting. This strategy enabled Stadler to gain access to aspects of yeshiva life in which a woman is usually unable to participate, and to hear "unofficial" thoughts and reactions which would have been suppressed had the interviews taken place within the yeshiva.

Yeshiva Fundamentalism provides an intriguing — and at times surprising — glimpse inside the all-male world of the ultra-orthodox yeshivas in Israel, while providing insights relevant to the larger context of transformations of fundamentalism worldwide. While there has been much research into how contemporary feminism has influenced the study of fundamentalist groups worldwide, little work has focused on ultra-Orthodox men's desires to change, as Stadler does here, showing how fundamentalist men are themselves involved in the formulation of new meanings of piety, gender, modernity and relations with the Israeli state.

A renowned scholar looks back on his life and the life of his mother, tracing the Yiddish experience through major historical events of the last century.

This book is the first comprehensive study of Yijing (Book of Changes) commentary during the Northern Song period, showing how it reflects a coming to terms with major political and social changes. Seen as a transitional period in China’s history, the Northern Song (960–1127) is often described as the midpoint in the Tang-Song transition or as the beginning of Song-Ming Neo-Confucianism. Challenging this traditional view, Tze-ki Hon demonstrates the complexity of the Northern Song by breaking it into three periods characterized by, alternately, the reestablishment of civil governance, large-scale reforms, and a descent into factional rivalry. To illustrate the distinct characteristics of these three periods, Hon compares commentaries by Hu Yuan, Zhang Zai, and Cheng Yi with five other Yijing commentaries, highlighting the broad parameters, as well as the specific content, of an extremely important world of discourse—the debate on literati activism. These differing views on the literati’s role in civil governance prove how lively, diverse, and intense Northern Song intellectual life was, while also reminding us how important it is to understand the history of the period on its own terms.

Known as "Broadway's social conscience," E. Y. Harburg (1896-1981) wrote the lyrics to the standards, "Brother, Can You Spare a Dime?," "April in Paris," and "It's Only a Paper Moon," as well as all of the songs in The Wizard of Oz, including "Over the Rainbow." Harburg always included a strong social and political component to his work, fighting racism, poverty, and war. Interweaving close to fifty interviews (most of them previously unpublished), over forty lyrics, and a number of Harburg's poems, Harriet Hyman Alonso enables Harburg to talk about his life and work. He tells of his early childhood on the Lower East Side of Manhattan, his public school education, how the Great Depression opened the way to writing lyrics, and his work on Broadway and Hollywood, including his blacklisting during the McCarthy era. Finally, but most importantly, Harburg shares his commitment to human rights and the ways it affected his writing and his career path. Includes an appendix with Harburg's key musicals, songs, and films.