Anthony Henday, a young Hudson’s Bay Company employee, set out from York Factory in June 1754 to winter with “trading Indians” along the Saskatchewan River. He adapted willingly and easily to their way of life; he also kept a journal in which he described the plains region and took note of rival French traders’ success at their inland posts. A copy of Henday’s journal was immediately sent to the company directors in London. They rewarded Henday handsomely although they were uncertain where he had travelled, what groups he had met on the plains, and what success he had in opposing rival French traders. Since then, uncertainty about Henday’s year inland has increased. The original journal disappeared; only four copies, dating from 1755 to about 1782, are extant. Each text differs from the other three; the differences range from variant spellings to word choice to contradictory statements on vital questions. All four copies are the work of a company clerk, later factor, named Andrew Graham, who used them to support his own views on HBC trading policies. Twentieth-century scholars have based their claims for Henday’s importance as an explorer, trader and observer of Native cultures on a poorly edited transcript of the 1782 text. They have been unaware or careless of the journal’s textual ambiguity. A Year Inland presents all four copies for the first time, together with contextual notes and a commentary that reassesses the journal’s information on plains geography, people and trade.

The year is 1984. The ruthless dictatorship envisioned by Orwell has not come to pass. Or has it? Under the presidency of former Hollywood actor Ronald Reagan, the war for America’s soul has begun—a struggle of conscience and idealism versus idolatry and political tyranny. Democracy is fading, and two young liberals in Washington are determined to restore it, no matter the cost.

The Yearbook of Comparative and General Literature is dedicated to the publication of theoretically informed research in literary studies with a comparative, intercultural, or interdisciplinary emphasis. We invite articles on the comparative study of the arts, film studies with connections to literature, international literary relations, literary pedagogy, and the theory and practice of translation, as well as on the study of genres and modes, themes and motifs, periods and movements. Manuscripts (generally of twenty to thirty-five double-spaced pages) should be submitted in accordance with the current MLA Style Manual, including parenthetical documentation and a list of works cited. The author’s name should not appear with the title or on headers, and endnote references to the author should be in the third person. Please enclose two copies of the essay, along with return postage. If the submission is accepted, the author will be asked to provide an electronic version (e.g., a PC-formatted disk or attachment). Submissions will be promptly acknowledged, and the review process normally takes approximately four to six months.

Founded in 1935, the APCG has a rich history of promoting geographical education and research. Its Yearbook includes abstracts of papers from its annual meetings, a selection of full-length peer-reviewed articles, and book reviews. Since 1952 the APCG has also been the Pacific Coast Regional Division (including Hawai'i) of the Association of American Geographers. Individual subscription is by membership in the APCG.

This biography of an unconventional woman in late 19th-century America is a study of a search for individual autonomy and spiritual growth. Laura Holloway-Langford, a "rebel girl" from Tennessee, moved to New York City, where she supported her family as a journalist. She soon became famous as the author of Ladies of the White House, which secured her financial independence. Promoted to associate editor of the Brooklyn Daily Eagle, she gave readings and lectures and became involved in progressive women's causes, the temperance movement, and theosophy—even traveling to Europe to meet Madame Blavatsky, the movement's leader, and writing for the theosophist newspaper The Word. In the early 1870s, she began a correspondence with Eldress Anna White of the Mount Lebanon, New York, Shaker community, with whom she shared belief in pacifism, feminism, vegetarianism, and cremation. Attracted by the simplicity of Shaker life, she eventually bought a farm from the Canaan Shakers, where she lived and continued to write until her death in 1930. In tracing the life of this spiritual seeker, Diane Sasson underscores the significant role played by cultural mediators like Holloway-Langford in bringing new religious ideas to the American public and contributing to a growing interest in eastern religions and alternative approaches to health and spirituality that would alter the cultural landscape of the nation.

Yehuda Amichai is one of the twentieth century's (and Israel's) leading poets. In this remarkable book, Gold offers a profound reinterpretation of Amichai's early works, using two sets of untapped materials: notes and notebooks written by Amichai in Hebrew and German that are now preserved in the Beinecke archive at Yale, and a cache of ninety-eight as-yet unpublished letters written by Amichai in 1947 and 1948 to a woman identified in the book as Ruth Z., which were recently discovered by Gold.

Gold found irrefutable evidence in the Yale archive and the letters to Ruth Z. that allows her to make two startling claims. First, she shows that in order to remake himself as an Israeli soldier-citizen and poet, Amichai suppressed ("camouflaged") his German past and German mother tongue both in reference to his biography and in his poetry. Yet, as her close readings of his published oeuvre as well as his unpublished German and Hebrew notes at the Beinecke show, these texts harbor the linguistic residue of his European origins. Gold, who knows both Hebrew and German, establishes that the poet's German past infused every area of his work, despite his attempts to conceal it in the process of adopting a completely Israeli identity.

Gold's second claim is that Amichai somewhat disguised the story of his own development as a poet. According to Amichai's own accounts, Israel's war of independence was the impetus for his creative writing. Long accepted as fact, Gold proves that this poetic biography is far from complete. By analyzing Amichai's letters and reconstructing his relationship with Ruth Z., Gold reveals what was really happening in the poet's life and verse at the end of the 1940s. These letters demonstrate that the chronological order in which Amichai's works were published does not reflect the order in which they were written; rather, it was a product of the poet's literary and national motivations.

From the end of Reconstruction until the 1950s, Texas was classified as part of the “Solid South,” consistently electing Democrats to national, state, and local office. After World War II, however, a new politics began to emerge throughout the South that ultimately made the region as solidly Republican as it had once been Democratic. Allan Shivers wielded extraordinary influence in this about-face. Serving as governor from 1949 to 1957, Shivers stands as an important transitional figure who, while staying within the Democratic Party all his life, nonetheless led Texas into Eisenhower’s column and toward a new political alignment. Author Ricky F. Dobbs traces the political career of Allan Shivers from his student days at the University of Texas, through his World War II service with the 36th Infantry and various state offices, to his role within the party after leaving the governor’s mansion. Throughout, Dobbs places Shivers’s career in the context of the modernization and urbanization that changed the state and regional picture. He portrays Shivers as one of the state’s most powerful governors and compellingly shows his influence on modern Texas.

"For three decades, William Wong has been America's most energetic and entertaining chronicler of the Asian diaspora and its effects on politics, culture, business, sports, dress, diet, and language. Like other great humorists, he exposes the painful absurdities that plague each new wave of immigrant families as they enrich the national character, from Wong's own adventurous parents to Tiger Woods. Some of these pieces offer surprising insights on geopolitics and others explore the legal and social consequences of racial discrimination, but my favorites are the playful essays, including the classic 'So That's Why I Can't Lose Weight.' " —Jay Mathews, Washington Post reporter and columnist, and author of Class Struggle Who are Asian Americans? Are they the remnants of the "yellow peril" portrayed in the media through stories on Asian street gangs, unscrupulous political fundraisers, and crafty nuclear spies? Or are they the "model minority" that the media present as consistently outranking European Americans in math scores and violin performances? In this funny, sobering, and always enlightening collection, journalist William Wong comments on these and other anomalies of the Asian American experience. From its opening tribute to the Oakland Chinatown of Wong's childhood to its closing tribute to Tiger Woods, Yellow Journalist portrays the many-sided legacies of exclusion and discrimination. The stories, columns, essays, and commentaries in this collection tackle such persistent problems as media racism, criminality, inter-ethnic tensions, and political marginalization. As a group, they make a strong case for the centrality of the Asian American historical experiences in U.S. race relations. The essays cover many subjects, from the personal to policy, from the serious to the silly. You will learn a little Asian American history and a lot about the nuances and complexities of the contemporary Asian American experience. If there is an overriding theme of these stories and essays, it is the multi-faceted adaptation of ethnic Asians to the common American culture, the intriguing roles that they play in our society, and the quality of their achievements to contribute to a better society. Bill Wong's high school journalism teacher took him aside during his senior year and told him he would have to be "twice as good" to succeed at his chosen profession. Succeed he did, and "twice as good" he is. As Darrell Hamamoto remarks in his Foreword, "'Chinaman,' Chinese American, Asian American; any way you slice it, Bill Wong is one straight-up righteous Yellow Man." "One of the advantages of having a writer of Bill Wong's talent around is that we don't have to depend upon intermediaries and go-betweens to give us insights about issues affecting Asian-Americans. He is often entertaining, and ironic, but underneath it all is a serious mind devoted to shattering myths about one of our fastest growing minorities." —Ishmael Reed, author of The Reed Reader "It is about time that America meet William Wong—an icon in journalism whose experience as a second generation Chinese-American has given him a unique lens through which life in America can be examined. For almost two decades, his columns in the Oakland Tribune and other San Francisco bay area newspapers have captured a different kind of reality about some of our most important social, cultural, and political moments. Wong's readiness to share his family, his community, and his conscience allows readers to cross a bridge into the world of Asian America. Whether it is an analysis of the 1996 campaign finance scandals or a perspective on how parent pressures and bi-cultural conflicts can play out in a young Asian American teen's life, Wong's skillful weaving of humor, irony, and poignant portrayals of the circumstances make each story linger long past the final sentence of his essay." —Angela E. Oh, Lecturer/Former Advisory Board Member, President's Initiative on Race "...an anthology of Wong's best writing from the last decade and a half, covering an impressive array of topics and tone." —Asianweek