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A Year Inland Cover

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A Year Inland

The Journal of a Hudson’s Bay Company Winterer

Anthony Henday, a young Hudson’s Bay Company employee, set out from York Factory in June 1754 to winter with “trading Indians” along the Saskatchewan River. He adapted willingly and easily to their way of life; he also kept a journal in which he described the plains region and took note of rival French traders’ success at their inland posts. A copy of Henday’s journal was immediately sent to the company directors in London. They rewarded Henday handsomely although they were uncertain where he had travelled, what groups he had met on the plains, and what success he had in opposing rival French traders. Since then, uncertainty about Henday’s year inland has increased. The original journal disappeared; only four copies, dating from 1755 to about 1782, are extant. Each text differs from the other three; the differences range from variant spellings to word choice to contradictory statements on vital questions. All four copies are the work of a company clerk, later factor, named Andrew Graham, who used them to support his own views on HBC trading policies. Twentieth-century scholars have based their claims for Henday’s importance as an explorer, trader and observer of Native cultures on a poorly edited transcript of the 1782 text. They have been unaware or careless of the journal’s textual ambiguity. A Year Inland presents all four copies for the first time, together with contextual notes and a commentary that reassesses the journal’s information on plains geography, people and trade.

A Year of Iowa Nature Cover

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A Year of Iowa Nature

Discovering Where We Live

Carl Kurtz

Every Sunday evening for almost ten years, Iowa photographer and naturalist Carl Kurtz has e-mailed a photo and an extended caption to hundreds of outdoor enthusiasts. Engaging and informative, the photos focus on the world around and away from his tallgrass prairie homeplace: snow buntings in a blizzard, maple leaves in fall, migrating snow geese and red-winged blackbirds and monarchs, prairie spiderworts in spring bloom, leopard frogs loafing on waterlily leaves, northern flickers feeding young, and all the inhabitants and moods of the passing seasons. Now, in A Year of Iowa Nature, he presents fifty-five of his favorite photos along with an evocative introduction that urges us to go forth and discover the beauty in our own backyards.

Concentrating on Iowa’s tallgrass prairie, Kurtz also points his viewfinder toward the great variety of natural habitats in the eastern United States. Arranged chronologically throughout the year, the fifty-five color photos and their accompanying narratives rotate through the seasons like a nature film. The winter months showcase a frost-covered white-tailed deer, cedar waxwings feeding on winter apples, a muskrat on the surface of an icy pond, and dune-like snowdrifts. Kurtz’s palette warms up in springtime with stunning photos of Virginia bluebells, fox cubs, juvenile chipmunks, and ruddy ducks. Summer brings a host of butterflies, frogs, and goldfinches as well as blooming prairie plants. The colors become more subdued in fall with the change in light, revealing the rich hues of Indian grass and big bluestem and the subtle plumage of migrating warblers.

Just as Kurtz’s Practical Guide to Prairie Reconstruction offers an indispensable manual for individuals and land managers working to create a diverse prairie community, so does A Year of Iowa Nature point the way toward a sincere, month-by-month appreciation of the natural world around us.

Year Of Passages Cover

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Year Of Passages

Reda Bensmaia

Straddling the boundary between fiction and nonfiction, this rich and unconventional novel provokes thought at the turn of every page. It is a tale of exile and passage, a tale that moves in multiple directions, full of gusto and rollicking irony. The tale is narrated by a North African author who is now living in the United States because he has been condemned by religious fanatics after the publication of his novel entitled Dead Letters. He is disillusioned with literature, and his life events are beyond his control. He can only write, and he fabricates material from trends imposed on him by the American academy. Bensmaïa's knowledge of the history, the literature, and the philosophical ideas of our times underlies the novel without intruding into it directly. He offers, among other things, an important reflection on U.S. political culture, touching on issues ranging from foreign policy in the Middle East to the media's role in alternately demonizing Muslim cultures and fostering ignorance of them. In The Year of Passages, Bensmaïa has created a vibrant work that defies classification and promises to be a major event that compels the rethinking of the Western literary tradition.

The Year of Perfect Happiness Cover

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The Year of Perfect Happiness

Becky Adnot-Haynes

The sharp-witted stories in Becky Adnot-Haynes' debut collection explore the secret lives of people--how they deal with the parts of themselves that they choose not to share with their closest confidants--and with the world. A pole-vaulter practices his sport only before dawn. A recently divorced woman signs up for a hallucinogenic drug excursion in the Arizona desert. An uncertain girlfriend goes out into the world wearing a false pregnancy belly. In The Year of Perfect Happiness, the universe is recognizable but slightly askew, a world whose corners can be peeled back to reveal the strange and often comic outcomes of acting out your most self-destructive desires. "In The Year of Perfect Happiness, Becky Adnot-Haynes puts her smart and funny prose to expert use, patiently delving the radiant mysteries we keep from strangers, from ourselves, from the people we love the most: Our joys and sorrows, our hidden hurts and unforgettable mistakes and untellable secrets, secrets which Adnot-Haynes' excellent stories suggest we want only to be forced to share, craving the moment when we're at last revealed in all our imperfect but stunning humanity."--Matt Bell, author of In the House upon the Dirt between the Lake and the Woods and judge

The Year of the Lash Cover

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The Year of the Lash

Free People of Color in Cuba and the Nineteenth-Century Atlantic World

Michele Reid-Vazquez

Michele Reid-Vazquez reveals the untold story of the strategies of negotia­tion used by free blacks in the aftermath of the “Year of the Lash”—a wave of repression in Cuba that had great implications for the Atlantic World in the next two decades.

At dawn on June 29, 1844, a firing squad in Havana executed ten accused ringleaders of the Conspiracy of La Escalera, an alleged plot to abolish slavery and colonial rule in Cuba. The condemned men represented prominent members of Cuba’s free community of African descent, including the acclaimed poet Plácido (Gabriel de la Concepción Valdés). In an effort to foster a white majority and curtail black rebellion, Spanish colonial authorities also banished, imprisoned, and exiled hundreds of free blacks, dismantled the militia of color, and accelerated white immigration projects.

Scholars have debated the existence of the Conspiracy of La Escalera for over a century, yet little is known about how those targeted by the violence responded. Drawing on archival material from Cuba, Mexico, Spain, and the United States, Reid-Vazquez provides a critical window into under­standing how free people of color challenged colonial policies of terror and pursued justice on their own terms using formal and extralegal methods. Whether rooted in Cuba or cast into the Atlantic World, free men and women of African descent stretched and broke colonial expectations of their codes of conduct locally and in exile. Their actions underscored how black agency, albeit fragmented, worked to destabilize repression’s impact.

Year of the Locust Cover

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Year of the Locust

A Soldier's Diary and the Erasure of Palestine's Ottoman Past

Salim Tamari

Year of the Locust captures in page-turning detail the end of the Ottoman world and a pivotal moment in Palestinian history. In the diaries of Ihsan Hasan al-Turjman (1893–1917), the first ordinary recruit to describe World War I from the Arab side, we follow the misadventures of an Ottoman soldier stationed in Jerusalem. There he occupied himself by dreaming about his future and using family connections to avoid being sent to the Suez. His diaries draw a unique picture of daily life in the besieged city, bringing into sharp focus its communitarian alleys and obliterated neighborhoods, the ongoing political debates, and, most vividly, the voices from its streets—soldiers, peddlers, prostitutes, and vagabonds. Salim Tamari’s indispensable introduction places the diary in its local, regional, and imperial contexts while deftly revising conventional wisdom on the disintegration of the Ottoman Empire.

Year of the Pig Cover

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Year of the Pig

Mark J. Hainds

Year of the Pig is a personal account of one avid hunter's pursuit of wild pigs in eleven American states. Mark Hainds tied his mission to the Chinese calendar's Year of the Pig in 2007 and journeyed through longleaf forests, cypress swamps, and wiliwili forests in search of his prey. He used a range of weapons--black-powder rifle, bow and arrow, knife, and high-powered rifle--and various methods to stalk his quarry through titi, saw palmetto, privet hedge, and blue palms.

Introduced pig populations have wreaked havoc on ecosystems the world over.  Non-native to the Western Hemisphere, pigs originally arrived in the southeast with De Soto's entrada and in the Hawaiian Archipelago on the outriggers of South Pacific islanders. In America feral hogs are considered pests and invaders because of their omnivorous diet and rooting habits that destroy both fragile native species and agricultural cropland.

Appealing to hunters and adventure readers for its sheer entertainment, Year of the Pig will also be valuable to farmers, land managers, and environmentalists for its broad information and perspective on the topic.
Mark J. Hainds is Senior Research Associate with Auburn University and Research Coordinator for the Longleaf Alliance located at the Solon Dixon Forestry Center in Andalusia, AL. He travels widely giving presentations on various aspects of forestry and has published several technical papers, most notably, "Distribution of Native Legumes in Frequently Burned Longleaf Pine--Wiregrass Ecosystems" (American Journal of Botany: 86(11): 1606-1614, 1999). Hainds is a dedicated hunter and outdoorsman, from childhood.

 

Year of the Rhinoceros Cover

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Year of the Rhinoceros

Michael Neff

The year is 1984. The ruthless dictatorship envisioned by Orwell has not come to pass. Or has it? Under the presidency of former Hollywood actor Ronald Reagan, the war for America’s soul has begun—a struggle of conscience and idealism versus idolatry and political tyranny. Democracy is fading, and two young liberals in Washington are determined to restore it, no matter the cost.

Year of the Snake Cover

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Year of the Snake

Lee Ann Roripaugh

In her second collection of poems, Lee Ann Roripaugh probes themes of mixed-race female identities, evoking the molting processes of snakes and insects who shed their skins and shells as an ongoing metaphor for transformation of self. Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth.

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The Yearbook of Comparative Literature

Vol. 54 (2008) through current issue

The Yearbook of Comparative and General Literature is dedicated to the publication of theoretically informed research in literary studies with a comparative, intercultural, or interdisciplinary emphasis. We invite articles on the comparative study of the arts, film studies with connections to literature, international literary relations, literary pedagogy, and the theory and practice of translation, as well as on the study of genres and modes, themes and motifs, periods and movements. Manuscripts (generally of twenty to thirty-five double-spaced pages) should be submitted in accordance with the current MLA Style Manual, including parenthetical documentation and a list of works cited. The author’s name should not appear with the title or on headers, and endnote references to the author should be in the third person. Please enclose two copies of the essay, along with return postage. If the submission is accepted, the author will be asked to provide an electronic version (e.g., a PC-formatted disk or attachment). Submissions will be promptly acknowledged, and the review process normally takes approximately four to six months.

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