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Poetry and Publishing between Memory and History
For Walt Whitman, living and working in Washington, D.C., after the Civil War, Reconstruction meant not only navigating these tumultuous years alongside his fellow citizens but also coming to terms with his own memories of the war. Just as the work of national reconstruction would continue long past its official end in 1877, Whitman’s own reconstruction would continue throughout the remainder of his life as he worked to revise his poetic project—and his public image—to incorporate the disasters that had befallen the Union. In this innovative and insightful analysis of the considerable poetic and personal reimagining that is the hallmark of these postwar years, Martin Buinicki reveals the ways that Whitman reconstructed and read the war.
"Live Oak, with Moss" and "Calamus"
In his 1859 “Live Oak, with Moss,” Walt Whitman’s unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised “Live Oak, with Moss” poems became “Calamus,” Whitman’s cluster of poems on “adhesive” and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the “Calamus” poems and the little-known manuscript of notebook poems out of which the “Calamus” cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the “Live Oak, with Moss” poems, the 1860 “Calamus” poems, and the final 1881 “Calamus” poems. In addition to honoring the sesquicentennial of the “Calamus” cluster, she celebrates the ongoing legacy of Whitman’s songs of manly passion, sex, and love.
The volume begins with Whitman’s elegantly handwritten manuscript of the “Live Oak, with Moss” poems, printed side by side with a typeset transcription and followed by a facsimile of the 1860 version of the “Calamus” poems. The concluding section reprints the final version of the “Calamus” poems from the 1881 edition of Leaves of Grass. In an afterword, Erkkila discusses the radical nature of these poems in literary, sexual, and social history; the changes Whitman made in the “Live Oak” and “Calamus” poems in the post–Civil War and Reconstruction years; the literary, political, and other contests surrounding the poems; and the constitutive role the poems have played in the emergence of modern heterosexual and homosexual identity in the United States and worldwide. The volume closes with a selected bibliography of works that have contributed to the critical and interpretive struggles around Whitman’s man-loving life.
One hundred and fifty years after Whitman’s brave decision to speak publicly about a fully realized democracy, his country is still locked in a struggle over the rights of homosexuals. These public battles have been at the very center of controversies over the life, work, and legacy of Walt Whitman, America’s (and the world’s) major poet of democracy and its major singer of what he called “manly love” in all its moods. Together the poems in this omnibus volume affirm his creation of a radical new language designed to convey and affirm the poet’s man love.
Walter R. Miles (1885-1978) was an American experimental psychologist very much interested in laboratory apparatus and procedures and their applications to human behavior. Early in his career, Miles received an appointment as a research scientist at the Carnegie Nutrition Laboratory in Boston, Massachusetts. When Miles arrived at the Carnegie Nutrition Laboratory in 1914, work was well underway on the physiological effects of various nutrients on the human body. Miles began studies on the effects of alcohol on physiological and psychological functioning. The First World War severed many of the relationships that the Carnegie Laboratory had with research counterparts in Europe. After the war, efforts were made to reestablish these ties. From April through August of 1920, Miles visited 57 laboratories and institutes in 9 different countries throughout Europe. A fastidious observer and note taker, Miles documented his journey in exquisite detail. At every stop, he observed, recorded, and interacted with key figures in European physiology and psychology. He gathered all this information together into a highly-detailed report of more than 300 pages. The report, part of the Walter Miles Papers available at the Archives of the History of American Psychology at the University of Akron, was never formally published. Now available in print, this title provides unique information about the workings of major centers of physiological and psychological research in early 20th century Europe. The book is introduced by C. James Goodwin, a renowned Miles' scholar.
Transparencies of Desire
The "Conclusion" to The Renaissance advises the responsive critic to consider carefully "the various forms of intellectual activity which together make up the culture of an age." Transparencies of Desire brings together twenty-one varied, contentious, informative essays that confirm Pater's ongoing power to captivate and challenge readers. The interdisciplinary breadth of the collection demonstrates that the critical culture of Pater studies is always multifaceted--inviting diverse theoretical perspectives yet also demanding that any paradigm of analysis (feminist, new historicist, aesthetic, queer theory, formalist, biographical, Foucauldian) be tested and redefined. Scholars from five different countries reconsider Pater's career and canon, the reception of his works, the intersections of genre, gender, and aesthetics, and the implications of Pater's writings--in aesthetics, fiction, philosophy, archaeology, art history--for contemporary cultural studies.
Walter Wink's writing has been described as brilliant, provocative, passionate, and innovative. His skills in critical scholarship were matched by an engaging and honest style that make his work a must read for twenty-first century theologians and all who seek deeper understanding at the intersection of Bible, theology, social ethics, and more. This important collection is an essential reading for scholars and students of theology, ethics and biblical studies.
A Memoir of Fifty Years in Chicago TV News
Walter Jacobson’s highly readable book Walter’s Perspective: A Memoir of Fifty Years in Chicago TV News provides a unique glimpse into the rough-and-tumble Chicago news business as seen through the eyes of one of its legendary players. From his first news job working as a legman for Daily News columnist Jack Mabley in the 1950s to his later role as a news anchor and political commentator at CBS-owned WBBM, Jacobson battled along the front lines of an industry undergoing dramatic changes. While it is ultimately Jacobson’s story, a memoir of a long and distinguished (and sometimes highly controversial) career, it is also an insider’s account of the inner workings of Chicago television news, including the ratings games, the process of defining news and choosing stories, the media’s power and its failures, and the meddling by corporate and network executives.
As a reporter, Jacobson was regularly contentious and confrontational. He was fired on a number of occasions and was convicted of libeling tobacco company Brown and Williamson, resulting in a multimillion-dollar federal court judgment against him and CBS. Yet it was this gutsy attitude that put him at the top of the news game, enabling him to get inside information on Chicago government and politics, and helped him become the first local television reporter to be granted a visa to visit Communist China. With an engaging writing style, Jacobson relates these experiences and much more. He recollects his interactions with Chicago mayors Richard J. and Richard M. Daley, Jane Byrne, Harold Washington, and Rahm Emanuel; recounts his coverage of such fascinating news stories as the violent 1968 Democratic National Convention and the execution of convicted mass murderer John Wayne Gacy; and recalls his reporting on and interviews with Louis Farrakhan, governors George Ryan and Rod Blagojevich, and Barack Obama. More than a memoir, Walter’s Perspective is the extraordinary journey of one reporter whose distinctive career followed the changing face of Chicago’s local news.
A Year in Australia
Praise for Sam Pickering: "The art of the essay as delivered by Mr. Pickering is the art of the front porch ramble." ---The New York Times Book Review "Reading Pickering . . . is like taking a walk with your oldest, wittiest friend." ---Smithsonian "What a joy it is to 'mess around' with Professor Sam Pickering!" ---The Chattanooga Times "Pickering is a barefoot observer of the quotidian who revels in the spectacle and its gift for surprise, prefers the rumpled to the starched, has raised puttering and messing about to an art form, and wrings from it more than a pennyworth of happiness and a life well lived." ---Kirkus Reviews The movie Dead Poets Society is where most Americans first met Sam Pickering, the University of Connecticut English professor. Robin Williams plays the lead character (loosely based on Pickering), an idiosyncratic instructor who employs some over-the-top teaching methods to keep his subjects fresh and his students learning. Fewer know that Pickering is the author of more than 16 books and nearly 200 articles, or that he's inspired thousands of university students to think in new ways. And, while Williams may have captured Pickering's madcap classroom antics, he didn't uncover the other side of the author-Sam Pickering as one of our great American men of letters. Like the music of Mozart, the painting of Picasso, or the poetry of Emily Dickinson, you can spot Pickering's writing a mile away; there's no mistaking the Pickering pen. As an ample demonstration of the author's literary gifts, Waltzing the Magpies is his unabashedly lush and Technicolor travelogue from Down Under. On the face of it, Waltzing is the chronicle of a sabbatical year spent with family in Australia. Yet beneath the surface Pickering's big themes-family, nature, seizing the moment-move in a powerful current that frequently bursts out in moments of ecstatic revelation and intense sensual flourish. Through it all Pickering weaves stories from his fictional Southern town of Carthage, Tennessee, especially when the goings of the outside world get rough. Waltzing the Magpies is classic Pickering at the height of his literary powers, and places him in the company of such great American essayists as E. B. White and James Thurber, but with an irony and observational prowess that is pure Pickering.
A Study in Nomadic Spirituality
Presents an analysis of the "nomadic" consciousness of our ancestors, and the forces --religious and political --that overwhelmed it during the Neolithic era, and considers its revival in the twentieth century. 'The most famous among the Chinese commentators on the Laozi—a man appreciated even by his opponents for the sheer brilliance of his analysis—is Wang Bi (226–249). Born into a short period of intellectual ferment and freedom after the collapse of the Han dynasty, this self-assured genius, in the short twenty-three years of his life, dashed off two of the most enduring works of Chinese philosophy, a commentary on the Laozi and another on the Book of Changes.
Ascetic Travel in the Mediterranean World, A.D. 300–800
Religious travelers were a common sight in the Mediterranean world during Late Antiquity and the early Middle Ages. In fact, as Maribel Dietz finds in Wandering Monks, Virgins, and Pilgrims, this formative period in the history of Christianity witnessed an explosion of travel, as both men and women took to the roads, seeking spiritual meaning in a life of itinerancy. Much of this early Christian religious travel was not focused on a particular holy place, as in the pilgrimage of later centuries to Rome, Jerusalem, and Santiago de Compostela. Rather, the inspiration was more practical. Travel was a way of escaping hostility or social pressures or of visiting living and dead holy people. It was also a means of religious expression of homelessness and temporary exile. The wandering lifestyle mirrored an interior journey, an imitation of Christ and a commitment to the Christian ideal that an individual is only temporarily on this earth. Women were especially attracted to religious travel. In the centuries before the widespread cloistering of women, a life of itinerancy offered an alternative to marriage and a religious vocation in a society that excluded women from positions of spiritual leadership. Eventually, ascetic travel gave way to full-fledged pilgrimage. Dietz explores how and why religious travel and monasticism diverged and altered so greatly. She examines the importance of the Cluniac reform movement and the creation of the pilgrimage center of Santiago de Compostela in the emergence of a new model of religious travel: goal-centered, long-distance pilgrimage aimed not at monks but at the laity. Wandering Monks, Virgins, and Pilgrims is essential reading for those who study the history of monasticism, for it was in a monastic context that religious travel first claimed an essential place within Christianity. It will also be important for anyone interested in pilgrimage and the role of women in the history of Christianity.